Funny Ha Ha

• FUNNY HA HA (DVD MOVIE)

Studio: Genius Products Inc Release Date: 06/19/2007 Run time: 88 minutes Rating: Nr

Read more »

Home Alone

• Condition: New
• Format: DVD
• Color; DVD; Widescreen; NTSC

Eight-year-old Kevin McCallister (Macaulay Culkin) has become the man of the house, overnight! Accidentally left behind when his family rushes off on a Christmas vacation, Kevin gets busy decorating the house for the holidays. But he's not decking the halls with tinsel and holly. Two bumbling burglars are trying to break in, and Kevin's rigging a bewildering battery of booby traps to welcome them!Now and forever a favorite among kids, this 1990 comedy written by John Hughes (The Breakfast Club) and directed by Chris Columbus (Mrs. Doubtfire) ushered Macaulay Culkin onto the screen as a troubled 8-year-old who doesn't comfortably mesh with his large family. He's forced to grow a little after being accidentally left behind when his folks and siblings fly off to Paris. A good-looking boy, Culkin lights up th! e screen during several funny sequences, the most famous of which finds him screaming for joy when he realizes he's unsupervised in his own house. A bit wooden with dialogue, the then-little star's voice could grate on the nerves (especially in long, wise-child passages of pure bromide), but he unquestionably carries the film. Billie Bird and John Candy show up as two of the interesting strangers Culkin's character meets. Joe Pesci and Daniel Stern are entertainingly cartoonish as thieves, but the ensuing violence once the little hero decides to keep them out of his house is over-the-top. --Tom Keogh

Read more »

After.Life

• AFTER.LIFE (DVD MOVIE)

Flatliners meets "The Sixth Sense" in this horror thriller about a young woman who awakens in a morgue following a car crash and encounters a psychic undertaker who tells her she is dead and begins counseling her. Refusing to believe the enigmatic mortician, she struggles to return to the living world while her boyfriend becomes overwhelmed by grief. Christina Ricci, Justin Long, Liam Neeson star. 103 min. Widescreen (Enhanced); Soundtrack: English Dolby Digital 5.1; Subtitles: English (SDH), Spanish; audio commentary; featurette.

Read more »

Sky Fighters

• SKY FIGHTERS CHEVALIERS DU CIEL, LES (DVD MOVIE)

SKY FIGHTERS - DVD Movie

Read more »

Atonement (Full Screen Edition)

• Condition: New
• Format: DVD
• AC-3; Color; Dolby; Dubbed; DVD; Full Screen; Subtitled; NTSC

Ian McEwan s symphonic novel of love and war, childhood and class, guilt and forgiveness provides all the satisfaction of a brilliant narrative and the provocation we have come to expect from this master of English prose.

On a hot summer day in 1935, thirteen-year-old Briony Tallis witnesses a moment s flirtation between her older sister, Cecilia, and Robbie Turner, the son of a servant and Cecilia s childhood friend. But Briony s incomplete grasp of adult motives together with her precocious literary gifts brings about a crime that will change all their lives. As it follows that crime s repercussions through the chaos and carnage of World War II and into the close of the twentieth century, Atonement engages the reader on every conceivable level, with an ease and authority th! at mark it as a genuine masterpiece.Ian McEwan's Booker Prize-nominated Atonement is his first novel since Amsterdam took home the prize in 1998. But while Amsterdam was a slim, sleek piece, Atonement is a more sturdy, more ambitious work, allowing McEwan more room to play, think, and experiment.

We meet 13-year-old Briony Tallis in the summer of 1935, as she attempts to stage a production of her new drama "The Trials of Arabella" to welcome home her older, idolized brother Leon. But she soon discovers that her cousins, the glamorous Lola and the twin boys Jackson and Pierrot, aren't up to the task, and directorial ambitions are abandoned as more interesting prospects of preoccupation come onto the scene. The charlady's son, Robbie Turner, appears to be forcing Briony's sister Cecilia to strip in the fountain and sends her obscene letters; Leon has brought home a dim chocolate magnate keen for a war to promote his new "Army Ammo" chocolate bar! ; and upstairs, Briony's migraine-stricken mother Emily keeps ! tabs on the house from her bed. Soon, secrets emerge that change the lives of everyone present....

