Saturday, November 19, 2011

Anamorph

  • Academy Award®-nominee Willem Dafoe* (Spiderman, Platoon) is a detective drawn into a gruesome case in this intense psychological thriller. Haunted by the killings, he soon finds himself confronting his own deadly past. With each slaying, the investigation takes a different, darker turn. And the nearer he's drawn to the murders, the closer he could become the ultimate victim - or take the
Academy Award®-nominee Willem Dafoe* (Spiderman, Platoon) is a detective drawn into a gruesome case in this intense psychological thriller. Haunted by the killings, he soon finds himself confronting his own deadly past. With each slaying, the investigation takes a different, darker turn. And the nearer he's drawn to the murders, the closer he could become the ultimate victim - or take the fall for the crimes. Also starring Scott Speedman (The Strangers) and Clea Duvall ("Heroes").

Stills from Anamorph (Click for larger image) !

 


Anvil Poster - Concert the Story of Hard N' Heavy

  • Anvil Poster
  • Poster to advertise an Anvil Concert in Seattle
  • April 14, 2009
  • Poster size 11 x 17 in ches 28 x 43 cm
  • Only 300 printed
In 1981, Canadian Heavy Metal band Anvil released their first album, Hard 'n' Heavy. Years later, the likes of Metallica and Slayer would cite Anvil as a key influence, but lead vocalist Steve "Lips" Kudlow and drummer Robb Reiner struggled to keep the band alive. Documentary filmmaker Sacha Gervasi follows Kudlow and Reiner as they struggle to keep their ambitions alive despite 35 years of missing the brass ring in Anvil! The True Story of Anvil, which paints a sympathetic but warts-and-all portrait of the unexpected consequences of the rock & roll dream.YEAR: 2009Is Anvil the real Spinal Tap? That's a label that could be applied to any number of hapless hard rock bands, but there's enough evidence in Anvil: The Story of Anvil to suggest that these guys may have, uh, tapped into the motherlode. The parallels are many, including getting lost on the way to a gig, playing before 174 people in a 10,000 capacity venue (in Transylvania, yet), inept management, ridiculous songs (even Nigel Tufnel and David St. Hubbins couldn't match "Thumb Hang," an Anvil tune about the Spanish Inquisition)… heck, they even visit (the real) Stonehenge. But dig deeper and you'll find some real heart in this 2007 documentary. Two hearts, actually--the ones belonging to singer-guitarist Steve "Lips" Kudlow and drummer Robb Reiner (remove one "b" and you've got the director of This Is Spinal Tap). These two were there when the Canadian metal band formed in the early '80s and went on to share festival stages with the likes of Bon Jovi and Whitesnake. Now, a quarter century later (a new bassist and guitarist joined in the '90s), Reiner and Kudlow are in their fifties, living in Toronto with wives, kids, and menia! l jobs. But they still haven't given up their undying belief t! hat with a new album (their thirteenth) and couple of breaks, they will be rock stars.

It doesn't happen on a mostly disastrous European tour organized by a well-meaning but inexperienced fan. It doesn't happen when they reunite with British producer Chris Tsangarides (Black Sabbath, Thin Lizzy) but find little interest in the new recording. But Kudlow, despite some bleak moments, is remarkably resilient (of the tour, he says, "Things went drastically wrong. But at least there was a tour for them to go wrong on"). And while it's a sad truth that Anvil just isn't that good--they're nowhere near the level of some of the bands they inspired, like Anthrax and Metallica--only the hardest of heart will resist rooting for them. Bonus material includes deleted scenes and commentary by director (and former roadie) Sacha Gervasi. --Sam GrahamIs Anvil the real Spinal Tap? That's a label that could be applied to any number of hapless hard rock bands, but there's enough evidence! in Anvil: The Story of Anvil to suggest that these guys may have, uh, tapped into the motherlode. The parallels are many, including getting lost on the way to a gig, playing before 174 people in a 10,000 capacity venue (in Transylvania, yet), inept management, ridiculous songs (even Nigel Tufnel and David St. Hubbins couldn't match "Thumb Hang," an Anvil tune about the Spanish Inquisition)… heck, they even visit (the real) Stonehenge. But dig deeper and you'll find some real heart in this 2007 documentary. Two hearts, actually--the ones belonging to singer-guitarist Steve "Lips" Kudlow and drummer Robb Reiner (remove one "b" and you've got the director of This Is Spinal Tap). These two were there when the Canadian metal band formed in the early '80s and went on to share festival stages with the likes of Bon Jovi and Whitesnake. Now, a quarter century later (a new bassist and guitarist joined in the '90s), Reiner and Kudlow are in their fifties, living in To! ronto with wives, kids, and menial jobs. But they still haven'! t given up their undying belief that with a new album (their thirteenth) and couple of breaks, they will be rock stars.

