Ghost in the Shell 2.0 [Blu-ray]

• GHOST IN THE SHELL 2.0 BLU-RAY (BLU-RAY DISC)

A film that has spawned a thousand imitations but never been bettered â€" Mamoru Oshii’s legendary anime film GHOST IN THE SHELL returns in a stunning new edition remastered by Oshii himself. For this definitive Version 2.0 release, all the original animations are re-produced with latest digital film and animation technologies, including 3D-CGI. Set in a re-imagined Hong Kong at a time when cyberspace is expanding into human reality, the story follows top cyberwarrior Major Motoko Kusanagi as she hovers on the border of total immersion in the digital world.

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Dr. Dolittle 2

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Superstar Eddie Murphy is back as Dolittle, the beloved doctor with the up-ROAR-ious critter-communicating talents. This time around Dolittle plays Cupid to bumbling circus bear to help a group of forest creatures save their habitat. With the aid of his mangy, madcap animal friends, Dolittle must teach this overgrown teddy the ways of true romance in time to save his species and his home!It's only a marginal improvement, but Dr. Dolittle 2 defies the odds by rising above its popular 1998 predecessor (and once again, let's not confuse these movies with the earlier Rex Harrison musical). Eddie Murphy cakewalks through his title role with the confident professionalism of a comedian who knows when to share the spotlight--especially when he's being upstaged by a bunch of animals who steal all the punch lines. And once again the movie's aimed at a preteen audience, so many of those pu! nch lines involve flatulence, bodily functions, and frequent use of the word butt.

The difference this time: Dr. Dolittle has settled into his talk-to-the-animals routine; his 16-year-old daughter (Raven-Symone) is getting to be a feisty handful (it turns out she's coping with a hereditary gift); and his lawyer wife (Kristen Wilson) is representing him in a trial against corporate villains who want to clear-cut a local forest. Naturally, the local critter mafia (their Don is a beaver... fugeddaboutit!) want Dolittle to fight for their cause, and this involves the successful mating of an endangered bear and a domesticated circus bear who's forgotten all the bear necessities of life in the wild. The bears are voiced by Lisa Kudrow and Steve Zahn, and they almost steal the show, but the whole menagerie (with digitally animated "talking") is equally amusing. Adults might wish that the filmmakers had tried harder to make a truly memorable sequel, but this is a movie ! for kids, and they're going to love it without quibbling. -! -Jeff Sh annon

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Wrath of Gods

• Director's Cut, 72 minutes
• 2 hours of bonus material
• 1 hour exclusive interview with Gerard Butler
• Additional and extended scenes & exclusive interviews with the people behind Beowulf & Grendel
• Subtitles: Spanish, German, French, Icelandic, Polish + Version for the hearing impaired

