Atonement (Full Screen Edition)

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Ian McEwan s symphonic novel of love and war, childhood and class, guilt and forgiveness provides all the satisfaction of a brilliant narrative and the provocation we have come to expect from this master of English prose.

On a hot summer day in 1935, thirteen-year-old Briony Tallis witnesses a moment s flirtation between her older sister, Cecilia, and Robbie Turner, the son of a servant and Cecilia s childhood friend. But Briony s incomplete grasp of adult motives together with her precocious literary gifts brings about a crime that will change all their lives. As it follows that crime s repercussions through the chaos and carnage of World War II and into the close of the twentieth century, Atonement engages the reader on every conceivable level, with an ease and authority th! at mark it as a genuine masterpiece.Ian McEwan's Booker Prize-nominated Atonement is his first novel since Amsterdam took home the prize in 1998. But while Amsterdam was a slim, sleek piece, Atonement is a more sturdy, more ambitious work, allowing McEwan more room to play, think, and experiment.

We meet 13-year-old Briony Tallis in the summer of 1935, as she attempts to stage a production of her new drama "The Trials of Arabella" to welcome home her older, idolized brother Leon. But she soon discovers that her cousins, the glamorous Lola and the twin boys Jackson and Pierrot, aren't up to the task, and directorial ambitions are abandoned as more interesting prospects of preoccupation come onto the scene. The charlady's son, Robbie Turner, appears to be forcing Briony's sister Cecilia to strip in the fountain and sends her obscene letters; Leon has brought home a dim chocolate magnate keen for a war to promote his new "Army Ammo" chocolate bar! ; and upstairs, Briony's migraine-stricken mother Emily keeps ! tabs on the house from her bed. Soon, secrets emerge that change the lives of everyone present....

The interwar, upper-middle-class setting of the book's long, masterfully sustained opening section might recall Virginia Woolf or Henry Green, but as we move forward--eventually to the turn of the 21st century--the novel's central concerns emerge, and McEwan's voice becomes clear, even personal. For at heart, Atonement is about the pleasures, pains, and dangers of writing, and perhaps even more, about the challenge of controlling what readers make of your writing. McEwan shouldn't have any doubts about readers of Atonement: this is a thoughtful, provocative, and at times moving book that will have readers applauding. --Alan Stewart, Amazon.co.ukFrom the award-winning director of Pride and Prejudice comes a stunning, critically acclaimed epic story of love. When a young girl catches her sister in a passionate embrace with a childhood friend, her jealousy drives h! er to tell a lie that will irrevocably change the course of all their lives forever. Academy Award® nominee Keira Knightley and James McAvoy lead an all-star cast in the film critics are hailing "the year's best picture" (Thelma Adams, US Weekly).Director Joe Wright (Pride and Prejudice) gives Ian McEwan’s bestselling novel a sumptuous treatment for the screen that should come to be regarded as one of the defining films of the epic romantic drama. Indeed, everything about this film stems from those three words: there is little here that is not epic, romantic, and dramatic, and Atonement is a film that masterfully expresses the overarching sense of adventure and emotion that such stories are meant to convey. In this instance, the story centers around the love story of highborn Cecilia Tallis (Keira Knightley) and housekeeper’s son Robbie Turner (James McAvoy, in a star-making turn), in England shortly before World War II. Despite their class differences, t! hey are powerfully attracted to each other, and just as their ! relation ship begins Robbie is tragically forced away due to false accusations from Cecilia’s younger sister Briony (Saoirse Ronan). She has a crush on Robbie, too, and after reading a private letter he sent to Cecilia, and then witnessing the first expression of their mutual love but mistaking it for mistreatment, her resentment grows until it leads to her telling the lie that will send Robbie away. Soon World War II breaks out; Robbie enlists and is posted to France, Cecilia is a nurse in London, and Briony, now age 18 and aware of what she has done, tries to atone for her actions--but none of them will be able to get back what they have lost. Knightley and McAvoy are perfectly cast as the young star crossed lovers, and the young Ronan is particularly impressive, but it’s clear that the real star of this film is the director. Wright allows Atonement to revel in every moment of its story and each scene is compelling in its own way, but that now famous extended shot with R! obbie on the beach at Dunkirk--filmed in one take and sure to be considered one of the great long tracking shots in film history--is the most memorable moment in this remarkable film. Atonement is an excellent example of what can happen when a great book meets great filmmaking. This is one that is not to be missed. --Daniel Vancini

Stills from Atonement (click for larger image).

