Crimson Rivers 2: Angels of the Apocalypse Poster Spanish 27x40 Jean Reno Beno?t Magimel

• Approx. Size: 27 x 40 Inches - 69cm x 102cm
• Size is provided by the manufacturer and may not be exact
• The Amazon image in this listing is a digital scan of the poster that you will receive
• Crimson Rivers 2: Angels of the Apocalypse Spanish Style A 27 x 40 Inches Poster
• Packaged with care and shipped in sturdy reinforced packing material

Jean Reno is back in action as Commissioner Niemans. The body he found in a monastery seems to point to a ritualistic sacrifice and a portent of something strange to come. At the same time, young police captain Reda finds a man in agony who's an exact DNA match for Christ. Reda quickly finds out his case is directly linked to Niemans, but is the Apocalypse really about to begin as all signs seem to indicate?French sensation The Crimson Rivers was a serial killer thriller with a difference--it was genuinely t! hrilling. It was also pretty disturbing, but Jean Reno (The Professional) brought some light to the darkness with his sly performance as dog-phobic detective Niémans. Fortunately, Reno has returned in this highly stylized Luc Besson-penned sequel. Vincent Cassell has not, but Benoît Magimel (The Piano Teacher), as new partner Reda, makes for a decent replacement. Alas, Olivier Dahan isn't in the same league as Matthieu Kassovitz and the story line, which has something to do with the Last Supper, the Maginot Line, and gravity-defying killer monks, is even more convoluted than before. Then there's Johnny Hallyday (The Man on the Train) as a mysterious one-eyed man and Christopher Lee (The Lord of the Rings) as a bad German dude. It's all a little ridiculous, but entertaining nonetheless, and the chase sequences are a treat. --Kathleen C. FennessyCrimson Rivers 2: Angels of the Apocalypse reproduction poster print

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Wanted Dead or Alive - The Complete Series

• The hit television series that launched the career of big-screen legend Steve McQueen is now released by Mill Creek Entertainment. Wanted: Dead or Alive - The Complete Series has all 94 episodes featured on 11 DVDs, for hours of entertainment for fans new and old!Josh Randall (McQueen) was not a typical rough-hewn bounty hunter of the Old West; he was a consummate gentleman who many times gave awa

Studio: Lions Gate Home Ent. Release Date: 10/04/2011 Run time: 154 minutes Rating: RIf you're not a connoisseur of graphic horror and gruesome gore, you'd better steer clear of this wicked 1992 horror-comedy from the demented mind and delirious camera of New Zealand-born writer-director Peter Jackson. However, if nonstop mayhem and extreme violence are your idea of great entertainment, you're sure to appreciate Jackson's gleefully inventive approach to a story that can judiciously be described a! s sick, twisted, and totally outrageous. The movie's central character is a poor schmuck named Lionel who's practically enslaved to his domineering mother. But when ol' Mum gets bitten by a rare and poisonous rat monkey from Skull Island and is turned into a flesh-eating zombie, Lionel has the unfortunate task of keeping Mama happy while fending off all the other zombies that result from her voracious feeding frenzies. If you've read this far, you'll either be crying out for censorship or eagerly awaiting your first viewing (or second, or third...) of this wildly clever and audaciously uninhibited movie. And while director Jackson would later achieve critical success with his fact-based drama Heavenly Creatures, his talent is readily evident in this earlier effort. If you find this kind of thing even remotely appealing, consider Dead Alive a must-see movie. --Jeff Shannon Peter Jackson proves that if gory is funny, then excessive gory is downright hyste! rical. As our hapless hero wades through an ankle-deep puddle ! of blood and entrails, brandishing a lawnmower like a portable Cuisinart at the climax of this zombie-fest, you'll either be screaming with laughter or fleeing in disgust. Timothy Balme stars as the shy mama's boy Lionel, whose controlling shrew of a mother (Elizabeth Moody) starts rotting away, literally, with a vague supernatural disease. Mother dies but refuses to stay down, rising as a flesh-eating zombie infecting everyone she bites. Lionel tries to hide her in the basement, but the victims keep piling up and finally break out when Lionel's blackmailing uncle (a grotesque, leering Ian Watkin) throws a party in the house. It's snack time as the guests become undead hors d'oeuvres and rise again as hungry soldiers of the new zombie army marching on Lionel and his girl Pacquita (the lovely Diana Penalver). New Zealand goremeister Jackson pulls out all stops in this truly outrageous sanguinary comedy, from gross-out gags of oozing puss and rotting body parts at a formal dinner to s! lapstick antics as Lionel tries to keep his flesh-hungry mother sedated during the funeral to the final Freudian showdown between a now-monstrous mother and the newly liberated Lionel. If you like your horror with a sense of humor or your comedy with gristle, then wade through this taboo-busting bucket of blood. --Sean AxmakerDEAD ALIVE - DVD MovieIf you're not a connoisseur of graphic horror and gruesome gore, you'd better steer clear of this wicked 1992 horror-comedy from the demented mind and delirious camera of New Zealand-born writer-director Peter Jackson. However, if nonstop mayhem and extreme violence are your idea of great entertainment, you're sure to appreciate Jackson's gleefully inventive approach to a story that can judiciously be described as sick, twisted, and totally outrageous. The movie's central character is a poor schmuck named Lionel who's practically enslaved to his domineering mother. But when ol' Mum gets bitten by a rare and poisonous rat mo! nkey from Skull Island and is turned into a flesh-eating zombi! e, Lione l has the unfortunate task of keeping Mama happy while fending off all the other zombies that result from her voracious feeding frenzies. If you've read this far, you'll either be crying out for censorship or eagerly awaiting your first viewing (or second, or third...) of this wildly clever and audaciously uninhibited movie. And while director Jackson would later achieve critical success with his fact-based drama Heavenly Creatures, his talent is readily evident in this earlier effort. If you find this kind of thing even remotely appealing, consider Dead Alive a must-see movie. --Jeff Shannon Peter Jackson proves that if gory is funny, then excessive gory is downright hysterical. As our hapless hero wades through an ankle-deep puddle of blood and entrails, brandishing a lawnmower like a portable Cuisinart at the climax of this zombie-fest, you'll either be screaming with laughter or fleeing in disgust. Timothy Balme stars as the shy mama's boy Lionel, wh! ose controlling shrew of a mother (Elizabeth Moody) starts rotting away, literally, with a vague supernatural disease. Mother dies but refuses to stay down, rising as a flesh-eating zombie infecting everyone she bites. Lionel tries to hide her in the basement, but the victims keep piling up and finally break out when Lionel's blackmailing uncle (a grotesque, leering Ian Watkin) throws a party in the house. It's snack time as the guests become undead hors d'oeuvres and rise again as hungry soldiers of the new zombie army marching on Lionel and his girl Pacquita (the lovely Diana Penalver). New Zealand goremeister Jackson pulls out all stops in this truly outrageous sanguinary comedy, from gross-out gags of oozing puss and rotting body parts at a formal dinner to slapstick antics as Lionel tries to keep his flesh-hungry mother sedated during the funeral to the final Freudian showdown between a now-monstrous mother and the newly liberated Lionel. If you like your horror with a! sense of humor or your comedy with gristle, then wade through! this ta boo-busting bucket of blood. --Sean AxmakerThe hit television series that launched the career of big-screen legend Steve McQueen is now released by Mill Creek Entertainment.