This touching and humorous movie has earned the raves of critics and won the hearts of audiences everywhere! To spare the feelings of her fatherless boy, Lizzie (Emily Mortimer -- Disney's THE KID) secretly authors letters from his "father" that detail seafaring adventures from around the world. But she cannot maintain this illusion forever. Torn between exposing the truth and protecting her son, Lizzie gets more than anyone bargained for when she hires a handsome stranger (Gerald Butler -- THE PHANTOM OF THE OPERA, LARA CROFT TOMB RAIDER: THE CRADLE OF LIFE) to play the role of a li! fetime! Winner at both the Heartland Film Festival and the Seattle International Film Festival, this entertaining motion picture is sure to touch your heart!Driven by intelligent, constantly surprising and moving performances from the film's leads, Dear Frankie stars Emily Mortimer (Lovely and Amazing) as Lizzie, Scottish mother of Frankie (Jack McElhone), a deaf and highly intelligent 9-year-old. Constantly uprooting themselves and relocating from town to town, Lizzie and Frankie are on the run from the latter's abusive father, a fact unknown to the boy, who believes his dad is a busy seaman sending letters full of adventure and love. In fact, Lizzie is writing those missives, but she is faced with a challenge when Frankie discovers his father's ship will dock nearby. Lizzie hires a kind, handsome stranger (Gerard Butler) to play Frankie's dad, creating an odd situation in which ever-growing lies become a conduit for love, and Lizzie's repressed desires come ! to the fore with a man posing as her husband. The moral tangle! s are of interest in director Shona Auerbach's charmingly paced, quietly insightful drama-comedy, but so is the glorious feeling of watching these characters come fully alive. --Tom KeoghDriven by intelligent, constantly surprising and moving performances from the film's leads, Dear Frankie stars Emily Mortimer (Lovely and Amazing) as Lizzie, Scottish mother of Frankie (Jack McElhone), a deaf and highly intelligent 9-year-old. Constantly uprooting themselves and relocating from town to town, Lizzie and Frankie are on the run from the latter's abusive father, a fact unknown to the boy, who believes his dad is a busy seaman sending letters full of adventure and love. In fact, Lizzie is writing those missives, but she is faced with a challenge when Frankie discovers his father's ship will dock nearby. Lizzie hires a kind, handsome stranger (Gerard Butler) to play Frankie's dad, creating an odd situation in which ever-growing lies become a conduit for love, and Lizz! ie's repressed desires come to the fore with a man posing as her husband. The moral tangles are of interest in director Shona Auerbach's charmingly paced, quietly insightful drama-comedy, but so is the glorious feeling of watching these characters come fully alive. --Tom KeoghUnited Kingdom released, PAL/Region 2 DVD: it WILL NOT play on standard US DVD player. You need multi-region PAL/NTSC DVD player to view it in USA/Canada: LANGUAGES: English ( Dolby Digital 5.1 ), English ( Subtitles ), WIDESCREEN (1.85:1), SPECIAL FEATURES: Cast/Crew Interview(s), Commentary, Deleted Scenes, Interactive Menu, Short Film, Trailer(s), SYNOPSIS: The title character in this bowl of Scottish blarney is a sweet nine-year-old deaf boy (Jack McElhone) who lives a fugitive existence with his beautiful mother (Emily Mortimer) and his chain-smoking grandmother (Mary Riggans). The family is forced to move every few months to avoid being tracked down by Frankie's violent, abusive fath! er. The happiness of the boy, who is too young to remember the! his fat her revolves around bogus letters penned by his mother posing as his devoted but absent dad, supposedly a merchant seaman. When a ship that coincidentally has the same name as the one his mother invented docks, she hires an impersonator (Gerard Butler) to play his seafaring dad. Although sensitively acted, the movie is a fraudulent mawkish yarn riddled with plot holes and improbabilities. SCREENED/AWARDED AT: BAFTA Awards, European Film Awards, Montreal World Film Festival, ...Dear FrankieWinner of 6 international film festival awards, this entertaining documentary tells the dramatic story behind the making of the epic movie Beowulf & Grendel, starring Gerard Butler, Stellan Skarsgard, Sarah Polley and Ingvar Sigurdsson. When Canadian director Sturla Gunnarsson and his cast and crew, including Gerard Butler and Stellan Skarsgård, set upon Iceland to film Beowulf & Grendel in 2004, they expected the usual complications involved in making a major motion picture. What they encountered was a ruthless Icelandic winter on a foreboding landscape, financing complications and a bizarre run of bad luck that led some of them to believe they were in an epic battle with the Norse gods themselves. Filmmaker Jon Gustafsson was along for the ride. Hired to play one of Beowulf's warriors, he's one set with his camera as the crew battles hurricane force winds and he's in the backroom as the producers scramble to shore up a collapsing deal, creating an intimate portrait of filmmakers fighting the odds in pursuit of a vision. If you liked "Lost in la Mancha" or "Burden of Dreams" you will probably like this one. DVD Special Features: 2 hours of bonus features, 1 hour exclusive interview with Gerard Butler, exclusive interviews with producers of Beowulf & Grendel, additional & extended scenes, chapter selection, Subtitles: Spanish, German, French, Icelandic, Polish, English, version for the hearing impaired.

