- Heavy stock ivory paper
- Embossed Dragonfly on cover
- Handmade craftsmanship
- Acid-Free, archival writing paper
- Measures 5x7"
A new administration and a new approach to dealing with America's enemies have left covert counterterrorism operative Scot Harvath without a job. But when American doctor Julia Gallo is kidnapped in Afghanistan, the terms of her ransom leave the president with only one course of action.
In a dangerous assignment that the United States government will deny any knowledge of, Scot Harvath must secretly infiltrate Kabul's notorious Policharki Prison and free the man the kidnappers demand as ransom - al-Qaeda mastermind, Mustafa Khan.
But when Harvath arrives, he quic! kly learns that there is more to the kidnapping than anyone dares to admit. And as the subterfuge is laid bare, Harvath must examine his own career of hunting down and killing terrorists, and ask himself if he has what it takes to help one of the world's worst go free.
Brimming with the kind of ripped-from-the-headlines authenticity Brad Thor's internationally bestselling novels are known for, The Apostle doubles down on the blockbuster success of The Last Patriot and reaffirms Thor's status as the master of the political thriller.
Unabridged Compact Disk Includes a Bonus MP3 CD of Brad Thor's The Lions Of Lucerne
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Magazine journalist Seneca Hunt is reporting on the opening of Montezuma's tomb in Mexico City when the dig team learns that the remains of the Aztec emperor are missing. Within moments of the discovery, an apparent terrorist attack kills everyone at the site except Seneca, who barely escapes the carnage.
Deter! mined to get answers, Seneca starts investigating. She finds o! ut that someone is stealing the remains of the most infamous mass murderers in history-and plotting to slaughter millions in the name of an ancient cult. Seneca needs to prove the threat really exists while trying to stay one step ahead of those who want her dead. With time running out, she must follow a deadly 2,000-year-old trail that leads back to the death of Jesus Christ.
Praise:
âBold, taut, and masterfully told.ââ"James Rollins, New York Times bestselling author of The Doomsday Key
 âWhat do you get when you cross Indiana Jones with The Da Vinci Code? The Phoenix Apostles, a rollicking! thrill ride with so many twists and turns that you wonât have time to catch your breath!ââ"Tess Gerritsen, New York Times bestselling author of Ice Cold
âSholes and Moore have created a knockout apocalyptic thriller, an epic tale of gold, archaeology, mass murder, ancient prophecy and terrorism.ââ"Douglas Preston, New York Times bestselling author of Impact
âA fascinating, compelling page-turner.ââ"Carla Neggers, New York Times bestselling author of ! Cold Dawn
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When most people finish reading the New Testament, they wonder what happened to the twelve apostles. This newly updated 2nd Edition covers the Lives, Ministries and Deaths of the Original men who turned the world upside-down. New Table of Contents, New Chapters and all new information about these men who first called Jesus Master. Available in Special Edition Hardcover upon request to the Author.
Covering a wide range of topicsâ"such as organic food, alternative energy, yoga, and political activismâ"the book has its roots in 2001's "Simple Organic Living (SOL) Tour." The tour saw Woody and his companionsâ"in! cluding a yoga teacher, a raw food chef, and a confessed "junk! food ju nkie"â"biking down the Pacific coast and talking to people about how to lead a happier, healthier life while using less of the world's resources.
The book also features writing from some of the tour's other participants, as well as from well-known activists such as John Schaeffer, founder and president of Real Goods, a company devoted to creating alternative energy options, and Howard "Twilly" Cannon, former skipper of Greenpeace's Rainbow Warrior.Hypermiling: How to Make Your Car Go Further with Less Gas
Table of Contents
Chapter 1
Introduction page 4
Chapter 2
What is Hypermiling? Page 7
Chapter 3
Why has Hypermiling become so Popular Recently? Page 9
Chapter 4
Drive more Fuel Efficiently page 11
Chapter 5
Keep your Vehicle in Good Working Condition page 14
Chapter 6
What can you Remove to Make your Vehicle Lighter? Page 18
Chapter 7
Is it Time! to get a New Vehicle? Page 20
Chapter 8
Additional Tips that can Help your Car go Further with Less Gas page 22
Chapter 9
Evaluating the Results of your Efforts page 24
Chapter 10
Conclusion page 26
Gas-saving Devices: Fuel Saver or
Consumer Scam?