The interwar, upper-middle-class setting of the book's long, masterfully sustained opening section might recall Virginia Woolf or Henry Green, but as we move forward--eventually to the turn of the 21st century--the novel's central concerns emerge, and McEwan's voice becomes clear, even personal. For at heart, Atonement is about the pleasures, pains, and dangers of writing, and perhaps even more, about the challenge of controlling what readers make of your writing. McEwan shouldn't have any doubts about readers of Atonement: this is a thoughtful, provocative, and at times moving book that will have readers applauding. --Alan Stewart, Amazon.co.ukFrom the award-winning director of Pride and Prejudice comes a stunning, critically acclaimed epic story of love. When a young girl catches her sister in a passionate embrace with a childhood friend, her jealousy drives h! er to tell a lie that will irrevocably change the course of all their lives forever. Academy Award® nominee Keira Knightley and James McAvoy lead an all-star cast in the film critics are hailing "the year's best picture" (Thelma Adams, US Weekly).Director Joe Wright (Pride and Prejudice) gives Ian McEwan’s bestselling novel a sumptuous treatment for the screen that should come to be regarded as one of the defining films of the epic romantic drama. Indeed, everything about this film stems from those three words: there is little here that is not epic, romantic, and dramatic, and Atonement is a film that masterfully expresses the overarching sense of adventure and emotion that such stories are meant to convey. In this instance, the story centers around the love story of highborn Cecilia Tallis (Keira Knightley) and housekeeper’s son Robbie Turner (James McAvoy, in a star-making turn), in England shortly before World War II. Despite their class differences, t! hey are powerfully attracted to each other, and just as their ! relation ship begins Robbie is tragically forced away due to false accusations from Cecilia’s younger sister Briony (Saoirse Ronan). She has a crush on Robbie, too, and after reading a private letter he sent to Cecilia, and then witnessing the first expression of their mutual love but mistaking it for mistreatment, her resentment grows until it leads to her telling the lie that will send Robbie away. Soon World War II breaks out; Robbie enlists and is posted to France, Cecilia is a nurse in London, and Briony, now age 18 and aware of what she has done, tries to atone for her actions--but none of them will be able to get back what they have lost. Knightley and McAvoy are perfectly cast as the young star crossed lovers, and the young Ronan is particularly impressive, but it’s clear that the real star of this film is the director. Wright allows Atonement to revel in every moment of its story and each scene is compelling in its own way, but that now famous extended shot with R! obbie on the beach at Dunkirk--filmed in one take and sure to be considered one of the great long tracking shots in film history--is the most memorable moment in this remarkable film. Atonement is an excellent example of what can happen when a great book meets great filmmaking. This is one that is not to be missed. --Daniel Vancini

Stills from Atonement (click for larger image).

!

The novel opens on a sweltering summer day in 1935 at the Tallis family’s mansion in the Surrey countryside. Thirteen-year-old Briony has written a play in honor of the visit of her adored older brother Leon; other guests include her three young cousins -- refugees from their parent’s marital breakup -- Leon’s friend Paul Marshall, the manufacturer of a chocolate bar called “Amo” that soldiers will be able to carry into war, and Robbie Turner, the son of the family charlady whose brilliantly successful college career has been funded by Mr. Tallis. Jack Tallis is absent from the gathering; he spends most of his time in London at the War Ministry and with his mistress. His wife Emily is a semi-invalid, nursing chronic migraine headaches. Their elder daughter Cecilia is also present; she has just graduat! ed from Cambridge and is at home for the summer, restless and ! yearning for her life to really begin. Rehearsals for Briony’s play aren’t going well; her cousin Lola has stolen the starring role, the twin boys can’t speak the lines properly, and Briony suddenly realizes that her destiny is to be a novelist, not a dramatist.

In the midst of the long hot afternoon, Briony happens to be watching from a window when Cecilia strips off her clothes and plunges into the fountain on the lawn as Robbie looks on. Later that evening, Briony thinks she sees Robbie attacking Cecilia in the library, she reads a note meant for Cecilia, her cousin Lola is sexually assaulted, and she makes an accusation that she will repent for the rest of her life.

The next two parts of Atonement shift to the spring of 1940 as Hitler’s forces are sweeping across the Low Countries and into France. Robbie Turner, wounded, joins the disastrous British retreat to Dunkirk. Instead of going up to Cambridge to begin her studies, Briony has become a nur! se in one of London’s military hospitals. The fourth and final section takes place in 1999, as Briony celebrates her 77th birthday with the completion of a book about the events of 1935 and 1940, a novel called Atonement.