It doesn't happen on a mostly disastrous European tour organized by a well-meaning but inexperienced fan. It doesn't happen when they reunite with British producer Chris Tsangarides (Black Sabbath, Thin Lizzy) but find little interest in the new recording. But Kudlow, despite some bleak moments, is remarkably resilient (of the tour, he says, "Things went drastically wrong. But at least there was a tour for them to go wrong on"). And while it's a sad truth that Anvil just isn't that good--they're nowhere near the level of some of the bands they inspired, like Anthrax and Metallica--only the hardest of heart will resist rooting for them. Bonus material includes deleted scenes and commentary by director (and former roadie) Sacha Gervasi. --Sam GrahamLucado's keen observations on finding fulfillment in everyday life are beautifully presented in this gi! ft edition, interspersed with full-page calligraphic renderings of Scripture by artist Timothy Botts. Through inspirational anecdotes and observations of life, Lucado compares the lives of Christians to blacksmith's tools in various stages of usefulness.The alien Arcadians always want to fly, not to run. But whatever else she might like to call it, Maeve Cavainna is running. She is chased closely by the infamous bounty hunter, Logan Coldhand, who intends to drag her back to Axis to collect the high price on her head.

When he finally corners Maeve, the long chase seems to be over... until a frightened girl stumbles into the middle of their fight and begs for their protection. Maeve and Logan call a reluctant end to their battle and promise to help the girl, but they have agreed to far more than they know. Can the fragile peace between hunter and mark hold long enough to save the lives that depend on them?The alien Arcadians always want to fly, not to run. But what! ever else she might like to call it, Maeve Cavainna is running! . She is chased closely by the infamous bounty hunter, Logan Coldhand, who intends to drag her back to Axis to collect the high price on her head.

When he finally corners Maeve, the long chase seems to be over... until a frightened girl stumbles into the middle of their fight and begs for their protection. Maeve and Logan call a reluctant end to their battle and promise to help the girl, but they have agreed to far more than they know. Can the fragile peace between hunter and mark hold long enough to save the lives that depend on them?Poster to advertise and Anvil Concert in Seattle. One of 300 printed to advertise the show.

Baby Geniuses/Superbabies: Baby Geniuses

  • DVD, Double Feature, Full Screen, Special Features
  • Sony Pictures, both movies 1:33 minutes each
DR. ELENA KINDER IS CONVINCED THAT ALL BABIES ARE BORN KNOWINGTHE SECRETS OF THE UNIVERSE. HER CAPTIVE STABLE OF BABY GENIUSESDON'T THINK ADULTS ARE READY FOR THAT INFORMATION AND SET OUT TOFOIL HER EVIL PLOT.When babies babble or draw, adults jokingly say they know what the baby is trying to communicate. What if a clinic found that these babblings and doodles were actually very intelligent responses or scribbling of an ancient form of communication? Well, it seems that all it would create is this tepid comedy. Kathleen Turner runs the clinic that believes babies have "universal knowledge" before they learn to speak (and dumb down). What she plans to do with this knowledge is never really understood, but know this: the plans are evil. The secret lives of babies have been pretty adorably fi! lmed previously with Look Who's Talking, but here the babies talk and move via visual effects like the animals in Babe. They also karate chop adults and talk about such adorable things as "diaper gravy." By the time the story (a variation of The Parent Trap) heats up (relatively speaking), there is not much left to engage us except some cute babies that just look odd as effects take over their mouths and movements. --Doug ThomasA SUPER-BABY WITH MYSTERIOUS POWERS COMES TO THE AID OF A NEW SET OF BRILLIANT TODDLERS IN THIS HIGH-ADVENTURE SEQUEL.When babies babble or draw, adults jokingly say they know what the baby is trying to communicate. What if a clinic found that these babblings and doodles were actually very intelligent responses or scribbling of an ancient form of communication? Well, it seems that all it would create is this tepid comedy. Kathleen Turner runs the clinic that believes babies have "universal knowledge" before they learn to ! speak (and dumb down). What she plans to do with this knowledg! e is nev er really understood, but know this: the plans are evil. The secret lives of babies have been pretty adorably filmed previously with Look Who's Talking, but here the babies talk and move via visual effects like the animals in Babe. They also karate chop adults and talk about such adorable things as "diaper gravy." By the time the story (a variation of The Parent Trap) heats up (relatively speaking), there is not much left to engage us except some cute babies that just look odd as effects take over their mouths and movements. --Doug ThomasDr. Elena Kinder (Kathleen Turner) is out to dominate the world. Two-year-old Sly is the only person in her way. Dr. Kinder and her partner in crime, Dr. Heep (Christopher Lloyd), have a covert research lab dedicated to cracking the code to a secret baby language. When Sly escapes from the lab, he joins his twin brother Whit in an effort to expose the nefarious plot. Raised by his uncle (Peter MacNicol), who cares! for special children, Whit is naive to the ways of the world, and is quickly captured by Dr. Kinder. Mistaken for Whit, Sly is taken back to his uncle, where he rallies the other foster babies into a Super commando rescue squad to invade the secret lab in an effort to squash Dr. Kinder's evil plot.When babies babble or draw, adults jokingly say they know what the baby is trying to communicate. What if a clinic found that these babblings and doodles were actually very intelligent responses or scribbling of an ancient form of communication? Well, it seems that all it would create is this tepid comedy. Kathleen Turner runs the clinic that believes babies have "universal knowledge" before they learn to speak (and dumb down). What she plans to do with this knowledge is never really understood, but know this: the plans are evil. The secret lives of babies have been pretty adorably filmed previously with Look Who's Talking, but here the babies talk and move via visual eff! ects like the animals in Babe. They also karate chop ad! ults and talk about such adorable things as "diaper gravy." By the time the story (a variation of The Parent Trap) heats up (relatively speaking), there is not much left to engage us except some cute babies that just look odd as effects take over their mouths and movements. --Doug ThomasStudio: Sony Pictures Home Ent Release Date: 03/30/2010