Table of Contents
Chapter 1
Introduction Page 4
Chapter 2
Oil and Gas Additives Page 7
Chapter 3
Magnetic Devices Page 10
Chapter 4
Air Injection Products Page 12
Chapter 5
Be Wary of the Testimonials that a Product Offers Page 15
Chapter 6
Gas Saving Devices and Products that can Work Page 17
Chapter 7
Save Money on Gas with Hypermiling Strategies Page 21
Chapter 8
Conclusion Page 25
Scooters, Mopeds, and Other Fuel Efficient Vehicles
Chapter 1
Introduction Page 4
Chapter 2
Types of Fue! l Efficient Vehicles Page 5
Chapter 3
Motorcyc! les Page 6
Chapter 4
Mopeds Page 9
Chapter 5
Scooters Page 11
Chapter 6
Hybrids Page 12
Chapter 7
Bio-Diesel Power Page 17
Chapter 8
Top Gas Powered Cars that are Fuel Efficient Page 20
Chapter 9
Conclusion Page 24
Hypermiling: How to Make Your Car Go Further with Less Gas
Table of Contents
Chapter 1
Introduction page 4
Chapter 2
What is Hypermiling? Page 7
Chapter 3
Why has Hypermiling become so Popular Recently? Page 9
Chapter 4
Drive more Fuel Efficiently page 11
Chapter 5
Keep your Vehicle in Good Working Condition page 14
Chapter 6
What can you Remove to Make your Vehicle Lighter? Page 18
Chapter 7
Is it Time to get a New Vehicle? Page 20
Chapter 8
Additional Tips that can Help your Car go Further with Less Gas page 22
Chapter 9
Evaluating the Results of your Effort! s page 24
Chapter 10
Conclusion page 26
Gas-saving Devices: Fuel Saver or
Consumer Scam?
Table of Contents
Chapter 1
Introduction Page 4
Chapter 2
Oil and Gas Additives Page 7
Chapter 3
Magnetic Devices Page 10
Chapter 4
Air Injection Products Page 12
Chapter 5
Be Wary of the Testimonials that a Product Offers Page 15
Chapter 6
Gas Saving Devices and Products that can Work Page 17
Chapter 7
Save Money on Gas with Hypermiling Strategies Page 21
Chapter 8
Conclusion Page 25
Scooters, Mopeds, and Other Fuel Efficient Vehicles
Chapter 1
Introduction Page 4
Chapter 2
Types of Fuel Efficient Vehicles Page 5
Chapter 3
Motorcycles Page 6
Chapter 4
Mopeds Page 9
Chapter 5
Scooters Page 11
Chapter 6
Hybrids Page 12
Chapter 7
Bio-Diesel Power Page 17
Chapter 8
Top Gas Powered Cars that are Fue! l Efficient Page 20
Chapter 9
Conclusion Page 24
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With the BlueAnt S4, there is no longer any need to touch your phone or car speakerphone while driving.
For the first time, drivers can make and receive calls on the road using only their voice.
When the phone rings you won't need to take your eyes off the road to know who is calling because the S4 will read out the caller's name or number and ask you if you want to take the call. All you have to do is say "Answer" or "Ignore"..
. True handsfree voice controlled car speakerphone.
. Make and answer calls using just your voice.
. Text to Speech technology reads out the name of the incoming caller.
. Stores up to 2,000 phonebook entries per paired device.
. Embedded audio help talks you through setup and operation.
. Multipoint: connect to 2 phones and answer the one that rings.
. A2DP streaming for playback of music, podcasts and directions from a GPS application on your phone.
. Full duplex, high volume speaker for rich booming audio.
. Outstanding wind, road, and background noise reduction for clear calls no matter how noisy it is.
. Sleek design with touch sensitive volume controls.
. Zero installation costs (fixes to the car sun visor).
. Hardware on/off switch.
. Up to 20 hours talk time; 700 hours standby.
. 2 year replacement warranty (excludes clip and charger).
Includes: S4 True Handsfree Voice Controlled Car Speakerphone; 1 metal visor clips; Car charger USB cable; User Manual
World War I aviation action gets an impressive digital upgrade in Flyboys, a welcome addition to the "dogfight" sub-genre that includes such previous war-in-the-air films like Hell's Angels, Wings, and The Blue Max. While those earlier films had the advantage of real and genuinely dangerous flight scenes (resulting, in some cases, in fatal accidents during production), Flyboys takes full (and safe) advantage of the digital revo! lution, with intensely photo-realistic recreations of WWI aircraft, authentic period structures, and CGI environments requiring a total of 850 digital effects shots, resulting in an abundance of amazing images, many of them virtually indistinguishable from reality. Unfortunately, the film's technical achievement is more impressive than its screenplay, which conventionally and predictably tells the fact-based story, set in France in 1916, of the daring young pilots of the Lafayette Escadrille, a pioneering French air-combat unit that welcomed American enlistees prior to the United States' entry into the war.
