Feeling Minnesota (LASER DISC)

• LASER DISC
• Widescreen
• 1996 Color
• 99 minutes
• NTSC

Just when she met the man of her dreams along came her husband to ruin everything. Studio: New Line Home Video Release Date: 02/03/2004 Starring: Keanu Reeves Vincent Donofrio Run time: 99 minutes Rating: R Director: Steven BaigelmanIn his debut effort, director/writer Steven Baigleman put together an interesting premise and collected a talented cast to execute it. Unfortunately, he never sets the tone, so we are caught between a wildly black comedy and an emotionally brutal drama. A firmer footing in either genre would have better defined our reactions to it. Keanu Reeves plays Jjaks, a man so badly trod upon by fate that his very name is the result of a typo. He arrives back at his mother's house in a lower working-class Minnesota neighborhood to witness the marriage of his older brother (Vincent D'Onofri! o) to an obviously reluctant bride (Cameron Diaz). By the time Jjaks is on his way, he's stolen a car, a dog, and his brother's wife. You have to give Baigleman credit for serving up intriguing characters. Unfortunately, he spins the story in circles instead of moving it along. Reeves and Diaz attempt to leave Minnesota, but never quite make it. Reeves repeatedly returns to a boyhood home he hates, always stumbling into his brother's angry clutches. What does work are the performances. Diaz is both sad and strong as the tough cookie who happens to be the smartest character in the movie. D'Onofrio's stupid nastiness is offset by his crushing love for her and an uncontrollable jealousy of Jjaks. Most surprising is Reeves, who makes us feel for his angry, unhappy loser by revealing flashes of decency under a toughened exterior. --Rochelle O'Gorman In his debut effort, director/writer Steven Baigleman put together an interesting premise and collected a talented cast to e! xecute it. Unfortunately, he never sets the tone, so we are ca! ught bet ween a wildly black comedy and an emotionally brutal drama. A firmer footing in either genre would have better defined our reactions to it. Keanu Reeves plays Jjaks, a man so badly trod upon by fate that his very name is the result of a typo. He arrives back at his mother's house in a lower working-class Minnesota neighborhood to witness the marriage of his older brother (Vincent D'Onofrio) to an obviously reluctant bride (Cameron Diaz). By the time Jjaks is on his way, he's stolen a car, a dog, and his brother's wife. You have to give Baigleman credit for serving up intriguing characters. Unfortunately, he spins the story in circles instead of moving it along. Reeves and Diaz attempt to leave Minnesota, but never quite make it. Reeves repeatedly returns to a boyhood home he hates, always stumbling into his brother's angry clutches. What does work are the performances. Diaz is both sad and strong as the tough cookie who happens to be the smartest character in the movie. D'On! ofrio's stupid nastiness is offset by his crushing love for her and an uncontrollable jealousy of Jjaks. Most surprising is Reeves, who makes us feel for his angry, unhappy loser by revealing flashes of decency under a toughened exterior. --Rochelle O'Gorman In his debut effort, director/writer Steven Baigleman put together an interesting premise and collected a talented cast to execute it. Unfortunately, he never sets the tone, so we are caught between a wildly black comedy and an emotionally brutal drama. A firmer footing in either genre would have better defined our reactions to it. Keanu Reeves plays Jjaks, a man so badly trod upon by fate that his very name is the result of a typo. He arrives back at his mother's house in a lower working-class Minnesota neighborhood to witness the marriage of his older brother (Vincent D'Onofrio) to an obviously reluctant bride (Cameron Diaz). By the time Jjaks is on his way, he's stolen a car, a dog, and his brother's wife. You! have to give Baigleman credit for serving up intriguing chara! cters. U nfortunately, he spins the story in circles instead of moving it along. Reeves and Diaz attempt to leave Minnesota, but never quite make it. Reeves repeatedly returns to a boyhood home he hates, always stumbling into his brother's angry clutches. What does work are