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The Women

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Three sisters bond over their ambivalence toward the approaching death of their curmudgeonly father, to whom none of them was particularly close.
Genre: Feature Film-Comedy
Rating: PG13
Release Date: 23-MAR-2004
Media Type: DVDYou've got to admire a movie that embraces womanhood as so few mainstream movies do, and Hanging Up deserves credit for combining issues of sisterhood and elderly parent care while relying on neuroses to carry its unconventional plot. But you've also got to lament this botched "dramedy" from screenwriting sisters Nora and Delia Ephron (adapting the latter's novel) and director Diane Keaton, who lack a coherent plan for illuminating their trio of female siblings. Despite a sharp focus on Meg Ryan as the middle sister Eve--a capable Los Angeles event planner--the movie never quite seems to know where it's going, and ! you feel like the best scenes are merely happy accidents. In exploring the foibles of family, Keaton fared better with her earlier film Unstrung Heroes.

In addition to directing, Keaton plays the eldest sister Georgia, a celebrity magazine editor, and Lisa Kudrow is kid sister Maddy, a soap-opera actress who's nearly as self-absorbed as Georgia. They leave it to Eve to care for their declining father (Walter Matthau), a retired screenwriter who slips in and out of lucidity and is, at best, a cantankerous curmudgeon whose estranged wife (Cloris Leachman) has long since severed all family ties. This is potent material--at least it could have been--and Ryan admirably struggles to hold the film together. But it's ultimately a losing battle as the movie, so full of cell phones and disconnected people (hence the title), becomes disconnected itself, offering hollow humor and a few memorable moments with characters whose problems are too minimal to worry about. --Jeff ! ShannonYou've got to admire a movie that embraces womanhoo! d as so few mainstream movies do, and Hanging Up deserves credit for combining issues of sisterhood and elderly parent care while relying on neuroses to carry its unconventional plot. But you've also got to lament this botched "dramedy" from screenwriting sisters Nora and Delia Ephron (adapting the latter's novel) and director Diane Keaton, who lack a coherent plan for illuminating their trio of female siblings. Despite a sharp focus on Meg Ryan as the middle sister Eve--a capable Los Angeles event planner--the movie never quite seems to know where it's going, and you feel like the best scenes are merely happy accidents. In exploring the foibles of family, Keaton fared better with her earlier film Unstrung Heroes.

In addition to directing, Keaton plays the eldest sister Georgia, a celebrity magazine editor, and Lisa Kudrow is kid sister Maddy, a soap-opera actress who's nearly as self-absorbed as Georgia. They leave it to Eve to care for their declining father (Wa! lter Matthau), a retired screenwriter who slips in and out of lucidity and is, at best, a cantankerous curmudgeon whose estranged wife (Cloris Leachman) has long since severed all family ties. This is potent material--at least it could have been--and Ryan admirably struggles to hold the film together. But it's ultimately a losing battle as the movie, so full of cell phones and disconnected people (hence the title), becomes disconnected itself, offering hollow humor and a few memorable moments with characters whose problems are too minimal to worry about. --Jeff ShannonYou've got to admire a movie that embraces womanhood as so few mainstream movies do, and Hanging Up deserves credit for combining issues of sisterhood and elderly parent care while relying on neuroses to carry its unconventional plot. But you've also got to lament this botched "dramedy" from screenwriting sisters Nora and Delia Ephron (adapting the latter's novel) and director Diane Keaton, who ! lack a coherent plan for illuminating their trio of female sib! lings. D espite a sharp focus on Meg Ryan as the middle sister Eve--a capable Los Angeles event planner--the movie never quite seems to know where it's going, and you feel like the best scenes are merely happy accidents. In exploring the foibles of family, Keaton fared better with her earlier film Unstrung Heroes.