In its broad historical framework Atonement is a departure from McEwan’s earlier work, and he loads the story with an emotional intensity and a gripping plot reminiscent of the best nineteenth-century fiction. Brilliant and utterly enthralling in its depiction of childhood, love and war, England and class, the novel is a profoundly moving exploration of shame and forgiveness and the difficulty of absolution.A long history of biblical exegesis and theological reflection has shaped our understanding of the atonement today. The more prominent highlights of this history have acquired familiar names for the household of faith: Christus Victor, penal substitutionary, subjective, and governmental. Recently the! penal substitutionary view, and particularly its misappropria! tions, h as been critiqued, and a lively debate has taken hold within evangelicalism. This book offers a "panel" discussion of four views of atonement maintained by four evangelical scholars. The proponents and their views are: Gregory A. Boyd: Christus Victor view Joel B. Green: Kaleidescopic view Bruce R. Reichenbach: Healing view Thomas R. Schreiner: Penal Substitutionary view Following an introduction written by the editors, each participant first puts forth the case for their view. Each view is followed by responses from the other three participants, noting points of agreement as well as disagreement. This is a book that will help Christians understand the issues, grasp the differences and proceed toward a clearer articulation of their understanding of the atonement.From the award-winning director of Pride and Prejudice comes a stunning, critically acclaimed epic story of love. When a young girl catches her sister in a passionate embrace with a childhood! friend, her jealousy drives her to tell a lie that will irrevocably change the course of all their lives forever. Academy Award® nominee Keira Knightley and James McAvoy lead an all-star cast in the film critics are hailing "the year's best picture" (Thelma Adams, US Weekly).Director Joe Wright (Pride and Prejudice) gives Ian McEwan’s bestselling novel a sumptuous treatment for the screen that should come to be regarded as one of the defining films of the epic romantic drama. Indeed, everything about this film stems from those three words: there is little here that is not epic, romantic, and dramatic, and Atonement is a film that masterfully expresses the overarching sense of adventure and emotion that such stories are meant to convey. In this instance, the story centers around the love story of highborn Cecilia Tallis (Keira Knightley) and housekeeper’s son Robbie Turner (James McAvoy, in a star-making turn), in England shortly before World War II. Desp! ite their class differences, they are powerfully attracted to ! each oth er, and just as their relationship begins Robbie is tragically forced away due to false accusations from Cecilia’s younger sister Briony (Saoirse Ronan). She has a crush on Robbie, too, and after reading a private letter he sent to Cecilia, and then witnessing the first expression of their mutual love but mistaking it for mistreatment, her resentment grows until it leads to her telling the lie that will send Robbie away. Soon World War II breaks out; Robbie enlists and is posted to France, Cecilia is a nurse in London, and Briony, now age 18 and aware of what she has done, tries to atone for her actions--but none of them will be able to get back what they have lost. Knightley and McAvoy are perfectly cast as the young star crossed lovers, and the young Ronan is particularly impressive, but it’s clear that the real star of this film is the director. Wright allows Atonement to revel in every moment of its story and each scene is compelling in its own way, but that n! ow famous extended shot with Robbie on the beach at Dunkirk--filmed in one take and sure to be considered one of the great long tracking shots in film history--is the most memorable moment in this remarkable film. Atonement is an excellent example of what can happen when a great book meets great filmmaking. This is one that is not to be missed. --Daniel Vancini

Stills from Atonement (click for larger image).

	!

Read more »

Ed Gein: The Butcher of Plainfield

• Actors: Kane Hodder, Adrienne Frantz, Michael Berryman, Priscilla Barnes, Shawn Hoffman.
• Format: AC-3, Closed-captioned, Color, Dolby, DVD, Subtitled, Widescreen, NTSC.
• Language: English (Dolby Digital 2.0), English (Dolby Digital 5.1 EX). Subtitles: Spanish.
• Region: Region 1 (U.S. and Canada only).
• Rated R. Run Time: 90 minutes.

The truth behind the twisted crimes that inspired the films Psycho, The Texas Chain Saw Massacre, and The Silence of the Lambs...