Charlie Bartlett : Widescreen Edition

  • Widescreen
The kids at Western Summit High have "issues," and newcomer Charlie Bartlett is coming to their rescue. With a briefcase full of prescription pills and a head full of pop psychology, this rebel with a cause brings hilarious help to the student body and unending grief to their neurotic principal, Mr. Gardner (Robert Downey, Jr.). Suddenly, Charlie is the hottest man on campus and he's even caught the eye of Gardner's sultry daughter. An outrageous send-up of today's Prozac generation, Charlie Bartlett has your prescription for laugh-out-loud insanity!The ghost of Ferris Bueller haunts Charlie Bartlett. In John Hughes' classic comedy, a wily principal chases a clever student all over Chicago. In editor-turned-director Jon Poll's darker-hued enterprise, the hero of the title (Huff's preternaturally poised Anton Yelchin) gets kicked out of private school for selling fake IDs, so! his heavily-medicated mother (a reliably excellent Hope Davis) transfers her son to a public institution. Looking like a junior stockbroker in navy blazer and attaché case, he turns into a bully piñata, until he joins forces with surly dealer Murphey (Walk the Line’s Tyler Hilton) to sell prescription medication and split the profits (Charlie secures the meds from an assortment of pill-pushing psychiatrists). By listening to their problems and offering well-researched advice, the unlicensed doc becomes the most popular kid on campus. He even captures the interest of self-possessed drama queen Susan (The 40-Year-Old Virgin’s Kat Dennings), daughter of booze-soaked Principal Gardner (Robert Downey Jr. in top form). Gardner doesn't trust Charlie, but lacks the evidence to confirm his suspicions--so he sets out to secure some. Once he installs surveillance cameras, the game is on. By the end, the two competitors will have both lost... and won. Aside from Ferris Bueller's Day Off
, Charlie Bartlett recalls! Wes And erson's Rushmore, except Poll's Gustin Nash-penned satire trades counter-cultural cool for trenchant commentary about quick-fix solutions to deep-seated dilemmas. That means fewer laughs than its forerunners, but Charlie Bartlett presents a more penetrating analysis of today’s generation gap. --Kathleen C. Fennessy

Beyond Charlie Bartlett


More "School Days" Comedies

The Charlie Bartlett Soundtrack

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!
Stills from Charlie Bartlett







Specs: Audio: English: 5.1 Dolby Surround
Language: Dubbed: English
Theatrical Aspect Ratio: Disc 1: Fullscreen 1.33:1, Disc 2 & 3: Widescreen:! 1.85:1, Disc 4: Widescreen: 2.35:1
Episodes-Bonus Featu! res:
  • Disc 1 Side A: Charlie Bartlett
  • Disc 1 Side B: Charlie Bartlett
  • Disc 2: Back to School
  • Disc 3: Home for the Holidays
  • Disc 4 Side A: Richard III
  • Disc 4 Side B: Richard III
Nick and Norah's Infinite Playlist is a comedy about two people thrust together for one hilarious, sleepless night of adventure in a world of mix tapes, late-night living, and, live, loud music. Nick (Michael Cera) frequents New York's indie rock scene nursing a broken heart and a vague ability to play the bass. Norah (Kat Dennings) is questioning pretty much all of her assumptions about the world. Though they have nothing in common except for their taste in music, their chance encounter leads to an all-night quest to find a legendary band's secret show and ends up becoming the first date in a romance that could change both their lives.In the big-screen version of Rachel Cohn and David Levithan's popular young adult novel, two! high-school seniors fall in love over the course of one eventful evening. A straight bass player in a queercore band, Nick (Juno's Michael Cera) has just been dumped by the two-timing Tris (Alexis Dziena). He's committed to making more self-pitying mix CDs until his bandmates convince him to help track down a top-secret rock concert. Meanwhile, Norah (Charlie Bartlett's Kat Dennings) and her hard-partying pal, Caroline (Ari Graynor), set off on the same journey. Nora had never met Nick, but she already had a crush on him (While attending the same school as Tris, she's been enjoying the mixes Nick keeps making--and Tris keeps throwing away). When the inebriated Caroline goes missing, they spend the rest of the night racing around the Lower East Side in his Yugo looking for the friend, the show, and trying to avoid Tris (Norah's ex-boyfriend, Tal (Tropic Thunder's Jay Baruchel), presents further complications). Peter Sollett's follow-up to Rais! ing Victor Vargas aims to please several audiences at onc! e. It st arts out like a less dirty-minded Superbad, morphs into a post-millennial After Hours, and ends as a Big Apple take on Before Sunset. It's sweet and funny, but could use more of its own identity, though Cera and Dennings make for an appealing couple and the supporting performers, especially Graynor and Kevin Corrigan in a wordless cameo, enhance the proceedings considerably. --Kathleen C. Fennessy