Wanted: Dead or Alive - The Complete Series has all 94 episodes featured on 11 DVDs, for hours of entertainment for fans new and old!

Josh Randall (McQueen) was not a typical rough-hewn bounty hunter of the Old West; he was a consummate gentleman who many times gave away half - or even all - of his reward money to charity. He was a man of few words and he carried a Winchester sawed-off shotgun, which he wore on his belt and fondly called his "Mare's Leg". Originally aired on CBS from 1958 - 1961, Wanted: Dead or Alive was the TV series that launched Steve McQueen back into the film industry in the western classic The Magnificent Seven.

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Breakfast at Tiffany's: A Short Novel and Three Stories (Modern Library)

• ISBN13: 9780679600855
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Winner of two Oscars®, here's the romantic comedy that sparkles like diamonds! From the opening strains of Henry Mancini and Johnny Mercer's haunting, Oscar®-winning song "Moon River," you'll once again be under the alluring spell of that madcap, carefree New York playgirl known as Holly Golightly (Audrey Hepburn) in this 24-carat romantic comedy based on Truman Capote's best-selling novella. George Peppard is the struggling and "sponsored" young writer who finds himself swept into Holly's dizzying, delightfully unstructured lifestyle as she determinedly scours Manhattan for a suitable millionaire to marry. The sparkling special features on this Anniversary Edition DVD only add to the luster of direc! tor Blake Edwards' timeless film classic. Patricia Neal, Buddy Ebsen, Martin Balsam and Mickey Rooney co-star; Mancini won an additional Academy Award® for his enthralling musical score. No film better utilizes Audrey Hepburn's flighty charm and svelte beautythan this romantic adaptation of Truman Capote's novella. Hepburn's urban sophisticate Holly Golightly, an enchanting neurotic living off the gifts of gentlemen, is a bewitching figure in designer dresses and costume jewelry. George Peppard is her upstairs neighbor, a struggling writer and "kept" man financed by a steely older woman (Patricia Neal). His growing friendship with the lonely Holly soon turns to love and threatens the delicate balance of both of their compromised lives. Taking liberties with Capote's bittersweet story, director Blake Edwards and screenwriter George Axelrod turn New York into a city of lovers and create a poignant portrait of Holly, a frustrated romantic with a secret past and a hidden vulne! rability. Composer Henry Mancini earned Oscars for the hit son! g "Moon River" and his tastefully romantic score. The only sour note in the whole film is Mickey Rooney's demeaning performance as the apartment's Japanese manager, an offensively overdone stereotype even in 1961. The rest of the film has weathered the decades well. Edwards's elegant yet light touch, Axelrod's generous screenplay, and Hepburn's mix of knowing experience and naiveté combine to create one of the great screen romances and a refined slice of high society bohemian chic. --Sean Axmaker“I’m crazy about Tiffany’s...Nothing very bad could happen to you there!” For the first time ever, this meticulously restored screen gem is available on Blu-ray™. Holly Golightly (Audrey Hepburn) delights audiences as the carefree ingénue searching Manhattan for a dream millionaire to marry. George Peppard plays the struggling, “sponsored” young writer who gets swept away in Holly’s chaotic-yet-enchanting lifestyle. Directed by Blake Edwards (The Pink Panth! er, Victor/Victoria), this two-time Oscar®-winning film features Henry Mancini’s honored score*, as well as his and Johnny Mercer’s Academy Award®-winning song, “Moon River.”