the performances. Diaz is both sad and strong as the tough cookie who happens to be the smartest character in the movie. D'Onofrio's stupid nastiness is offset by his crushing love for her and an uncontrollable jealousy of Jjaks. Most surprising is Reeves, who makes us feel for his angry, unhappy loser by revealing flashes of decency under a toughened exterior. --Rochelle O'Gorman Race past the pitiful remake of "Ring of Fire" by Bob Dylan (or is that Adam Sandler?) and you'll find a tasty set, highlighted by Joe Henry, Los Lobos, vintage Nancy Sinatra, a Sly Stone cover by Spearhead ("Family Affair"), classic Temptations funk ("Shakey Ground") and glorious Replacements junk ("I Will Dare"). --Jeff Batem! an In his debut effort, director/writer Steven Baigleman put together an interesting premise and collected a talented cast to execute it. Unfortunately, he never sets the tone, so we are caught between a wildly black comedy and an emotionally brutal drama. A firmer footing in either genre would have better defined our reactions to it. Keanu Reeves plays Jjaks, a man so badly trod upon by fate that his very name is the result of a typo. He arrives back at his mother's house in a lower working-class Minnesota neighborhood to witness the marriage of his older brother (Vincent D'Onofrio) to an obviously reluctant bride (Cameron Diaz). By the time Jjaks is on his way, he's stolen a car, a dog, and his brother's wife. You have to give Baigleman credit for serving up intriguing characters. Unfortunately, he spins the story in circles instead of moving it along. Reeves and Diaz attempt to leave Minnesota, but never quite make it. Reeves repeatedly returns to a boyhood home he ! hates, always stumbling into his brother's angry clutches. Wha! t does w ork are the performances. Diaz is both sad and strong as the tough cookie who happens to be the smartest character in the movie. D'Onofrio's stupid nastiness is offset by his crushing love for her and an uncontrollable jealousy of Jjaks. Most surprising is Reeves, who makes us feel for his angry, unhappy loser by revealing flashes of decency under a toughened exterior. --Rochelle O'Gorman While attending the wedding of his vicious older brother, Sam, Jjaks Clayton, a drifter and petty criminal, finds himself involved with his brother's new wife, Freddie, and together they hit the road, with some nasty types in hot pursuit. Original. Movie tie-in.In his debut effort, director/writer Steven Baigleman put together an interesting premise and collected a talented cast to execute it. Unfortunately, he never sets the tone, so we are caught between a wildly black comedy and an emotionally brutal drama. A firmer footing in either genre would have better defined our react! ions to it. Keanu Reeves plays Jjaks, a man so badly trod upon by fate that his very name is the result of a typo. He arrives back at his mother's house in a lower working-class Minnesota neighborhood to witness the marriage of his older brother (Vincent D'Onofrio) to an obviously reluctant bride (Cameron Diaz). By the time Jjaks is on his way, he's stolen a car, a dog, and his brother's wife. You have to give Baigleman credit for serving up intriguing characters. Unfortunately, he spins the story in circles instead of moving it along. Reeves and Diaz attempt to leave Minnesota, but never quite make it. Reeves repeatedly returns to a boyhood home he hates, always stumbling into his brother's angry clutches. What does work are the performances. Diaz is both sad and strong as the tough cookie who happens to be the smartest character in the movie. D'Onofrio's stupid nastiness is offset by his crushing love for her and an uncontrollable jealousy of Jjaks. Most surprising is Ree! ves, who makes us feel for his angry, unhappy loser by reveali! ng flash es of decency under a toughened exterior. --Rochelle O'Gorman The sizes of these poster is approximately 27x40inches, rolled and in very mint condition never been used or hanged. These are original posters, not a reprint. It is packaged carefully in a sturdy tube. These posters will be shipped via USPS Priority MailCast: Keanu Reeves, Vince D'Onofrio, Cameron Diaz, Dan Aykroyd, Delroy Lindo, Tuesday Weld, Michael Rispoli, Courtney Love Director: Steven Baigleman