Stills from Nick & Norah's Infinate Playlist (click for larger image)







More Nick & Norah's Infinate Playlist


Paperback Book

Soundtrack CD

DVD

Knight of Pleasure (All the King's Men)

  • ISBN13: 9780446553384
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
When All the King's Men was first published in 1946, Sinclair Lewis pronounced it "massive, impressive...one of our few national galleries of character." Diana Trilling, reviewing it for the Nation, wrote, "For sheer virtuosity, for the sustained drive of its prose, for the speed and the evenness of its pacing, for its precision of language...I doubt indeed whether it can be matched in American fiction." The Washington Post declared, "If the game of naming the Great American Novel is still being played anywhere, Warren's All the King's Men would easily make the final rounds."
 
Set in the 1930s, this Pulitzer Prize-winning novel traces the rise and ! fall of demagogue Willie Stark, a fictional character who resembles the real-life Huey "Kingfish" Long of Louisiana. Stark begins his political career as an idealistic man of the people but soon becomes corrupted by success and caught between dreams of service and an insatiable lust for power. As relevant today as it was more than fifty years ago, All the King's Men is one of the classics of American literature.
This landmark book is a loosely fictionalized account of Governor Huey Long of Louisiana, one of the nation's most astounding politicians. All the King's Men tells the story of Willie Stark, a southern-fried politician who builds support by appealing to the common man and playing dirty politics with the best of the back-room deal-makers. Though Stark quickly sheds his idealism, his right-hand man, Jack Burden -- who narrates the story -- retains it and proves to be a thorn in the new governor's side. Stark becomes a successful leader, ! but at a very high price, one that eventually costs him his l! ife. The award-winning book is a play of politics, society and personal affairs, all wrapped in the cloak of history.It is 1953, on the eve of the Coronation of Queen Elizabeth II, and American journalist Helena Claybourn and Chief Inspector John Kincaid have uncovered a long-hidden secret involving men close to the Crown-a secret that unleashes two relentless assassins on a killing spree across England, France and Germany.New! Fast shipping!Sean Penn, Jude Law, Kate Winslet, and Anthony Hopkins star in this riveting story of a humble man’s rise to political power and the destructive force of corruption and betrayal that would ultimately unravel his soul, based on Robert Penn Warren’s 1946 classic Pulitzer Prize-winning novel. Also starring James Gandolfini, Mark Ruffalo and Patricia Clarkson.

Beyond All The King’s Men


The Original

The Book

The Soundtrack

More Political Dramas

The Films of Sean Penn
!
The Films of Anthony Hopkins

Stills from All the King’s Men (click for larger image)







Sean Penn gives another powerhouse performance in All the King's Men, leading a topnotch cast in writer-director Steven Zaillian's underrated adaptation of the Pulitzer prize-winning 1946 novel by Robert Penn Warren. When you consider that the previous 1949 film version earned well-deserved Academy Awards for director Robert Rossen and actors Broderick Crawford and Mercedes McCambridge, it's no surprise that Zaillian's film was expected to earn similar acclaim, but lukewarm critical reception and disappointing box-office gave it the stigma of a noble failure. And while the film (which moves Warren's story from the Depression-era '30s to the early 1950s) suffers from uneven pacing, partial miscasting, and an occasional lack of dramatic tension, it still qualifies as a first-class production that resonates with the ti! meless relevance of Warren's piercing political classic. Like ! Broderic k before him, Penn is riveting as Louisiana governor Willie Stark, an upstart political dynamo (freely inspired by controversial real-life Louisiana governor Huey P. Long) whose rise to power is ultimately doomed by corruption and betrayal.

Jude Law costars as political reporter Jack Burden, our firsthand witness to Stark's rise and inevitable fall; his orbit of political insiders includes a corrupt judge (Anthony Hopkins) with a dark secret to hide; a longtime friend (Mark Ruffalo) and former lover (Kate Winslet) who fall victim to Stark's influence; and political staffers (James Gandolfini, Patricia Clarkson) who remain powerless against Stark's ill-fated populist juggernaut. At Sean Penn's request, former child star Jackie Earle Haley (from the original Bad News Bears) makes a welcome return to movies as Willie Stark's quietly intense bodyguard, "Sugar-Boy." Coproduced by Louisiana-born political consultant James Carville, filmed on authentic Louisiana locatio! ns and boasting all the stately, luxurious production values of a would-be Oscar contender, All the King's Men clearly benefits from Penn's fiery performance and Zaillian's earnest embrace of Warren's still-potent subject matter. And while the film's shortcomings may have prevented it from achieving unanimous acclaim, this is still a serious, well-crafted drama with much to say about the insidious potential for fascism in America, especially when well-meaning politicians lose their souls to power. --Jeff Shannon