*Winner: Best Music â€" Music Score of a Dramatic or Comedy Picture, 1961. Winner: Best Music (Song), 1961.No film better utilizes Audrey Hepburn's flighty charm and svelte beautythan this romantic adaptation of Truman Capote's novella. Hepburn's urban sophisticate Holly Golightly, an enchanting neurotic living off the gifts of gentlemen, is a bewitching figure in designer dresses and costume jewelry. George Peppard is her upstairs neighbor, a struggling writer and "kept" man financed by a steely older woman (Patricia Neal). His growing friendship with the lonely Holly soon turns to love and threatens the delicate balance of both of their compromised lives. Taking liberties with Capote's bittersweet story, director Blake Edwards and screenwriter George A! xelrod turn New York into a city of lovers and create a poign! ant port rait of Holly, a frustrated romantic with a secret past and a hidden vulnerability. Composer Henry Mancini earned Oscars for the hit song "Moon River" and his tastefully romantic score. The only sour note in the whole film is Mickey Rooney's demeaning performance as the apartment's Japanese manager, an offensively overdone stereotype even in 1961. The rest of the film has weathered the decades well. Edwards's elegant yet light touch, Axelrod's generous screenplay, and Hepburn's mix of knowing experience and naiveté combine to create one of the great screen romances and a refined slice of high society bohemian chic. --Sean AxmakerA New York writer falls in love with an eccentric party girl named Holly Golightly; she is determined to marry a millionaire, but he puts a wrench in her plans.
Item Type: DVD Movie
Item Rating: NR
Street Date: 12/28/01
Wide Screen: yes
Director Cut: no
Special Edition: no
! Language: ENGLISH
Foreign Film: noSubtitles: no
Dubbed: no
Full Frame: no
Re-Release: no
Packaging: SleeveNo film better utilizes Audrey Hepburn's flighty charm and svelte beautythan this romantic adaptation of Truman Capote's novella. Hepburn's urban sophisticate Holly Golightly, an enchanting neurotic living off the gifts of gentlemen, is a bewitching figure in designer dresses and costume jewelry. George Peppard is her upstairs neighbor, a struggling writer and "kept" man financed by a steely older woman (Patricia Neal). His growing friendship with the lonely Holly soon turns to love and threatens the delicate balance of both of their compromised lives. Taking liberties with Capote's bittersweet story, director Blake Edwards and screenwriter George Axelrod turn New York into a city of lovers and create a poignant portrait of Holly, a frustrated romantic with a secret past and a hidden vulnerability. Compos! er Henry Mancini earned Oscars for the hit song "Moon River" a! nd his t astefully romantic score. The only sour note in the whole film is Mickey Rooney's demeaning performance as the apartment's Japanese manager, an offensively overdone stereotype even in 1961. The rest of the film has weathered the decades well. Edwards's elegant yet light touch, Axelrod's generous screenplay, and Hepburn's mix of knowing experience and naiveté combine to create one of the great screen romances and a refined slice of high society bohemian chic. --Sean AxmakerContains:

Breakfast at Tiffany's
House of Flowers
A Diamond Guitar
A Christmas Memory

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The Deep End of the Ocean

• Michelle Pfeiffer, Whoopi Goldberg, High School Reunion, Treat Williams, Jonathan Jackson, Cory Buck

A #1 New York Times bestseller, Mitchard's suspenseful and moving novel is now available in trade paperback

Few first novels receive the kind of attention and acclaim showered on this powerful story--a nationwide bestseller, a critical success, and the first title chosen for Oprah's Book Club. Both highly suspenseful and deeply moving, The Deep End of the Ocean imagines every mother's worst nightmare--the disappearance of a child--as it explores a family's struggle to endure, even against extraordinary odds. Filled with compassion, humor, and brilliant observations about the texture of real life, here is a story of rare power, one that will touch readers' hearts and make them celebrate the emotions that make us all one.