In addition to directing, Keaton plays the eldest sister Georgia, a celebrity magazine editor, and Lisa Kudrow is kid sister Maddy, a soap-opera actress who's nearly as self-absorbed as Georgia. They leave it to Eve to care for their declining father (Walter Matthau), a retired screenwriter who slips in and out of lucidity and is, at best, a cantankerous curmudgeon whose estranged wife (Cloris Leachman) has long since severed all family ties. This is potent material--at least it could have been--and Ryan admirably struggles to hold the film together. But it's ultimately a losing battle as the movie, so full of cell phones and disconnected people (hence the title)! , becomes disconnected itself, offering hollow humor and a few memorable moments with characters whose problems are too minimal to worry about. --Jeff ShannonMothers, daughters, wives, friends: These are the women of The Women. Based on Clare Boothe Luce's Broadway success and the hit 1939 movie, this sparkling update (from Murphy Brown creator Diane English) set in Manhattan and featuring an all-star, all-female cast says a lot about what it means to be today's woman and all of it's funny! The story starts with beautiful, smart, accomplished Mary Haines (Meg Ryan) discovering her husband is cheating on her. It's a time when friends are needed, so Mary's gal pals (Annette Bening, Jada Pinkett Smith and Debra Messing) and mother (Candice Bergen) rally round with advice, cocktails and shopping. The Wife vs. the Other Woman (Eva Mendes): Sharpen your claws for a timeless and wonderfully witty battle.For fans of some of America's finest actresses, seeing a film with even! one of the cast members of The Women would be a treat.! But thi s remake of George Cukor's famed girl-trouble ensemble film features Meg Ryan, Annette Bening, Jada Pinkett Smith, Eva Mendes, Debra Messing, Cloris Leachman, Bette Midler, Carrie Fisher, Joanna Gleason, and Candice Bergen--whew!--making it a film that fans of these terrifically talented women can savor. The remake may not have the cat-itude or camp factor of the original, but so what? The cast's chemistry really shines; friendship is thicker than water, it turns out--even stronger than the ties that bind women to their men. Ryan is the good-girl Mary Haines, whose husband, she and her friends learn, is cheating on her with the stunning femme fatale Crystal (Mendes, in the Joan Crawford role)--"a spritzer" at the perfume counter. Quelle horreur! The other women rally around the hapless Mary, staging interventions, offering snappy advice, and plotting battles on behalf of their friend. But it turns out that Ryan's Mary isn't quite as fragile as she seems. Gimlets and g! irl talk--lots of both--go a long way toward getting our heroine through her crisis, and onto a new stage in her life that surprises her husband and more than one of her pals. And the laughs by the appearances of Midler and Bergen, especially, are worth watching the whole film for. --A.T. Hurley

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Feeling Minnesota (LASER DISC)