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The novel opens on a sweltering summer day in 1935 at the Tallis family’s mansion in the Surrey countryside. Thirteen-year-old Briony has written a play in honor of the visit of her adored older brother Leon; other guests include her three young cousins -- refugees from their parent’s marital breakup -- Leon’s friend Paul Marshall, the manufacturer of a chocolate bar called “Amo” that soldiers will be able to carry into war, and Robbie Turner, the son of the family charlady whose brilliantly successful college career has been funded by Mr. Tallis. Jack Tallis is absent from the gathering; he spends most of his time in London at the War Ministry and with his mistress. His wife Emily is a semi-invalid, nursing chronic migraine headaches. Their elder daughter Cecilia is also present; she has just graduat! ed from Cambridge and is at home for the summer, restless and ! yearning for her life to really begin. Rehearsals for Briony’s play aren’t going well; her cousin Lola has stolen the starring role, the twin boys can’t speak the lines properly, and Briony suddenly realizes that her destiny is to be a novelist, not a dramatist.

In the midst of the long hot afternoon, Briony happens to be watching from a window when Cecilia strips off her clothes and plunges into the fountain on the lawn as Robbie looks on. Later that evening, Briony thinks she sees Robbie attacking Cecilia in the library, she reads a note meant for Cecilia, her cousin Lola is sexually assaulted, and she makes an accusation that she will repent for the rest of her life.

The next two parts of Atonement shift to the spring of 1940 as Hitler’s forces are sweeping across the Low Countries and into France. Robbie Turner, wounded, joins the disastrous British retreat to Dunkirk. Instead of going up to Cambridge to begin her studies, Briony has become a nur! se in one of London’s military hospitals. The fourth and final section takes place in 1999, as Briony celebrates her 77th birthday with the completion of a book about the events of 1935 and 1940, a novel called Atonement.

In its broad historical framework Atonement is a departure from McEwan’s earlier work, and he loads the story with an emotional intensity and a gripping plot reminiscent of the best nineteenth-century fiction. Brilliant and utterly enthralling in its depiction of childhood, love and war, England and class, the novel is a profoundly moving exploration of shame and forgiveness and the difficulty of absolution.A long history of biblical exegesis and theological reflection has shaped our understanding of the atonement today. The more prominent highlights of this history have acquired familiar names for the household of faith: Christus Victor, penal substitutionary, subjective, and governmental. Recently the! penal substitutionary view, and particularly its misappropria! tions, h as been critiqued, and a lively debate has taken hold within evangelicalism. This book offers a "panel" discussion of four views of atonement maintained by four evangelical scholars. The proponents and their views are: Gregory A. Boyd: Christus Victor view Joel B. Green: Kaleidescopic view Bruce R. Reichenbach: Healing view Thomas R. Schreiner: Penal Substitutionary view Following an introduction written by the editors, each participant first puts forth the case for their view. Each view is followed by responses from the other three participants, noting points of agreement as well as disagreement. This is a book that will help Christians understand the issues, grasp the differences and proceed toward a clearer articulation of their understanding of the atonement.From the award-winning director of Pride and Prejudice comes a stunning, critically acclaimed epic story of love. When a young girl catches her sister in a passionate embrace with a childhood! friend, her jealousy drives her to tell a lie that will irrevocably change the course of all their lives forever. Academy Award® nominee Keira Knightley and James McAvoy lead an all-star cast in the film critics are hailing "the year's best picture" (Thelma Adams, US Weekly).Director Joe Wright (Pride and Prejudice) gives Ian McEwan’s bestselling novel a sumptuous treatment for the screen that should come to be regarded as one of the defining films of the epic romantic drama. Indeed, everything about this film stems from those three words: there is little here that is not epic, romantic, and dramatic, and Atonement is a film that masterfully expresses the overarching sense of adventure and emotion that such stories are meant to convey. In this instance, the story centers around the love story of highborn Cecilia Tallis (Keira Knightley) and housekeeper’s son Robbie Turner (James McAvoy, in a star-making turn), in England shortly before World War II. Desp! ite their class differences, they are powerfully attracted to ! each oth er, and just as their relationship begins Robbie is tragically forced away due to false accusations from Cecilia’s younger sister Briony (Saoirse Ronan). She has a crush on Robbie, too, and after reading a private letter he sent to Cecilia, and then witnessing the first expression of their mutual love but mistaking it for mistreatment, her resentment grows until it leads to her telling the lie that will send Robbie away. Soon World War II breaks out; Robbie enlists and is posted to France, Cecilia is a nurse in London, and Briony, now age 18 and aware of what she has done, tries to atone for her actions--but none of them will be able to get back what they have lost. Knightley and McAvoy are perfectly cast as the young star crossed lovers, and the young Ronan is particularly impressive, but it’s clear that the real star of this film is the director. Wright allows Atonement to revel in every moment of its story and each scene is compelling in its own way, but that n! ow famous extended shot with Robbie on the beach at Dunkirk--filmed in one take and sure to be considered one of the great long tracking shots in film history--is the most memorable moment in this remarkable film. Atonement is an excellent example of what can happen when a great book meets great filmmaking. This is one that is not to be missed. --Daniel Vancini

Stills from Atonement (click for larger image).

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