"Riveting . . . twists that will spin you arou! nd." --Newsweek

"A drama with the tension of a thriller that moves deeply into the emotional territory of family ties." --People

"Take a deep breath. . . . This riveting story won't let you come up for air." --US magazine Oprah Book Club® Selection, September 1996: The horror of losing a child is somehow made worse when the case goes unsolved for nearly a decade, reports Milwaukee Journal-Sentinel columnist Jacquelyn Mitchard in this searing first novel. In it, 3-year-old Ben Cappadora is kidnapped from a hotel lobby where his mother is checking into her 15th high school reunion. His disappearance tears the family apart and invokes separate experiences of anguish, denial, and self-blame. Marital problems and delinquency in Ben's older brother (in charge of him the day of his kidnapping) ensue. Mitchard depicts the family's friction and torment--along with many gritty realities of family life--with the candor of a j! ournalist and compassion of someone who has seemingly been th! ere. Int ernational publishing and movie rights sold fast on this one: It's a blockbuster.Few first novels receive the kind of attention and acclaim showered on this powerful storyâ€"a nationwide bestseller, a critical success, and the first title chosen for Oprah's Book Club. Both highly suspenseful and deeply moving, The Deep End of the Ocean imagines every mother's worst nightmareâ€"the disappearance of a childâ€"as it explores a family's struggle to endure, even against extraordinary odds. Filled with compassion, humor, and brilliant observations about the texture of real life, here is a story of rare power, one that will touch readers' hearts and make them celebrate the emotions that make us all one.Oprah Book Club® Selection, September 1996: The horror of losing a child is somehow made worse when the case goes unsolved for nearly a decade, reports Milwaukee Journal-Sentinel columnist Jacquelyn Mitchard in this searing first novel. In it, 3-year-old B! en Cappadora is kidnapped from a hotel lobby where his mother is checking into her 15th high school reunion. His disappearance tears the family apart and invokes separate experiences of anguish, denial, and self-blame. Marital problems and delinquency in Ben's older brother (in charge of him the day of his kidnapping) ensue. Mitchard depicts the family's friction and torment--along with many gritty realities of family life--with the candor of a journalist and compassion of someone who has seemingly been there. International publishing and movie rights sold fast on this one: It's a blockbuster.Few first novels receive the kind of attention and acclaim showered on this powerful storyâ€"a nationwide bestseller, a critical success, and the first title chosen for Oprah's Book Club. Both highly suspenseful and deeply moving, The Deep End of the Ocean imagines every mother's worst nightmareâ€"the disappearance of a childâ€"as it explores a family's struggle to en! dure, even against extraordinary odds. Filled with compassion,! humor, and brilliant observations about the texture of real life, here is a story of rare power, one that will touch readers' hearts and make them celebrate the emotions that make us all one.Elmer Bernstein's moody piano complemented by an alternately somber and lighthearted symphony is the musical equivalent to boilerplate. So many scores contain these same properties that one is tempted to overlook the beautiful orchestration and just fault the composer for being too unoriginal. In keeping with the film's story of family dysfunction and an abducted child, Bernstein uses his instruments to stress what he calls "childhood memories," accented by a competent fusion of harps, bells, and often skip-happy arrangements intended to be unobtrusive. A departure from the humdrum side of soundtrack art it is not, but Bernstein deserves kudos for opting for traditional instruments (instead of a synthesizer) to complement this sensitive story of the "delicate balance" in human relationships. --Joseph LanzaBeth Cappadora (Michelle Pfeiffer) is at her high school reunion when her 3-year-old son disappears from his brother's care. The little boy never turns up, and the family has to deal with the devastating guilt and grief that goes along with it. Nine years later, the family has relocated to Chicago. By a sheer fluke, the kid turns up, living no more than two blocks away. The authorities swoop down and return the kid to his biological parents, but things are far from being that simple. The boy grew up around what he has called his father, while his new family are strangers to him; the older son, now a teenager, has brushes with the law and behavioral problems. His adjustment to his lost brother is complicated by normal teenage churlishness, and the dad (Treat Williams) seems to expect everything to fall into place as though the family had been intact all along. It's a tightrope routine for actors in a story like this, being careful not to chew the scenery w! hile at the same time not being too flaccid or understated. Fo! r the mo st part, the members of the cast deal well with the emotional complexity of their roles. Though the story stretches credulity, weirder things do happen in the real world. The family's pain for the first half of the film is certainly credible, though the second half almost seems like a different movie. Whoopi Goldberg plays the detective assigned to the case; casting her is a bit of a stretch, but she makes it work. All in all, a decent three-hanky movie in the vein of Ordinary People. --Jerry RenshawDEEP END OF THE OCEAN - DVD MovieBeth Cappadora (Michelle Pfeiffer) is at her high school reunion when her 3-year-old son disappears from his brother's care. The little boy never turns up, and the family has to deal with the devastating guilt and grief that goes along with it. Nine years later, the family has relocated to Chicago. By a sheer fluke, the kid turns up, living no more than two blocks away. The authorities swoop down and return the kid to his biological ! parents, but things are far from being that simple. The boy grew up around what he has called his father, while his new family are strangers to him; the older son, now a teenager, has brushes with the law and behavioral problems. His adjustment to his lost brother is complicated by normal teenage churlishness, and the dad (Treat Williams) seems to expect everything to fall into place as though the family had been intact all along. It's a tightrope routine for actors in a story like this, being careful not to chew the scenery while at the same time not being too flaccid or understated. For the most part, the members of the cast deal well with the emotional complexity of their roles. Though the story stretches credulity, weirder things do happen in the real world. The family's pain for the first half of the film is certainly credible, though the second half almost seems like a different movie. Whoopi Goldberg plays the detective assigned to the case; casting her is a bit of a! stretch, but she makes it work. All in all, a decent three-ha! nky movi e in the vein of Ordinary People. --Jerry Renshaw