• LASER DISC
• Widescreen
• 1996 Color
• 99 minutes
• NTSC

Just when she met the man of her dreams along came her husband to ruin everything. Studio: New Line Home Video Release Date: 02/03/2004 Starring: Keanu Reeves Vincent Donofrio Run time: 99 minutes Rating: R Director: Steven BaigelmanIn his debut effort, director/writer Steven Baigleman put together an interesting premise and collected a talented cast to execute it. Unfortunately, he never sets the tone, so we are caught between a wildly black comedy and an emotionally brutal drama. A firmer footing in either genre would have better defined our reactions to it. Keanu Reeves plays Jjaks, a man so badly trod upon by fate that his very name is the result of a typo. He arrives back at his mother's house in a lower working-class Minnesota neighborhood to witness the marriage of his older brother (Vincent D'Onofri! o) to an obviously reluctant bride (Cameron Diaz). By the time Jjaks is on his way, he's stolen a car, a dog, and his brother's wife. You have to give Baigleman credit for serving up intriguing characters. Unfortunately, he spins the story in circles instead of moving it along. Reeves and Diaz attempt to leave Minnesota, but never quite make it. Reeves repeatedly returns to a boyhood home he hates, always stumbling into his brother's angry clutches. What does work are the performances. Diaz is both sad and strong as the tough cookie who happens to be the smartest character in the movie. D'Onofrio's stupid nastiness is offset by his crushing love for her and an uncontrollable jealousy of Jjaks. Most surprising is Reeves, who makes us feel for his angry, unhappy loser by revealing flashes of decency under a toughened exterior. --Rochelle O'Gorman In his debut effort, director/writer Steven Baigleman put together an interesting premise and collected a talented cast to e! xecute it. Unfortunately, he never sets the tone, so we are ca! ught bet ween a wildly black comedy and an emotionally brutal drama. A firmer footing in either genre would have better defined our reactions to it. Keanu Reeves plays Jjaks, a man so badly trod upon by fate that his very name is the result of a typo. He arrives back at his mother's house in a lower working-class Minnesota neighborhood to witness the marriage of his older brother (Vincent D'Onofrio) to an obviously reluctant bride (Cameron Diaz). By the time Jjaks is on his way, he's stolen a car, a dog, and his brother's wife. You have to give Baigleman credit for serving up intriguing characters. Unfortunately, he spins the story in circles instead of moving it along. Reeves and Diaz attempt to leave Minnesota, but never quite make it. Reeves repeatedly returns to a boyhood home he hates, always stumbling into his brother's angry clutches. What does work are the performances. Diaz is both sad and strong as the tough cookie who happens to be the smartest character in the movie. D'On! ofrio's stupid nastiness is offset by his crushing love for her and an uncontrollable jealousy of Jjaks. Most surprising is Reeves, who makes us feel for his angry, unhappy loser by revealing flashes of decency under a toughened exterior. --Rochelle O'Gorman In his debut effort, director/writer Steven Baigleman put together an interesting premise and collected a talented cast to execute it. Unfortunately, he never sets the tone, so we are caught between a wildly black comedy and an emotionally brutal drama. A firmer footing in either genre would have better defined our reactions to it. Keanu Reeves plays Jjaks, a man so badly trod upon by fate that his very name is the result of a typo. He arrives back at his mother's house in a lower working-class Minnesota neighborhood to witness the marriage of his older brother (Vincent D'Onofrio) to an obviously reluctant bride (Cameron Diaz). By the time Jjaks is on his way, he's stolen a car, a dog, and his brother's wife. You! have to give Baigleman credit for serving up intriguing chara! cters. U nfortunately, he spins the story in circles instead of moving it along. Reeves and Diaz attempt to leave Minnesota, but never quite make it. Reeves repeatedly returns to a boyhood home he hates, always stumbling into his brother's angry clutches. What does work are the performances. Diaz is both sad and strong as the tough cookie who happens to be the smartest character in the movie. D'Onofrio's stupid nastiness is offset by his crushing love for her and an uncontrollable jealousy of Jjaks. Most surprising is Reeves, who makes us feel for his angry, unhappy loser by revealing flashes of decency under a toughened exterior. --Rochelle O'Gorman Race past the pitiful remake of "Ring of Fire" by Bob Dylan (or is that Adam Sandler?) and you'll find a tasty set, highlighted by Joe Henry, Los Lobos, vintage Nancy Sinatra, a Sly Stone cover by Spearhead ("Family Affair"), classic Temptations funk ("Shakey Ground") and glorious Replacements junk ("I Will Dare"). --Jeff Batem! an In his debut effort, director/writer Steven Baigleman put together an interesting premise and collected a talented cast to execute it. Unfortunately, he never sets the tone, so we are caught between a wildly black comedy and an emotionally brutal drama. A firmer footing in either genre would have better defined our reactions to it. Keanu Reeves plays Jjaks, a man so badly trod upon by fate that his very name is the result of a typo. He arrives back at his mother's house in a lower working-class Minnesota neighborhood to witness the marriage of his older brother (Vincent D'Onofrio) to an obviously reluctant bride (Cameron Diaz). By the time Jjaks is on his way, he's stolen a car, a dog, and his brother's wife. You have to give Baigleman credit for serving up intriguing characters. Unfortunately, he spins the story in circles instead of moving it along. Reeves and Diaz attempt to leave Minnesota, but never quite make it. Reeves repeatedly returns to a boyhood home he ! hates, always stumbling into his brother's angry clutches. Wha! t does w ork are the performances. Diaz is both sad and strong as the tough cookie who happens to be the smartest character in the movie. D'Onofrio's stupid nastiness is offset by his crushing love for her and an uncontrollable jealousy of Jjaks. Most surprising is Reeves, who makes us feel for his angry, unhappy loser by revealing flashes of decency under a toughened exterior. --Rochelle O'Gorman While attending the wedding of his vicious older brother, Sam, Jjaks Clayton, a drifter and petty criminal, finds himself involved with his brother's new wife, Freddie, and together they hit the road, with some nasty types in hot pursuit. Original. Movie tie-in.In his debut effort, director/writer Steven Baigleman put together an interesting premise and collected a talented cast to execute it. Unfortunately, he never sets the tone, so we are caught between a wildly black comedy and an emotionally brutal drama. A firmer footing in either genre would have better defined our react! ions to it. Keanu Reeves plays Jjaks, a man so badly trod upon by fate that his very name is the result of a typo. He arrives back at his mother's house in a lower working-class Minnesota neighborhood to witness the marriage of his older brother (Vincent D'Onofrio) to an obviously reluctant bride (Cameron Diaz). By the time Jjaks is on his way, he's stolen a car, a dog, and his brother's wife. You have to give Baigleman credit for serving up intriguing characters. Unfortunately, he spins the story in circles instead of moving it along. Reeves and Diaz attempt to leave Minnesota, but never quite make it. Reeves repeatedly returns to a boyhood home he hates, always stumbling into his brother's angry clutches. What does work are the performances. Diaz is both sad and strong as the tough cookie who happens to be the smartest character in the movie. D'Onofrio's stupid nastiness is offset by his crushing love for her and an uncontrollable jealousy of Jjaks. Most surprising is Ree! ves, who makes us feel for his angry, unhappy loser by reveali! ng flash es of decency under a toughened exterior. --Rochelle O'Gorman The sizes of these poster is approximately 27x40inches, rolled and in very mint condition never been used or hanged. These are original posters, not a reprint. It is packaged carefully in a sturdy tube. These posters will be shipped via USPS Priority MailCast: Keanu Reeves, Vince D'Onofrio, Cameron Diaz, Dan Aykroyd, Delroy Lindo, Tuesday Weld, Michael Rispoli, Courtney Love Director: Steven Baigleman