On the DVD
The special features that accompany All the King's Men further demonstrate the film's in-production status as a potential classic. While the "making of" featurette is perfunctory at best, the other featurettes are definitely worthwhile despite Sean Penn's conspicuous absence. In "Shake Hands with the Devil," the film's cast, producer, and writer-director Steven Zaillian discuss the timeless theme of political corruption! ; "An American Classic" is a concise profile of Robert Penn Wa! rren, pa ying tribute to the poet and author's literary achievements; and "The Legend and Lore of Huey Long" examines the life and legacy of the still-beloved governor who won the hearts of working-class Louisianans while falling prey to his own ambition. "LA Confidential" is a brief featurette about the film's use of authentic Louisiana locations and the positive effect they had on cast and crew; three deleted scenes were obviously cut from the film for purposes of time, yet offer ample proof of Zaillian's established skill as one of Hollywood's top screenwriters; and the alternate ending extends beyond the film's final shot, with a funeral scene that serves as a melancholy (and ultimately unnecessary) coda to the film's Greek-tragic drama. --Jeff ShannonRyan Ortiz and Nathan Richardson are estranged lovers who shouldn't be apart. When Ryan decides to go direct to LA to fight for a second chance he is caught up in the biggest earthquake to hit the city since records began. ! LA is destroyed, burning, people homeless, people dying, and fires are ignited high in the LA hills above Nathan's apartment. Nathan is trapped and Ryan is his only hope. It is a race against time and the powerful all consuming destruction of nature for Ryan to find Nathan, trapped in the ruins of his home in the hills, and to get both of them to help before the fire consumes everything.Skella: A form-fitting black garment specifically tailored to cover a man's lean, muscular physique from head to toe. Worn exclusively by those in the king's personal guard. His Guardians. For Nelina Lannen, the skella is more than an outfit. It's a symbol of everything that's wrong with the royal rule. Ever since the king's men stormed into her bedroom eight years earlier and ripped her lover from her arms, she's been haunted by the memory of the ruthless bodyguards. That long-ago night they snatched the only man she's ever loved. Now they've returned to claim her body. Reader ! Advisory: Contains some scenes of male/male erotic interaction! and gro up sex.ALL THE KING'S MEN - DVD MovieWriter-director Robert Rossen and character actors Broderick Crawford and Mercedes McCambridge (in her film debut) took home Oscars (for Best Picture, Best Actor, and Best Supporting Actress, respectively) for this excellent adaptation of Robert Penn Warren's Pulitzer Prize-winning novel. Crawford stars as Willie Stark, a charismatic populist Southern politician (inspired by the real Louisiana Governor Huey Long) who belies his "man of the people" roots as he ruthlessly maneuvers, lies, and deals his way into the halls of power. John Ireland is his right-hand man, Jack Burden, a newsman turned political flack who hangs on to Stark's early idealism even in the face of Stark's most reprehensible acts of corruption. McCambridge is Stark's cool mistress come calculating assistant. The immediacy of the drama is due in part to a documentary-like style, notably in the scenes on the campaign trail where Stark sways crowds with his folksy rhetoric! and estimable charm. Joanne Dru and John Derek also costar. Rossen's savage screenplay and firm direction give the film a powerful punch, but it's Crawford's blustery charm and oversized performance that carry the picture. --Sean Axmaker GradeSaver(TM) ClassicNotes are the ultimate study guides, written by Harvard students for students! Each note includes: * An author biography * An in-depth chapter-by-chapter summary * A short summary * A character list and related descriptions * A list of themes * A glossary * Historical context * Two academic essays * 100 quiz questions to improve test taking skills! THE GREATEST PASSION
Lady Isobel Hume is an expert swordswoman who knows how to choose her battles. When the king asks her to wed a French nobleman to form a political alliance, she agrees. But that's before the devilishly charming Sir Stephen Carleton captures her heart-and tempts her to betray her betrothed, her king, and her country.

IS! WORTH THE GREATEST PERIL
Sir Stephen Carleton enjoys his ! many fem ale admirers-until he dedicates himself to winning the lovely Isobel. So when a threat against the king leads Isobel into mortal danger, Stephen has a chance to prove that he is more than a knight of pleasure...and that love can conquer all.


With the Old Breed: At Peleliu and Okinawa

  • ISBN13: 9780891419068
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
The climactic novel in Lara Adrian's New York Times bestselling Midnight Breed series--and her hardcover debut--Darker After Midnight invites readers to enter a thrillingly sensual world where danger meets desire. [Siren Menage Everlasting ManLove: Erotic Alternative Paranormal Menage a Trois Romance, M/M/M, vampires, werewolves, shape-shifters, public exhibition, sex toys] It's been eight years since Boston and Flynn loved and parted, but the pain of Flynn's betrayal still has the power to bring Boston to his knees. Flynn doesn't know why Boston pushed him away and disappeared, but he aims to find out. When he realizes they have a second mate, he couldn't be happier. Too bad Bost! on is running scared from Malakai as well. Malakai was left alone and brokenhearted because Boston refused to accept their mating. When fate offers a second chance, he seizes it with both hands. He's not willing to come between Flynn and Boston, but he hopes the two shifters have room in their hearts for him as well. When a coven leader petitions for a mating contract with Malakai, the only thing that can save him is a claiming bite from his mates. But first, they'll have to accept himâ€"fangs and all. ** A Siren Erotic Romance
[Siren Menage Everlasting ManLove: Erotic Alternative Paranormal Menage a Trois Romance, M/M/M, vampires, werewolves, shape-shifters, public exhibition, sex toys] It's been eight years since Boston and Flynn loved and parted, but the pain of Flynn's betrayal still has the power to bring Boston to his knees. Flynn doesn't know why Boston pushed him away and disappeared, but he aims to find out. When he realizes they have a second mate, he couldn'! t be happier. Too bad Boston is running scared from Malakai as! well. M alakai was left alone and brokenhearted because Boston refused to accept their mating. When fate offers a second chance, he seizes it with both hands. He's not willing to come between Flynn and Boston, but he hopes the two shifters have room in their hearts for him as well. When a coven leader petitions for a mating contract with Malakai, the only thing that can save him is a claiming bite from his mates. But first, they'll have to accept himâ€"fangs and all. ** A Siren Erotic Romance
In The Wall Street Journal, Victor Davis Hanson named With the Old Breed one of the top five books on epic twentieth-century battles. Studs Terkel interviewed the author for his definitive oral history, The Good War. Now E. B. Sledge’s acclaimed first-person account of fighting at Peleliu and Okinawa returns to thrill, edify, and inspire a new generation.