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Aliens vs Predator

• As the Marine, you'll experience a claustrophobic and terrifying experience where light is your friend, but there's never enough; however, the United States Marine Corps are humanity's last line of defense, and as such they are armed to the teeth with the very latest in high explosive and automatic weaponry
• As the Predator, you will stalk from the shadows and from above, passing athletically through the treetops to ambush your victims; although equipped with an array of powerful, exotic weapons and tracking equipment, honor ultimately dictates that you must get in close and take your trophies face to face
• As the most deadly species in the universe, the Alien offers you the chance to play as the very stuff of nightmares, the monster in the dark swarming forward with countless others, jaws like a steel trap and claws like blades
• Play all sides off against each other in a series o! f unique 3-way online modes and go tooth-to-claw-to-pulse rifle in the reinvention of one of multiplayer gaming's defining moments

"It may be our planet, but it’s their war!" The deadliest creatures from the scariest sci-fi movies ever made face off for the first time on film. The incredible adventure begins when the discovery of an ancient pyramid buried in Antarctica sends a team of scientists and adventurers to the frozen continent. There, they make an even more terrifying discovery: two alien races engaged in the ultimate battle. Whoever wins...we lose.In delivering PG-13-rated excitement, Alien vs. Predator is an acceptably average science-fiction action thriller with some noteworthy highlights, even if it squanders its opportunity to intelligently combine two popular and R-rated franchises. Rabid fans can justifiably ask "Is that all there is?" after a decade of development hell and eager anticipation, but we're compensated by reasonably logical conn! ections to the Alien legacy and the still-kicking Pr! edator franchise (which hinted at AVP rivalry at the end of Predator 2); some cleverly claustrophobic sets, tense atmosphere and impressive digital effects; and a climactic AVP smackdown that's not half bad. This disposable junk should've been better, but nobody who's seen Mortal Kombat or Resident Evil should be surprised by writer-director Paul W.S. Anderson's lack of imagination. As a brisk, 90-minute exercise in generic thrills, however, Anderson's work is occasionally impressive... right up to his shameless opening for yet another sequel. --Jeff ShannonSega Aliens vs. Predator 68042 299Aliens vs Predator is an entirely new title for PC and high-definition consoles from acclaimed British developer Rebellion, the team behind the 1999 original PC gaming classic. Bringing the legendary war between two of science-fiction’s most popular characters to FPS fans, AvP delivers three outstanding single player campaigns and provides untold ho! urs of unique 3-way multiplayer gaming. Experience distinctly new and thrilling first person gameplay as you survive, hunt and prey in the deadly jungles and swamps surrounding the damned colony of Freya’s Prospect.

Play as an Alien View larger.

Play as a Marine View larger.

Alien Battles a Predator View larger. Play as the Predator View larger.

Three Breeds of Warrior. Three Brutal Campaigns. One Relentless Battleground. In deep space, on the frontier of human colonization, an ancient pyramid is discovered. When archaeologists probe the pyramid’s secrets they unwittingly trigger an apocalyptic confrontation between vengeful Predators, menacing Aliens, and heavily-armed Colonial Marines. Welcome to A! liens versus Predator, a stunningly-detailed FPS that seamlessly blends the action and intensity of one of the most popular movie franchises of all time. Whether you stalk your prey as a Predator, evolve into the perfect killing machine as an Alien, or use superior firepower as a Colonial Marine, one thing is certain. This will be a battle for the ages. Features: Master the skills of three deadly species: As a Predator, use your cloaking abilities and multiple vision modes to stalk your enemies while remaining hidden. Then rip out their spines with your wrist blades, or snipe them from afar with your plasma caster. As an Alien, use your finely-honed killer instincts to become the most lethal creature in the galaxy. Traverse any surface at blinding speeds, emerging from the dark to tear off your victims’ heads or impale them with your dagger-sharp tail. As a Colonial Marine, use your diverse arsenal and o! verwhelming firepower to hold the line against seemingly impos! sible od ds. Discover three unique single-player experiences: Each of the three species has its own unique storyline that intertwines with the others to create a compelling cinematic narrative, inspired by one of the most popular movie franchises of all time. Plunge yourself into intense online multiplayer combat: Take on hordes of online opponents in adrenaline-fueled multiplayer battles. Stalk your prey silently as a Predator, become a nightmarish killing machine as an Alien, or lay down a barrage of lethal fire as a battle-hardened Colonial Marine. Take advantage of each faction’s unique abilities to rise to the top of the leaderboards and become the most dominant species in the universe.

