Legally Blonde Poster Movie Double Sided 11x17 Reese Witherspoon Matthew Davis Selma Blair

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• Legally Blonde Double Sided Poster

Molly Shannon (Saturday Night Live) and Selma Blair (Legally Blonde) bring their comedy talents to the sassy and fashionably funny series Kath & Kim. Kath (Shannon), a foxy 40-something, and Kim (Blair), a self-absorbed suburban princess, are forced to reevaluate their hilariously askew mother-daughter relationship when Kim moves home after just a few weeks of marriage. Join them in every fun Season One episode as they aspire to be just like the pop culture celebrities they love while dealing with th! e more down-to-earth men in their lives. Based on the successful Australian series of the same name comes this hilarious, tongue-in-cheek look at relationships that has plenty of outrageous style to spare!The American version of Kath & Kim, based on the wildly successful Australian sitcom, owes as much to its talented lead actresses, Molly Shannon (Kath) and Selma Blair (Kim), as to its witty premise, and the combination makes the series a lovely guilty pleasure.

Mother (Kath) and daughter (Kim) are obsessed with celebrity culture and fancy themselves celeb wannabes in their own mall-centric world. Both actresses have perfected the red-carpet catwalk, for instance, with the perfect hair-toss, which nobody but each other--and the viewer--really notices. One of the best bits about the two leads is their penchant for mangling words as they put on airs (think Archie Bunker meets Married with Children…). The malapropos alone make the series worth watching. In ! making some silly point, Kath declares, in her closing line: "! Ipso fat so." Argument won. But if Kath and Kim are shallower than the Los Angeles River, they do have big hearts underneath--which gives the series its balance.

Extras include deleted scenes, a gag reel that's truly over-the-top, and spot-on commentary by stars Shannon, Blair, Mikey Day, and John Michael Higgins, as well as the show's executive producers and writers. A lot of talent goes into making these women so perfectly dim. --A.T. Hurley "From Todd Solondz, the critically acclaimed director of Welcome to the Dollhouse comes a film comprised of two separate stories set against the sadly comical terrain of college and high school, past and present. Following the paths of its young hopeful/troubled characters, it explores issues of sex, race, celebrity and exploitation. Todd Solondz, director of the acclaimed Welcome to the Dollhouse and the controversial Happiness, continues pushing the envelope of social decorum with the merciless and casually cruel S! torytelling, his most ruthless satire of suburban complacency. Broken into two unrelated chapters, "Fiction" follows college girl Selma Blair through a degrading encounter with her resentful writing teacher (Robert Wisdom), while the more sprawling and scattershot "Non-Fiction" circles around the mutual exploitation of a fumbling documentary filmmaker (Paul Giamatti doing a near-parody of director Solondz) and his clueless subject, a suburban high school slacker named Scooby (Mark Webber). The squirmy laughs are laced with humiliation and the satire is acidic and cynical; in the world of Solondz, victims and victimizers alike are petty, selfish, vindictive, and thoughtless, and empathy is strictly rationed. Though sharply written and well directed, this misanthropic vision is strictly for daring filmgoers and Solondz fans. --Sean AxmakerFour college friends meet up again years later and reconnect in ways that will change their lives forever.CHRISTINA'S LOVE LIFE ! IS STUCK IN NEUTRAL. AFTER YEARS OF AVOIDING THE HAZARDS OF A ! MEANINGF UL RELATIONSHIP, ONE NIGHTWHILE OUT WITH HER BEST GIRLFRIENDS, SHE MEETS PETER, HER PERFECT MATCH. FED UP WITH PLAYING GAMES, SHE FINALLY GETS THECOURAGE TO LET HER GUARD DOWN AND FOLLOW HER HEART.Prudes, beware! Despite its tendency to take the comedic low road, The Sweetest Thing is a near-perfect product of the new-millennial Hollywood. That's a backhanded compliment, but as a fun-loving Yankee girl's answer to Bridget Jones's Diary, the mainstream pandering of Nancy Pimental's lucrative screenplay is undeniably effective. On the opening soundtrack, Macy Gray's "Sexual Revolution" is a perfect accompaniment to gyrating guy-dumper Christina (Cameron Diaz), whose fear of commitment is tested when she meets Peter (Thomas Jane) and knows he's Mr. Right. With supportive gal-pals Courtney (Christina Applegate) and Jane (Selma Blair), she plots to snag the guy, and the movie's road-trip detour mines gut-busting gold from gags involving incriminating dress stains, o! ral sex, rotting food, garish clothing, and the simple joys of old-fashioned romance. Perfectly cast, raucously ribald, and conventionally charming, The Sweetest Thing is a schizophrenic comedy, but its dual personalities are irresistibly in synch. --Jeff ShannonJack (Jared Leto) is a Gen-Xer with nowhere to go until he gets caught in bed with a mobster's woman. Now, with three thugs after him, he and best pal Pilot (Jake Gyllenhaal) hit the road to Seattle. Along the way, they encounter sexy Cassie (Selma Blair), who decides to hitch a ride. Together, they end up on the wildest trip of their lives!

Told against the raw gruge music backdrop of the mid-'90's, "Highway" confronts life, death and love head-on to remind us that the road goes in many directions, but where it takes us tomorrow depends on the lessons learned today.Actress Lori Petty makes her directorial debut with this poignant, beautifully crafted film about a teenage girl trying to survive the ! dismal circumstances of her life with dignity, humor, and bask! etball.K ILL ME LATER - DVD MovieLegally Blonde Reproduction Poster Print Double Sided 11 x 17 Inches - 28cm x 44cm

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