An Alabama boy steeped in American history and enamored of such heroes as George Washington and Daniel Boone! , Eugene B. Sledge became part of the war’s famous 1st Marine Divisionâ€"3d Battalion, 5th Marines. Even after intense training, he was shocked to be thrown into the battle of Peleliu, where “the world was a nightmare of flashes, explosions, and snapping bullets.” By the time Sledge hit the hell of Okinawa, he was a combat vet, still filled with fear but no longer with panic.

Based on notes Sledge secretly kept in a copy of the New Testament, With the Old Breed captures with utter simplicity and searing honesty the experience of a soldier in the fierce Pacific Theater. Here is what saved, threatened, and changed his life. Here, too, is the story of how he learned to hate and killâ€"and came to loveâ€"his fellow man.

Big Red Calculator, The Official Calculator Of The National Debt

  • 16-Digit Large LED Display
  • Tax, Mark Up and Memory Ideal for Business and Finance
  • 112 Step Check and Correct for Long Calculations
  • Solar / Battery Powered
  • "Official Calculator of the National Debt"
Academy Award® winner Helen Mirren and two-time Academy Award® nominee Tom Wilkinson star in The Debt, "a pulse-pounding and politically charged suspense thriller." (Karen Durbin, Elle) In 1966, three Mossad agents were assigned to track down a feared Nazi war criminal hiding in East Berlin, a mission accomplished at great risk and personal cost - or was it? Thirty years later, the suspense builds as shocking news and surprising revelations compel retired team member Rachel Singer (Mirren) to take matters into her own hands. Co-starring Sam Worthington, Jessica Chastain and Ciarán Hinds, it's the film critics call "an intelligent thriller with superb performances.! " (USA Today) Starring: Helen Mirren, Sam Worthington, Jessica Chastain, Jesper Christensen, Marton Csokas, Ciaran Hinds, Tom Wilkinson Directed by: John MaddenThe Debt fuses physical and moral peril as it fuses past and present. In the contemporary half of the story, ex-Mossad agent Rachel Singer (Helen Mirren) tells and retells the story of how she and her fellow agents David Peretz (Ciarán Hinds, Rome) and Stephan Gold (Tom Wilkinson, In the Bedroom) captured and killed a Nazi war criminal. But in flashbacks to Cold War East Berlin, younger versions of Rachel, David, and Stephan (Jessica Chastain, Sam Worthington, and Marton Csokas, respectively) play out a significantly different series of events--and the gap between past and present takes its toll on all three in different (and in one case gut-wrenching) ways. Though Mirren, Hinds, and Wilkinson are a powerhouse trio, it's the Cold War scenes that take hold of the viewer. Jesper Christensen (as t! he Nazi) invests his conversations with Chastain and Worthingt! on with silky insinuation and taunting contempt, building a devastating suspense. Fans accustomed to Worthington in his action-movie roles (Avatar, Clash of the Titans) will be surprised by the gentle vulnerability he shows here, but it's Chastain (The Tree of Life) who captures the movie's emotional core. She and Mirren perform a strange collaboration that can only happen in the movies, building a fierce and brittle woman out of their complementary performances. --Bret Fetzer[Siren Classic: Erotic BDSM Romance, suspense, sex toys] At twenty-eight, Maddie James has risen through the ranks of investment bank Goldstein Rivers to achieve great success. All of that changes when she receives a demand for half a million dollars for the safe return of her sister. Torn between her allegiance to her job and the demands of the kidnappers, she secretly wires the money, hoping to replace it with the sale of her house. When thirty-six-year-old wealthy businessman Keat! on Rivers discovers the money is missing from his company, he suspects Maddie. Will he throw her to the wolves or find another way for her to repay the debt? As a Dom, Keaton knows Maddie would make the perfect submissive. From the very first moment he laid eyes on her, he’d wanted her. Only this time it will be on his terms... To save her career, will Maddie make a deal with the Dom? Note: This book contains anal sex. ** A Siren Erotic Romance[Siren Classic: Erotic BDSM Romance, suspense, sex toys] At twenty-eight, Maddie James has risen through the ranks of investment bank Goldstein Rivers to achieve great success. All of that changes when she receives a demand for half a million dollars for the safe return of her sister. Torn between her allegiance to her job and the demands of the kidnappers, she secretly wires the money, hoping to replace it with the sale of her house. When thirty-six-year-old wealthy businessman Keaton Rivers discovers the money is missing from his ! company, he suspects Maddie. Will he throw her to the wolves o! r find a nother way for her to repay the debt? As a Dom, Keaton knows Maddie would make the perfect submissive. From the very first moment he laid eyes on her, he’d wanted her. Only this time it will be on his terms... To save her career, will Maddie make a deal with the Dom? Note: This book contains anal sex. ** A Siren Erotic RomanceBefore there was money, there was debt