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Halloween (Two-Disc Unrated Collector's Edition) [Blu-ray]

• Rob Zombie (The Devil's Rejects), "modern American horror's most eccentric and surprising filmmaker," (Matt Zoller Seitz, New York Times) reinvents the ultimate slasheric, unleashing Michael Myers for a bloody rollercoaster of a rampage like fans have never seen. Including a retelling of the original story that unfolds at a breakneck pace, as well as a chilling new introduction that finally reveal

The original slasher film about Michael Myers, the psychotic killer who dons a mask and terrorizes his hometown, is re-imagined by edgy director Rob Zombie.More of a supercharged revamp than a remake, Rob Zombie's take on John Carpenter's Halloween expands the back story of masked killer Michael Myers in an attempt to examine the motivation for his first deadly attack, as well as some reasons for his longevity as a horror icon. Zombie's Myers is a blank-eyed teen (played by Daeg Faerch) wh! ose burgeoning mental problems are left unchecked in a horrific home environment; harassed by schoolmates, a randy sister, and his mother's deadbeat boyfriend (William Forsythe, terrific as usual), Myers' homicidal explosion seems inevitable, and intervention by Dr. Sam Loomis (Malcolm McDowell, who offers a fast-talking, hippiefied version of the Donald Pleasance character) does little to impede his development into a mute, unstoppable killing machine (Tyler Mane) bent on finishing off the only survivor of his family's massacre--his sister, now grown into teenaged Laurie Strode (Scout Taylor-Compton). Opening up the psychological motivation of a cipher like Michael Myers is an interesting approach, but Zombie's script possesses neither a depth of character nor dialogue to offer more than a clichéd thumbnail character sketch, and devoting over a hour of the unrated cut's 120-minute-plus running time to this history feels bloated and self-indulgent (especially when compared! to the lean efficiency of the Carpenter original). Zombie's Hallow een isn't terribly suspenseful, either; he has a keen eye for visuals and the details of chaotic environments, but his scares are nothing more than brutal showcases for his special effects team. The end result barely surpasses the original film's numerous sequels, though the Who's Who of cult and character actors in the cast (including Zombie regulars Sid Haig, Bill Moseley and Ken Foree, as well as Brad Dourif, Udo Kier, Clint Howard, Richard Lynch, Danny Trejo, Dee Wallace, and Danielle Harris) adds a touch of late-night monster movie charm. However, the film's best performance belongs to the director's spouse, Sheri Moon Zombie, who brings unexpected pathos to the role of Myers' downtrodden mother.

The two-disc Unrated Director's Cut offers a full disc's worth of extras that should please Zombie fans; chief among the supplemental features is his commentary, which details the film's shooting history and the numerous edits required to deliver the theatrical version! . A making-of featurette offers further details of Zombie's vision for the film, and there are featurettes on his cast choices and the many masks that Myers makes while incarcerated. Seventeen deleted scenes (two of which feature Adrienne Barbeau and Tom Towles) and an alternate ending (all with Zombie's commentary) are also provided, as well as footage from the casting sessions. A blooper reel, which is highlighted by unchecked mischief by McDowell and Dourif, offers the set's sole moment of levity. -- Paul GaitaRob Zombie (The Devil's Rejects), "modern American horror's most eccentric and surprising filmmaker," (Matt Zoller Seitz, New York Times) reinvents the ultimate slasher classic, unleashing Michael Myers for a bloody rollercoaster of a rampage like fans have never seen. Including a retelling of the original story that unfolds at a breakneck pace, as well as a chilling new introduction that finally reveals the secrets behind Myers' disturbing childhood, Hallow! een breathes new life into one of film history's most terrifyi! ng tales . "It will leave you speechless" (Spooky Dan, Bloody-Disgusting).More of a supercharged revamp than a remake, Rob Zombie's take on John Carpenter's Halloween expands the back story of masked killer Michael Myers in an attempt to examine the motivation for his first deadly attack, as well as some reasons for his longevity as a horror icon. Zombie's Myers is a blank-eyed teen (played by Daeg Faerch) whose burgeoning mental problems are left unchecked in a horrific home environment; harassed by schoolmates, a randy sister, and his mother's deadbeat boyfriend (William Forsythe, terrific as usual), Myers' homicidal explosion seems inevitable, and intervention by Dr. Sam Loomis (Malcolm McDowell, who offers a fast-talking, hippiefied version of the Donald Pleasance character) does little to impede his development into a mute, unstoppable killing machine (Tyler Mane) bent on finishing off the only survivor of his family's massacre--his sister, now grown into teenaged Laurie ! Strode (Scout Taylor-Compton). Opening up the psychological motivation of a cipher like Michael Myers is an interesting approach, but Zombie's script possesses neither a depth of character nor dialogue to offer more than a clichéd thumbnail character sketch, and devoting over a hour of the unrated cut's 120-minute-plus running time to this history feels bloated and self-indulgent (especially when compared to the lean efficiency of the Carpenter original). Zombie's Halloween isn't terribly suspenseful, either; he has a keen eye for visuals and the details of chaotic environments, but his scares are nothing more than brutal showcases for his special effects team. The end result barely surpasses the original film's numerous sequels, though the Who's Who of cult and character actors in the cast (including Zombie regulars Sid Haig, Bill Moseley and Ken Foree, as well as Brad Dourif, Udo Kier, Clint Howard, Richard Lynch, Danny Trejo, Dee Wallace, and Danielle Harris) add! s a touch of late-night monster movie charm. However, the film! 's best performance belongs to the director's spouse, Sheri Moon Zombie, who brings unexpected pathos to the role of Myers' downtrodden mother.