From "America's principal chronicler of its greatest psychopathic killers" (The Boston Book Review) comes the definitive account of Ed Gein, a mild-mannered Wisconsin farmhand who stunned an unsuspecting nation -- and redefined the meaning of the word "psycho." The year was 1957. The place was an ordinary farmhouse in America's heartland, filled with extraordinary evidence o! f unthinkable depravity. The man behind the massacre was a slight, unassuming Midwesterner with a strange smile -- and even stranger attachment to his domineering mother. After her death and a failed attempt to dig up his mother's body from the local cemetery, Gein turned to other grave robberies and, ultimately, multiple murders. Driven to commit gruesome and bizarre acts beyond all imagining, Ed Gein remains one of the most deranged minds in the annals of American homicide. This is his story -- recounted in fascinating and chilling detail by Harold Schechter, one of the most acclaimed true-crime storytellers of our time.Harold Schechter is a historian: he takes old files and yellowed newspaper clippings, and brings their stories to life. Deviant is about everyone's favorite ghoul, Ed Gein--whose crimes inspired the writers of Psycho, Texas Chainsaw Massacre, and The Silence of the Lambs. Schechter deftly evokes the small-town 1950s Wisconsin se! tting--not pretty farms and cheese factories, but infertile so! il and a bleak, hardscrabble existence. The details of Gein's "death house" are perhaps well known by now, but the murderer's quietly crazy, almost gentle personality comes forth in this book as never before. As Gary Kadet wrote, in The Boston Book Review, "Schechter is a dogged researcher [who backs up] every bizarre detail and curious twist in this and his other books ... More importantly, he nimbly avoids miring his writing and our reading with minutiae or researched overstatement, which means that although he can occasionally be dry, he is never boring."
Also recommended: Schechter's books about Albert Fish (Deranged) and Herman Mudgett a.k.a. Dr. H. H. Holmes (Depraved).This is the true story of America’s first famous serial killer. Everyone in small Plainfield, Wisconsin thought Ed was just a little different, a local oddity. But Ed was tormented and haunted by years of family abuse and repression which led him to the brutal murders and mutilations ! of countless victims and corpses. In a remote farmhouse filled with the stench of death, Ed is driven to do unspeakable acts to his victims, acts that have become legend and the basis for future films like "Psycho" and the "Texas Chainsaw Massacre." This film will shock you with its unflinching horror and unforgettable performances from Steve Railsback and Carrie Snodgrass. No one will ever forget the true story of "Ed Gein."The story of the killer Ed Gein is one of the weirdest, most disturbing ever, one that has inspired horror stories as diverse as Psycho and The Texas Chainsaw Massacre. His crimes, which were committed in and around Plainfield, Wisconsin, included exhuming corpses from local graveyards and making trophies and keepsakes from their skin and bones.

The Murder Files is a series of individual titles, giving condensed accounts of some of the most appalling and notorious killers of all time.The story of the killer Ed Gein is one of the weirdest, mos! t disturbing ever, one that has inspired horror stories as div! erse as Psycho and The Texas Chainsaw Massacre. His crimes, which were committed in and around Plainfield, Wisconsin, included exhuming corpses from local graveyards and making trophies and keepsakes from their skin and bones.

The Murder Files is a series of individual titles, giving condensed accounts of some of the most appalling and notorious killers of all time.

America may have had its fill of psychos for the last forty years, but none of them has inspired so many books and films (Pyscho, The Silence of the Lambs, The Texas Chainsaw Massacre) as Wisconsin's cannibalistic handyman, Ed Gein. None of them has been used as the ultimate ogre in countless children's stories and off-color jokes, and none of them has been found guilty of as many unspeakable atrocities as Ed Gein.

This is his story. This is his legend.

Every neighbourhood has one ... a notorious "murder house" which was once the scene of a brutal and bloody crime. If the walls of number 25 Cro! mwell Street had ears, what horrifying acts would they have overheard during the occupancy of serial killers Fred and Rose West? Brutal torture sessions and grisly murders were a regular occurrence. Even after the evidence has been removed and the perpetrators imprisoned or executed, an aura of horror, fear and disgust can linger on for decades. Houses of Death provides an incredible insight into ordinary homes and institutional buildings that have played host to extraordinary events. It explores the infamous buildings, the murderers and victims who called them ‘home’, as well as the bizarre and bloody events that took place behind their closed doors.