Every economics textbook says the same thing: Money was invented to replace onerous and complicated barter systemsâ€"to relieve ancient people from having to haul their goods to market. The problem with this version of history? There’s not a shred of evidence to support it.

Here anthropologist David Graeber presents a stunning reversal of conventional wisdom. He shows that for more than 5,000 years, since the beginnings of the first agrarian empires, humans have used elaborate credit systems to buy and sell goodsâ€"that is, long before the invention of coins or cash. It is in this! era, Graeber argues, that we also first encounter a society divided into debtors and creditors.

Graeber shows that arguments about debt and debt forgiveness have been at the center of political debates from Italy to China, as well as sparking innumerable insurrections. He also brilliantly demonstrates that the language of the ancient works of law and religion (words like “guilt,” “sin,” and “redemption”) derive in large part from ancient debates about debt, and shape even our most basic ideas of right and wrong. We are still fighting these battles today without knowing it.

Debt: The First 5,000 Years is a fascinating chronicle of this little known historyâ€"as well as how it has defined human history, and what it means for the credit crisis of the present day and the future of our economy.


From the Hardcover edition.Before there was money, there was debt

Every economics textbook says the sa! me thing: Money was invented to replace onerous and complicate! d barter systemsâ€"to relieve ancient people from having to haul their goods to market. The problem with this version of history? There’s not a shred of evidence to support it.

Here anthropologist David Graeber presents a stunning reversal of conventional wisdom. He shows that for more than 5,000 years, since the beginnings of the first agrarian empires, humans have used elaborate credit systems to buy and sell goodsâ€"that is, long before the invention of coins or cash. It is in this era, Graeber argues, that we also first encounter a society divided into debtors and creditors.

Graeber shows that arguments about debt and debt forgiveness have been at the center of political debates from Italy to China, as well as sparking innumerable insurrections. He also brilliantly demonstrates that the language of the ancient works of law and religion (words like “guilt,” “sin,” and “redemption”) derive in large part from ancient debates about debt, and shape eve! n our most basic ideas of right and wrong. We are still fighting these battles today without knowing it.

Debt: The First 5,000 Years is a fascinating chronicle of this little known historyâ€"as well as how it has defined human history, and what it means for the credit crisis of the present day and the future of our economy.


From the Hardcover edition.The Big Red Calculator is capable of displaying very large numbers like "Trillions", or calculating the National Debt and the Federal Budget Deficit. For business, office and home use. Large digits allow easy viewing and large sure-feel buttons make digit entry reliable. Dual power allows for use in varied lighting conditions. Includes illustrated step-by-step manual with sample calculations. Features include 16-digit large LED display capable of showing "trillions", with Tax, Mark Up, 112 Step Check, Auto Replay and Grand Total functions, solar/battery power, large sure-feel buttons, bold red color, easy-to-read instructions, CE/RoHS compliant.