The two-disc Unrated Director's Cut offers a full disc's worth of extras that should please Zombie fans; chief among the supplemental features is his commentary, which details the film's shooting history and the numerous edits required to deliver the theatrical version. A making-of featurette offers further details of Zombie's vision for the film, and there are featurettes on his cast choices and the many masks that Myers makes while incarcerated. Seventeen deleted scenes (two of which feature Adrienne Barbeau and Tom Towles) and an alternate ending (all with Zombie's commentary) are also provided, as well as footage from the casting sessions. A blooper reel, which is highlighted by unchecked mischief by McDowell and Dourif, offers the set's sole moment of levity. -- Paul Gaita

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BREAKING DAWN TWILIGHT OFFICIAL CALENDAR 2012 + 3 FRIDGE MAGNETS SET

• BREAKING DAWN TWILIGHT OFFICIAL CALENDAR 2012 + 3 FRIDGE MAGNETS SET
• Product Dimensions: 29.5 x 27.4 x 0.5 cm
• 16 month calendar runs from September 2011 to December 2012
• Cello-wrapped with cardboard stiffener
• FREE FRIDGE MAGNETS

The #1 New York Times bestseller is available for the first time in a mass market paperback edition.

The astonishing conclusion to the Twilight Saga, Breaking Dawn illuminates the secrets and mysteries of this spellbinding romantic epic that has entranced millions. Now that Bella has made her decision to join the dark but seductive world of immortals, a startling chain of unprecedented events is about to unfold with potentially devastating, and unfathomable, consequences. Just when the frayed strands of Bella's life-first discovered in Twilight, then scattered and torn in New Moon and Ec! lipse-seem ready to heal and knit together, could they be destroyed... forever?

Great love stories thrive on sacrifice. Throughout The Twilight Saga (Twilight, New Moon, and Eclipse), Stephenie Meyer has emulated great love stories--Romeo and Juliet, Wuthering Heights--with the fated, yet perpetually doomed love of Bella (the human girl) and Edward (the vampire who feeds on animals instead of humans). In Breaking Dawn, the fourth and final installment in the series, Bella’s story plays out in some unexpected ways. The ongoing conflicts that made this series so compelling--a human girl in love with a vampire, a werewolf in love with a human girl, the generations-long feud between werewolves and vampires--resolve pretty quickly, apparently so that Meyer could focus on Bella’s latest opportunity for self-sacrifice: giving her life for someone she loves even more than Edward. How close she comes to actuall! y making that sacrifice is questionable, which is a big shift ! from the earlier books. Even though you knew Bella would make it through somehow, the threats to her life, and to her relationship with Edward, had previously always felt real. It’s as if Meyer was afraid of hurting her characters too much, which is unfortunate, because the pain Bella suffered at losing Edward in New Moon, and the pain Jacob suffered at losing Bella again and again, are the fire and the heart that drive the whole series. Diehard fans will stick with Bella, Edward, and Jacob for as many twists and turns as possible, but after most of the characters get what they want with little sacrifice, some readers may have a harder time caring what happens next. (Ages 12 and up) --Heidi Broadhead

Product Description

This Special Edition of the #1 New York Times bestseller includes:

• An exclusive Breaking Dawn concert series DVD, featuring a performance by Blue October's Justin Fur! stenfeld and a conversation between Stephenie Meyer and Justin Furstenfeld.

• A reproduction of the personal, handwritten lyrics for My Never by Justin Furstenfeld.

• A limited-edition, full-color Bella & Edward poster (on reverse side of book jacket).

• And more!

The astonishing, breathlessly anticipated conclusion to The Twilight Saga, Breaking Dawn, illuminates the secrets and mysteries of this spellbinding romantic epic that has entranced millions.

More from Stephenie Meyer

Twilight	New Moon	Eclipse

---

A companion to the film, illustrated with full color photos.When you loved the one who was killing you, it left you no options. How could you run, how could you fight, when doing so would hurt that beloved one? If your life was all you had to give, how could you not give it? If it was someone you truly loved?

To be irrevocably in love with a vampire is both fantasy and nightmare woven into a dangerously heightened reality for Bella Swan. P! ulled in one direction by her intense passion for Edward Cullen, and in another by her profound connection to werewolf Jacob Black, a tumultuous year of temptation, loss, and strife have led her to the ultimate turning point. Her imminent choice to either join the dark but seductive world of immortals or to pursue a fully human life has become the thread from which the fates of two tribes hangs.

Now that Bella has made her decision, a startling chain of unprecedented events is about to unfold with potentially devastating, and unfathomable, consequences. Just when the frayed strands of Bella's life-first discovered in Twilight, then scattered and torn in New Moon and Eclipse-seem ready to heal and knit together, could they be destroyed... forever?

