Visit Georgia in a way most travelers don’t with this handy guide written by a passionate Georgian native as he leads you through Georgia’s byways and hidden treasures. Eight maps and twelve black-and-white illustrations complement his commentary.
The soundtrack follows the cast album pretty faithfully, except that the whole thing somehow feels turbocharged. Fast numbers like "Angry Inch" (with fab backup vocals by Miriam Shor) and "Exquisite Corpse" rock harder; ballads like "The Long Grift" and "Midnight Radio" are more poignant. The original off-Broadway cast recording was good, but now everything feels sharper, better defined. Even Hedwig's backing band, the Angry Inch, is beefed up by exÂHüsker Dü Bob Mould on guitar, while Girls Against Boys contribu! te to "Freaks," a track that would be right at home on an old David Bowie album. Even your punk pals will approve when they catch you listening to this musical. --Elisabeth VincentelliSometimes grace and hope come in surprising packages. The title character of Hedwig and the Angry Inch, a would-be glam-rock star from East Germany, undergoes a botched gender-change operation in order to escape from the Soviet bloc, only to watch the Berlin Wall come down on TV after being abandoned in a trailer park in middle America. Hedwig gets involved with Tommy, an adolescent boy who steals her songs and becomes a stadium-filling musical act. Suffering from a broken heart and a lust for revenge, Hedwig follows Tommy's tour, playing with her band (the Angry Inch) at tacky theme restaurants. Into this simple storyline, writer-director-star John Cameron Mitchell packs an astonishing mix of sadness, yearning, humor, and kick-ass songs with a little Platonic philosophy t! ucked inside for good measure. A visually dazzling gem of a mo! vie. --Bret FetzerOne record producer, the creators of Hedwig and the Angry Inch and top indie rock artists come together to create a tribute album benefiting the Hetrick-Martin Institute, home of the Harvey Milk High School-the first accredited high school in the country for LGBTQ youth.
Follow My Voice: With the Music of Hedwig weaves the compelling, courageous stories of four students at this controversial school with a unique chronicle of the yearlong creation of Wig in a Box, the album whose songs poignantly echo these teens struggles and aspirations. Audiences around the world became instant Hed Heads as Hedwig, like everyone who was ever young, questions TheOrigin of Love, dreams of a Sugar Daddy, feels like a Freak and curses a Wicked Little Town.
Meanwhile, the little known Harvey Milk School for at-risk youth, operating for 20 years in New York City s East Village quickly became the subject of international news when it received accr! editation and financial support from NYC. A furious controversy over public funding ignite passionate self-determination from the kids and a deeper commitment from the artists who them-selves know what it s like to be outside the mainstream.
Through a dramatic and vibrant combination of verité documentation, student video diaries, and rare in-studio scenes of artists recording tracks, Follow My Voice offers a powerful look at this unlikely intersection of youth, gender and rock. Includes Yoko Ono, Rufus Wainwright, Cyndi Lauper, Ben Folds, The Breeders, Yo La Tengo, John Cameron Mitchell, They Might Be Giants and more.
Some people seem more contented, fulfilled, enthusiastic about life... just plain happier. Is it genes? Money? No. It’s the choices they make, how they behave, every single day. Now, Richard Templar brings together the rules that happy, successful people follow: small, simple, common-sense, doable rules that can change your life!
Some people seem more contented, fulfilled, enthusiastic about life... just plain happier. Is it genes? Money? No. It’s the choice! s they make, how they behave, every single day. Now, Richard Templar brings together the rules that happy, successful people follow: small, simple, common-sense, doable rules that can change your life!
Some people seem more contented, fulfilled, enthusiastic about life... just plain happier. Is it genes? Money? No. It’s the choices they make, how they behave, every single day. Now, Richard Templar brings together the rules that happy, successful people follow: small, simple, common-sense, doable rules that can change your life!