NOVA - Galileo's Battle for the Heavens

  • At a time when heretics were burned alive for dissent, scientist Galileo Galilei risked his life to advance his revolutionary concepts of the universe. British actor Simon Callow (Shakespeare in Love, Four Weddings and a Funeral) brings Galileo to life, humanizing the great thinker s passion, intelligence, and arrogance while depicting his frustrations with fellow philosophers and scientists, and
Marcos (Marcos Hernandez) is the middle-aged chauffeur of Ana (Anapola Mushkadiz), daughter of a Mexican general who amuses herself by working as a prostitute in a high-end brothel. Marcos and his wife (Berta Ruiz) have kidnapped a baby for ransom but it went tragically wrong when the infant died. When he confesses his guilt to Ana, a bond of secrecy consecrated by the flesh unites them. As the police draw closer, she urges him to turn himself in but instead he seeks redemption from a higher power.Battle In Heaven, Carlos Reygadas’ follow-up to Japón, opens with a controversial oral sex scene involving beauty, Ana (Anapola Mushkadiz), and the beast, Marcos (Marcos Hernández). Marcos is Ana’s chauffeur, who has kidnapped and accidentally killed a baby. Ana, a general’s daughter by day and a prostitute by night, confides in Marcos and performs sexual favors for him in order to persuade him to turn himself in. She is too young, however, to understand Marcos’s confused mental state, and her sensitive position with him puts her in peril. Set in Mexico City, this tragic drama is as much about failed intimacy as it is about Mexican class structure, as Ana and Marcos attempt to bridge the class gap. A few explicit sex scenes show Marcos in bed with Ana or his wife (Bertha Ruiz), thus garnering it reviews that compare it to The Brown Bunny. In fact, the slow pacing and artsy, self-consciously composed shots do remind one of The Brown Bunny,! in that both films are initially interesting but grow dull as! their p lots take forever to unfold. An intriguing plot is buried under seemingly eternal panoramic shots of the city, painfully slow conversation between characters, and constant close-ups of Marcos’ face that are meant to capture his angst but only deter narrative. Nevertheless, this film’s merit is based in its experimental energy, and any director who follows up a graphic sex scene with a cut to the waving of the country’s flag (in this case Mexico’s) has my respect. --Trinie DaltonSpain released, PAL/Region 0 DVD: it WILL NOT play on standard US DVD player. You need multi-region PAL/NTSC DVD player to view it in USA/Canada: LANGUAGES: Spanish ( Dolby Digital 5.1 ), English ( Subtitles ), WIDESCREEN (1.85:1), SPECIAL FEATURES: Biographies, Deleted Scenes, Film Credits, Interactive Menu, SYNOPSIS: Marcos and his wife kidnap a baby for ransom money, but it goes tragically wrong when the infant dies. In another world is Ana, the daughter of the general he drives for,! who prostitutes herself for pleasure. Marcos confesses his guilt to her in his troubled search for relief. And then finds himself on his knees amidst the multitude of believers moving slowly towards the Basilica in honor of the Lady of Guadalupe. SCREENED/AWARDED AT: Cannes Film Festival, European Film Awards, ...Battle in Heaven ( Batalla en el cielo )The Brown Bunny is both a love story and a haunting portrait of a lost soul unable to forget his past. After finishing a motorcycle race in New Hampshire, Bud Clay (Vincent Gallo) loads his racing bike into the back of his van and begins a cross-country odyssey to Los Angeles, where he is to compete in another race. During his trip, he meets three very different women: Violet, a wholesome all-American gas station attendant; Lilly (Cheryl Tiegs), a fellow lost soul he connects with at a highway rest stop; and Rose, a Las Vegas prostitute. Throughout his journey, Bud can never escape his intense feelings for the love of his li! fe, Daisy (Chloë Sevigny), so he plans to reconcile with her ! when he reaches Los Angeles. Arriving in Los Angeles, Bud checks into a motel before visiting the abandoned home he once shared with Daisy. He leaves a note, hoping she will turn up at his motel room . . .Building to a notorious climax, the film presents one of the frankest portrayals of male sexuality ever seen in American cinema.After its scandalous screening at the 2004 Cannes film festival, Vincent Gallo's The Brown Bunny was cut from 118 to 92 minutes, and that made all the difference. The film that critic and long-time Cannes attendee Roger Ebert originally called "the worst film in the history of the festival" was transformed, by Gallo's judicious editing, into a perfectly acceptable if not universally respected art-house curio, widely criticized yet ripe for cult status, able to stand beside Gallo's Buffalo 66 as the work of a genuine artist with a singular vision. Yes, that vision is self-indulgent, narcissistic, and likely to turn off a majority of viewers wi! th its glacial pace and endless shots of Gallo driving, driving, and driving some more. But in portraying a melancholy motorcycle racer who drives cross-country while mourning a private loss that remains secret until the final scenes, Gallo gives us a character, and a film, that feels spiritually akin to such early '70s classics as Five Easy Pieces and Two-Lane Blacktop. It's a flawed yet ultimately moving example of maverick, unconventional cinema, and while Chloe Sevigny's explicit oral sex scene with Gallo is completely unnecessary, it's just one more element that places The Brown Bunny firmly, and refreshingly, out of the mainstream. --Jeff ShannonAt a time when heretics were burned alive for dissent, scientist Galileo Galilei risked his life to advance his revolutionary concepts of the universe. British actor Simon Callow (Shakespeare in Love, Four Weddings and a Funeral) brings Galileo to life, humanizing the great thinker’s passion, int! elligence, and arrogance while depicting his frustrations with! fellow philosophers and scientists, and with Roman Catholic church leaders.

Based on Dava Sobel’s best-selling biography Galileo’s Daughter, this two-hour film offers a vivid re-imagining of Galileo’s incredible achievements that forever changed the way we view our place in the universe. It also investigates the momentous personal and spiritual conflicts Galileo faced- most especially in defending the controversial theory that the earth revolves around the sun.

Join noted Galileo authorities and experience the remarkable life behind the discoveries, and see letters from his illegitimate daughter, Maria Celeste, a cloistered nun, have shed new light on Galileo’s pioneering telescopic observations, his fateful Inquisition trial for heresy, and life in the seventeenth century.

Barry Munday

  • BARRY MUNDAY (DVD MOVIE)
Barry Munday, a suburban wanna-be ladies man, wakes up in the hospital after being attacked in a movie theater, only to realize that he is missing one of his most prized possessions... his testicles. To make matters worse, Barry learns he's facing a paternity lawsuit filed by a woman he can't remember having sex with. With this being Barry's last chance to ever be a father, Barry reaches out and embraces the journey of parenthood and the onslaught of bumps that face him along the way. Filled with an ensemble of unusual characters, Barry Munday is the surprisingly heart-warming tale of a guy who finds it took losing his manhood to be a better man.

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