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Rothco Vintage Khaki Medic Bag

• 12 OZ STONE WASHED CANVAS
• SIZE: 12 1/2" x 11" x 3 1/2"
• CANVAS COLOR - KHAKI
• WITH "BROWN" MEDICS CROSS SYMBOL
• LARGE COMPARTMENT WITH FLAP

12 OZ STONE WASHED CANVAS SIZE: 12 1/2" x 11" x 3 1/2" COLOR CANVAS - KHAKI WITH "BROWN" MEDICS CROSS SYMBOL LARGE COMPARTMENT WITH FLAP BROWN LEATHER CLOSING STRAPS ADJUSTABLE SHOULDER STRAP HANG TAGS AND 2.5" X 3" PIECE OF KHAKI CANVAS WITH IMPRINTED BROWN CROSS ATTACHED TO BAG WITH 4.5" DOG TAG CHAIN

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Aviana Jacquard Softcup Bra (2353) 46E/Candlelight

• Exceptional comfort and support describe these bras designed specifically for the plus size customer.
• With smooth, all-over floral jacquard fabric cups, these bras are very smooth under clothing.
• Foam cushions inside wide shoulder straps make these bras easy on the shoulders and back.
• Strong and supportive bottom bands and foam cup lifts make these bras comfortable for long term wear.
• Available in Black, Candlelight and White.

Materials Contents.- Cup: Floral Jacquard. Cup, Band, SideAviana Bras are designed to give outstanding support for the plus size customer.

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Anita Maternity Women's Microfiber Nursing Bra, Skin, 38H

• 80% Nylon, 20% Elastane
• Suitable for Heavier Breast
• Great Under Tee Shirts
• Machine wash warm
• Imported

Seamless nursing bra, Lightweight, stretch microfiber. Underwire cups provide support, Non-stretch center gore. Convenient one-handed nursing clips Anita, Style Number: 5068.

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