Contents including:
Countess Erzsebet Bathory,Castle Csejthe; Eastern State Penitentiary; The Bender family log cabin; Sing Sing;
Lizzie Borden, 92 Second Street, Fall River; H H Holmes, The Murder Castle, Chicago; Newgate Prison; Lemp Mansion, St Louis; Bangkwang Prison, Thailand; Collingwood Manor Ma! ssacre; Washington State Penitentiary; John Christie, 10 Rilli! ngton Pl ace; Ed Gein, Gein’s Farm, Plainfield, Wisconsin; Holloway Prison; Alcatraz; The Manson Family, 10050 Cielo Drive, Los Angeles; Jonestown; Fred and Rose West, 25 Cromwell Street; Jeffrey Dahmer, 213 Oxford Apartments;
Gary Heidnik, 3520 North Marshall Street; Ian Huntley, 5 College Close, Soham.Every neighbourhood has one ... a notorious "murder house" which was once the scene of a brutal and bloody crime. If the walls of number 25 Cromwell Street had ears, what horrifying acts would they have overheard during the occupancy of serial killers Fred and Rose West? Brutal torture sessions and grisly murders were a regular occurrence. Even after the evidence has been removed and the perpetrators imprisoned or executed, an aura of horror, fear and disgust can linger on for decades. Houses of Death provides an incredible insight into ordinary homes and institutional buildings that have played host to extraordinary events. It explores the infamous buildings, the murderers and! victims who called them ‘home’, as well as the bizarre and bloody events that took place behind their closed doors.

Contents including:
Countess Erzsebet Bathory,Castle Csejthe; Eastern State Penitentiary; The Bender family log cabin; Sing Sing;
Lizzie Borden, 92 Second Street, Fall River; H H Holmes, The Murder Castle, Chicago; Newgate Prison; Lemp Mansion, St Louis; Bangkwang Prison, Thailand; Collingwood Manor Massacre; Washington State Penitentiary; John Christie, 10 Rillington Place; Ed Gein, Gein’s Farm, Plainfield, Wisconsin; Holloway Prison; Alcatraz; The Manson Family, 10050 Cielo Drive, Los Angeles; Jonestown; Fred and Rose West, 25 Cromwell Street; Jeffrey Dahmer, 213 Oxford Apartments;
Gary Heidnik, 3520 North Marshall Street; Ian Huntley, 5 College Close, Soham.THE GRUESOME MURDERS SHOCKED THE WORLD. NOW THE REAL LIFE STORY OF SERIAL KILLER ED GEIN IS FINALLY TOLD. NICKNAMED 'THEBUTCHER OF PLAINFIELD', GEIN WAS RESPONSIBLE FOR A RASH OF G! ORY MURDERS THAT SENT SHOCKWAVES THROUGH HIS RURAL WISCONSIN T! OWN & AC RSS AMERICA IN THE LATE 1950S.

Read more »

Captain America: The First Avenger (Two-Disc Blu-ray/DVD Combo + Digital Copy)

• 1 Blueray Disk Only.
• In Jewel Case
• Preowned
• Great Condition

Captain America leads the fight for freedom in the action-packed blockbuster starring Chris Evans as the ultimate weapon against evil! When a terrifying force threatens everyone across the globe, the world’s greatest soldier wages war on the evil HYDRA organization, led by the villainous Red Skull (Hugo Weaving, The Matrix). Critics and audiences alike salute Captain America: The First Avenger as “pure excitement, pure action, and pure fun!” â€" Bryan Erdy CBS-TVThe Marvel Comics superhero Captain America was born of World War II, so if you're going to do the origin story in a movie you'd better set it in the 1940s. But how, then, to reconcile that hero with the 21st-century mega-blockbuster The Avengers, a 2012 summit meeting of the Marvel giants, where Captain America join! s Iron Man and the Incredible Hulk and other super pals? Stick around, and we'll get to that. In 1943, a sawed-off (but gung-ho) military reject named Steve Rogers is enlisted in a super-secret experiment masterminded by adorable scientist Stanley Tucci and skeptical military bigwig Tommy Lee Jones. Rogers emerges, taller and sporting greatly expanded pectoral muscles, along with a keen ability to bounce back from injury. In both sections Rogers is played by Chris Evans, whose sly humor makes him a good choice for the otherwise stalwart Cap. (Benjamin Button-esque effects create the shrinky Rogers, with Evans's head attached.) The film comes up with a viable explanation for the red-white-and-blue suit 'n' shield--Rogers is initially trotted out as a war bonds fundraiser, in costume--and a rousing first combat mission for our hero, who finally gets fed up with being a poster boy. Director Joe Johnston (The Wolfman) makes a lot of pretty pictures along the way, ! although the war action goes generic for a while and the clima! x feels a little rushed. Kudos to Hugo Weaving, who makes his Nazi villain a grand adversary (with, if the ear doesn't lie, an imitation of Werner Herzog's accent). If most of the movie is enjoyable, the final 15 minutes or so reveals a curious weakness in the overall design: because Captain America needs to pop up in The Avengers, the resolution of the 1943 story line must include a bridge to the 21st century, which makes for some tortured (and unsatisfying) plot developments. Nevertheless: that shield is really cool. --Robert Horton