The astonishing, breathlessly anticipated conclusion to the Twilight Saga, Breaking Dawn illuminates the secrets and mysteries of this spellbinding romantic epic that has entranced millions! .Great love stories thrive on sacrifice. Throughout The Twilig! ht Saga (Twilight, New Moon, and Eclipse), Stephenie Meyer has emulated great love stories--Romeo and Juliet, Wuthering Heights--with the fated, yet perpetually doomed love of Bella (the human girl) and Edward (the vampire who feeds on animals instead of humans). In Breaking Dawn, the fourth and final installment in the series, Bella’s story plays out in some unexpected ways. The ongoing conflicts that made this series so compelling--a human girl in love with a vampire, a werewolf in love with a human girl, the generations-long feud between werewolves and vampires--resolve pretty quickly, apparently so that Meyer could focus on Bella’s latest opportunity for self-sacrifice: giving her life for someone she loves even more than Edward. How close she comes to actually making that sacrifice is questionable, which is a big shift from the earlier books. Even though you knew Bella would make it through somehow, the threats to her ! life, and to her relationship with Edward, had previously always felt real. It’s as if Meyer was afraid of hurting her characters too much, which is unfortunate, because the pain Bella suffered at losing Edward in New Moon, and the pain Jacob suffered at losing Bella again and again, are the fire and the heart that drive the whole series. Diehard fans will stick with Bella, Edward, and Jacob for as many twists and turns as possible, but after most of the characters get what they want with little sacrifice, some readers may have a harder time caring what happens next. (Ages 12 and up) --Heidi BroadheadWhen you loved the one who was killing you, it left you no options. How could you run, how could you fight, when doing so would hurt that beloved one? If your life was all you had to give, how could you not give it? If it was someone you truly loved?

To be irrevocably in love wi! th a vampire is both fantasy and nightmare woven into a danger! ously he ightened reality for Bella Swan. Pulled in one direction by her intense passion for Edward Cullen, and in another by her profound connection to werewolf Jacob Black, a tumultuous year of temptation, loss, and strife have led her to the ultimate turning point. Her imminent choice to either join the dark but seductive world of immortals or to pursue a fully human life has become the thread from which the fates of two tribes hangs.

Now that Bella has made her decision, a startling chain of unprecedented events is about to unfold with potentially devastating, and unfathomable, consequences. Just when the frayed strands of Bella's life-first discovered in Twilight, then scattered and torn in New Moon and Eclipse-seem ready to heal and knit together, could they be destroyed... forever?

The astonishing, breathlessly anticipated conclusion to the Twilight Saga, Breaking Dawn illuminates the secrets and mysteries of this spellbinding romantic! epic that has entranced millions.Author of the #1 bestselling Twilight, New Moon, and EclipseOriginal soundtrack to the highly anticipated fourth installment in the worldwide blockbuster film franchise. The soundtrack is highlighted by the new single, "It Will Rain," by Grammy Award-winning, multi-platinum singer/songwriter/producer Bruno Mars. In addition, the soundtrack features new tracks from an extraordinary array of artists, including Christina Perri, The Joy Formidable, The Belle Brigade, Theophilus London, and Mia Maestro. Iron & Wine return with a newly recorded version of their song "Flightless Bird, American Mouth."Stephenie Meyer s bestselling Twilight saga took the young adult fiction world by storm. Although by no means dominant or even particularly overt, Meyer s use of religion nonetheless provides for some intriguing interpretive possibilities. Topics from young love, to abstinence, to the value of family and friends are infused in the stories. Lo! ve as an agent of change and a motivational impulse for self-s! acrifice also receives significant emphasis. Could Eve and Mary be a pattern for Bella? What about Edward--could he be seen as a Christ-figure? From Twilight to Breaking Dawn assists readers in thinking about the religious themes and images found throughout the Twilight saga. Each chapter discusses a single Twilight character or issue and concludes with questions for individual or group study. This book includes ideas from Judaism, Protestantism, Catholicism, and Mormonism.

From Twilight to Breaking Dawn is perfect for parents wanting to discuss these books with their children or for Twilight lovers interested in pursuing the deeper meaning that lies at the heart of these books.A companion to the film, illustrated with full color photos.A companion to the film, illustrated with full color photos.Twilight tempted the imagination. New Moon made readers thirsty for more. Eclipse turned the saga into a worldwide phenomenon. And now, t! he book that everyone has been waiting for... Breaking Dawn, the final book in the #1 bestselling Twilight Saga, will take your breath away. Description in Spanish: Crepusculo dio rienda suelta a la imaginacion de miles de lectores. Luna Nueva los dejo sedientos de mas accion. Eclipse convirtio la saga en un fenomeno mundial. Y ahora, por fin, llega el libro que tanto hemos esperado: Amanecer, el ultimo titulo de la saga Crepusculo, la serie #1 en ventas en todo el mundo, te dejara sin aliento.BREAKING DAWN TWILIGHT OFFICIAL CALENDAR 2012 + 3 FRIDGE MAGNETS SET