Top-of-the-line e-reader, with touch and free 3G wireless - Free 3G wireless, no annual contracts or monthly fees - Download books anywhere, no hunting for Wi-Fi hotspots - 3G wireless works globally - Most-advanced E Ink display, now with multi-touch - New sleek design - 8% lighter, 11% smaller, holds 3,000 books - Text-to-speech, plus audio books and mp3s - Massive book selection, over 800,000 titles are $9.99 or less - New - Borrow Kind! le books from your public libraryOceans 3â„¢ Better Brain ! If you’re like millions of other Americans, there are probably times you think you’re losing your mind â€" that just may not be an exaggeration. Brain health and memory loss are issues of concern for more and more people every day. But now, there is Oceans 3 Better Brain, the only Omega-3 supplement available with OmegaXanthinâ„¢, a synergistic complex of three health-promoting compounds from the ocean plus a dynamic suite of three clinically studied ingredients designed to support neurological and brain function.† Why is Better Brain different from other supplements? In addition to all the benefits of a high-potency Omega-3 supplement, Better Brain also includes Vinpocetine, Bacopa and Phosphatidylserine, all known for their positive effect on brain health.  1. Vinpocentine, an extract from the periwinkle plant, has long been used to support cognitive ability an! d neurological function. Several studies have shown that this unique ingredient is able to cross the blood-brain barrier, entering the brain within minutes to stimulate overall blood-flow to the brain.†2. Bacopa, a botanical used for thousands of years in Ayurvedic medicine in India for its ability to sustain normal
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Disease sweeps the streets, destroying everything in its path and turning Mattie's world upside down. At her feverish mother's insistence, Mattie flees the city with her grandfather. But she soon discovers that the sickness is everywhere, and Mattie must learn quickly how to survive in a city turned frantic with disease.On the heels of her acclaimed contemporary teen novel Speak, Laurie Halse Anderson surprises her fans ! with a riveting and well-researched historical fiction. Fever 1793 is based on an actual epidemic of yellow fever in Philadelphia that wiped out 5,000 people--or 10 percent of the city's population--in three months. At the close of the 18th century, Philadelphia was the bustling capital of the United States, with Washington and Jefferson in residence. During the hot mosquito-infested summer of 1793, the dreaded yellow fever spread like wildfire, killing people overnight. Like specters from the Middle Ages, gravediggers drew carts through the streets crying "Bring out your dead!" The rich fled to the country, abandoning the city to looters, forsaken corpses, and frightened survivors.
In the foreground of this story is 16-year-old Mattie Cook, whose mother and grandfather own a popular coffee house on High Street. Mattie's comfortable and interesting life is shattered by the epidemic, as her mother is felled and the girl and her grandfathe! r must flee for their lives. Later, after much hardship and ! terror, they return to the deserted town to find their former cook, a freed slave, working with the African Free Society, an actual group who undertook to visit and assist the sick and saved many lives. As first frost arrives and the epidemic ends, Mattie's sufferings have changed her from a willful child to a strong, capable young woman able to manage her family's business on her own. (Ages 12 and older) --Patty Campbell
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Now a major motion picture! Starring Meryl Streep, Philip Seymour Hoffman, and Amy Adams. Written and directed by John Patrick Shanley from his Pulitzer Prizeâ€"winning play.
“The best new play of the season. That rarity of rarities, an issue-driven play that is unpreachy, thought-provoking, and so full of high drama that the audience with which I saw it gasped out loud a half-dozen times at its startling twists and turns. Mr. Shanley deserves the highest possible praise: he doesn’t try to talk you into doing anything but thinking-hard-about the gnarly complexity of human behavior.â€â€"Terry Teachout, The Wall Street Journal
“A breathtaking work of immense proportion. Positively brilliant.â€â€"Melissa Rose Bernardo, ! Entertainment Weekly
“#1 show of the year. How splendid it feels to be trusted with such passionate, exquisite ambiguity unlike anything we have seen from this prolific playwright so far. In just ninety fast-moving minutes, Shanley creates four blazingly individual people. Doubt is a lean, potent drama . . . passionate, exquisite, important and engrossing.â€â€"Linda Winer, Newsday
John Patrick Shanley is the author of numerous plays, including Danny in the Deep Blue Sea, Dirty Story, Four Dogs and a Bone, Psychopathia, Sexualis, Sailor’s Song, Savage in Limbo, and Where’s My Money? He has written extensively for TV and film, and his credits include the teleplay for Live from Baghdad and screenplays for Congo; Alive; Five Corners; Joe Versus the Volcano, which he also directed; and Moonstruck, for which he won an Academy Award for b! est original screenplay.