Read more »

Enlighten Up! DVD

• ENLIGHTEN UP! (DVD MOVIE)

Filmmaker Kate Churchill is determined to prove that yoga can transform anyone. Nick Rosen is skeptical but agrees to be her guinea pig. Kate immerses Nick in the practice and follows him around the world as he examines the good, the bad and the ugly of yoga. The two encounter celebrity yogis, true believers, kooks and world-renowned gurus. Tensions run high as Nick s transformational progress lags and Kate s plan crumbles. Ultimately, what they find is not what they are looking for.
FEATURING: B.K.S. Iyengar, Pattabhi Jois, Norman Allen, Sharon Gannon, David Life, Gurmukh, Dharma Mitra, Cyndi Lee, Alan Finger, Rodney Yee, Beryl Bender Birch, Shyamdas, Diamond Dallas Page and many more!

DVD Features: Audio Commentary with Director Kate Churchill; Deleted Scenes; Extended Interviews with Yoga Luminaries; Photo Gallery

Q&A with Enlighten Up! director Kate Churchill and New York journalist Nick Rosen

How did the two of you come in contact with one another? Kate, where did you locate subjects for the film?

Kate Churchill: Nick and I met each other at a think tank conference. We were seated on the same panel and afterwards starting chatting about the work we were each doing. Nick was working as a journalist at the time and interested in documentary films so he sent me some of his articles to read for a possible future project. About 4 months later when the producers and I were debating how to tell this story, he became a potential subject for the film. I liked that he was a journalist, had a good sense of humor and that he was skeptical.

Nick Rosen: Yeah, it was funny because it was a conference panel I was totally unprepared for and I didn't even know I was on, and I totally fa! ked and joked my way through it, trying to make people laugh t! o mask m y total and utter cluelessness. And then Kate fell for it! I often wonder if I had prepared for that panel, and nobody much noticed me, whether Kate would have ever introduced herself, and later pick me for the movie. Lesson for the kids: always be unprepared.

Did the making of this documentary help you to come to terms with some of the "contradictions of yoga" that you wished to explore?

Kate Churchill: When I started making Enlighten Up! I was determined to find one teacher, or one practice that would have all of the "right answers" and help me overcome what I saw as the contradictions of yoga. Through the course of making the film, and especially during the three years editing Enlighten Up! I learned that there isn’t one teacher or a single practice that will have all the answers, and therefore everyone is going to have their own take on yoga based on what makes sense to them.

Were th! ere any moments that were not captured on camera that you wished had been? Conversely, were there any moments that you did not want to relive when you saw the finished product?

Nick Rosen: I think Kate did a really good job of covering all the big important moments. But there were stretches of time that I was practicing yoga without the camera. There was one time when the whole yoga class was sitting cross legged in a circle listening to the teacher give some weighty lecture on Hinduism, andâ€"oopsâ€"I farted. The whole class heard it and the teacher thought it was someone speaking up and said, "What was that, does anyone have a question?" That would have been a pretty funny scene in the movie.The documentary Enlighten Up! takes a whimsical, skeptical, and ultimately thoughtful look at the mysteries of yoga. Taking an approach similar to Supersize Me, filmmaker (and student of yoga) Kate Churchill wants to see what happens! when someone is first exposed to this physical and spiritual ! discipli ne. She chooses Nick Rosen, a former journalist with a skeptical attitude towards religion. Their investigation--which gradually turns combative, forcing Churchill to re-examine her own assumptions--takes them from the commercial yoga studios of New York (where one student says, with a beatific smile, that yoga gives you better sleep, better sex, and will inspire new ways to make money) to a former pro wrestler's "t & a" yoga in Los Angeles and on to India--where they discover as many perspectives on yoga as there are yogis. Rosen, with his open but down-to-earth attitude, proves an excellent lens to view a subject all too often treated with blissful and vapid reverence. The movie is sprinkled with humor and people twisting themselves into astonishing shapes, as well as stimulating and often contradictory ideas and metaphors that paint a very diverse picture of the world of yoga. Enlighten Up! blends philosophical discourse, personal drama, and a beautiful travelogue-! -the result is a satisfying film that doesn't pretend to have any answers but grapples with intriguing questions. --Bret Fetzer

Read more »