The intellectual gymnastics and ceaseless rumination endure (if you don't have a tolerance for that kind of thing, your nose doesn't belong in this book), but they are for the most part couched in simpler, less frenzied narratives. The book's four-piece namesake takes the form of interview transcripts, in which the conniving horror that is the male gender is revealed in all of its licentious glory. In the short, two-part "The Devil Is a Busy Man," Wallace strolls through the Hall of Mirrors that is human motivation. (Is it possible to completely rid an act of generosity of any self-serving benefits? And why is it easier to sell a couch for five ! dollars than it is to give it away for free?) The even shorte! r glimps e into modern-day social ritual, "A Radically Condensed History of Postindustrial Life," stretches the seams of its total of seven lines with scathing economy: "She laughed extremely hard, hoping to be liked. Then each drove home alone, staring straight ahead, with the very same twist to their faces." Wallace also imbues his extreme observational skills with a haunting poetic sensibility. Witness what he does to a diving board and the two darkened patches at the end of it in "Forever Overhead":
It's going to send you someplace which its own length keeps you from seeing, which seems wrong to submit to without even thinking.... They are skin abraded from feet by the violence of the disappearance of people with real weight.Of course, not every piece is an absolute winner. "The Depressed Person" slips from purposefully clinical to unintentionally boring. "Tri-Stan: I Sold Sissee Nar to Ecko" reimagines an Arthurian tale in MTV terms a! nd holds your attention for about as long as you'd imagine from such a description. Ultimately, however, even these failed experiments are a testament to Mr. Wallace's endless if unbridled talent. Once he gets the reins completely around that sucker, it's going to be quite a ride. --Bob Michaels
From the team behind the Academy Award®-nominated feature CITY OF GOD, including directors Fernando Meirelles (THE CONSTANT GARDNER) and Kátia Lund comes the hit Brazilian television series CITY OF MEN, a comedy/drama about two teenage boys growing up in a dangerous Rio de Janeiro slu! m starring Darlan Cunha and Douglas Silva, featured in the motion picture that inspired this series.
The CITY is a shantytown located in one of the many mountains of Rio de Janeiro. The MEN are two 13-year-old kids, Laranjinha and Acerola. This series brilliantly mixes humor and reality to explore life in the "favelas" and in particular the indomitable spirit of two best friends growing up in one of most volatile communities in the world.Brazilian TV series City of Men is a dazzling, propulsive, and fiery exploration of life in a chaotic Rio de Janeiro slum, seen through the eyes of Acerola (Douglas Silva) and Laranjinha (Darlan Cunha). These two boys prove to be amazingly charming tour guides to a world by turns terrifying and exhilarating. Using the jam-packed storytelling that made the movie City of God such a revelation, the first episode alone is a marvel, merging the history of Napoleon with a cutting analysis of drug lords and class structure ! in the poverty-ridden neighborhood. The other three episodes o! f the fi rst series carry on this riveting approach, mingling social observation with rich, compelling characters. From the second series on, the show becomes less overtly political and more about Acerola and Laranjinha's passage from youth to adulthood (embracing, with humor and pathos, the adolescent boys' obsession with sex)--though every episode has some sly or startling observation about race, wealth, and gender. Each series is filmed a year after the previous one, so the boys literally grow before our eyes; it's impossible to watch and not feel deeply involved as Acerola woos a girl named Cristiane and ends up a way-too-young father, or as an innocent prank escalates into a life-and-death struggle. Some episodes teeter on the brink of silliness--one of the last ones has the boys engaging in absurd cross-dressing--but the briskness of the writing and the charisma of Silva and Cunha carry the show through. Add to this the dynamic musical score of Brazilian pop and samba, and you ! have essential viewing. World music has already found popularity in the U.S.; welcome to a masterpiece of world television. --Bret Fetzer
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