There's a familiar cliché to match every thrilling scene of aerial combat, but director Tony Bill manages to keep it all interesting, from the romance between a young American maverick (James Franco) and a pretty French girl (newcomer Jennifer Decker) to the exciting action in the air, which includes a stock variety of heroes (many of them composites of real-lif! e WWI pilots) and an intimidating villain known only as "The B! lack Fal con," whose Fokker Dr-1 triplane (one of many in the film) recalls the exploits of German "ace of aces" Manfred von Richtofen, the dreaded "Red Baron" of legend. With impeccable production values that will impress even the most nit-picking aviation buffs, Flyboys (like Superman Returns and Apocalypto, also released in 2006) was also one of the first feature films to be shot with Panavision's state-of-the-art Genesis digital cameras, resulting in beautiful images that meet or exceed the visual nuance of film. Flyboys also benefits from painstaking attention to physical detail, making it easier to forgive its shortcomings as a generic and formulaic slice of romanticized history. So while some viewers may have wished for a more realistic and grown-up depiction of the Lafayette Escadrille, it's safe to say that Flyboys will be thrilling its target audience for many years to come. --Jeff Shannon
Extras ! from Flyboys
Director Tony Bill on Filming Dogfight Sequences | ...On throwing away the script for pilot training | ...On the real-life stunt pilot who stars in the film |
Beyond Flyboys
More "War in t! he Sky" Films | SPA124 Lafayette Escadrille: American Volunteer Airmen in World War 1 | More "Military and War" Films |
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FLYBOYS is the true story of young American airmen who were shot down over Chichi Jima. Eight of these young men were captured by Jap! anese troops and taken prisoner. Another was rescued by an American submarine and went on to become president. The reality of what happened to the eight prisoners has remained a secret for almost 60 years. After the war, the American and Japanese governments conspired to cover up the shocking truth. Not even the families of the airmen were informed what had happened to their sons. It has remained a mystery--until now. Critics called James Bradley's last book "the best book on battle ever written." FLYBOYS is even better: more ambitious, more powerful, and more moving. On the island of Chichi Jima those young men would face the ultimate test. Their story--a tale of courage and daring, of war and of death, of men and of hope--will make you proud, and it will break your heart.
In addition to directing, Keaton plays the eldest sister Georgia, a celebrity magazine editor, and Lisa Kudrow is kid sister Maddy, a soap-opera actress who's nearly as self-absorbed as Georgia. They leave it to Eve to care for their declining father (Walter Matthau), a retired screenwriter who slips in and out of lucidity and is, at best, a cantankerous curmudgeon whose estranged wife (Cloris Leachman) has long since severed all family ties. This is potent material--at least it could have been--and Ryan admirably struggles to hold the film together. But it's ultimately a losing battle as the movie, so full of cell phones and disconnected people (hence the title), becomes disconnected itself, offering hollow humor and a few memorable moments with characters whose problems are too minimal to worry about. --Jeff ! ShannonYou've got to admire a movie that embraces womanhoo! d as so few mainstream movies do, and Hanging Up deserves credit for combining issues of sisterhood and elderly parent care while relying on neuroses to carry its unconventional plot. But you've also got to lament this botched "dramedy" from screenwriting sisters Nora and Delia Ephron (adapting the latter's novel) and director Diane Keaton, who lack a coherent plan for illuminating their trio of female siblings. Despite a sharp focus on Meg Ryan as the middle sister Eve--a capable Los Angeles event planner--the movie never quite seems to know where it's going, and you feel like the best scenes are merely happy accidents. In exploring the foibles of family, Keaton fared better with her earlier film Unstrung Heroes.
In addition to directing, Keaton plays the eldest sister Georgia, a celebrity magazine editor, and Lisa Kudrow is kid sister Maddy, a soap-opera actress who's nearly as self-absorbed as Georgia. They leave it to Eve to care for their declining father (Wa! lter Matthau), a retired screenwriter who slips in and out of lucidity and is, at best, a cantankerous curmudgeon whose estranged wife (Cloris Leachman) has long since severed all family ties. This is potent material--at least it could have been--and Ryan admirably struggles to hold the film together. But it's ultimately a losing battle as the movie, so full of cell phones and disconnected people (hence the title), becomes disconnected itself, offering hollow humor and a few memorable moments with characters whose problems are too minimal to worry about. --Jeff ShannonYou've got to admire a movie that embraces womanhood as so few mainstream movies do, and Hanging Up deserves credit for combining issues of sisterhood and elderly parent care while relying on neuroses to carry its unconventional plot. But you've also got to lament this botched "dramedy" from screenwriting sisters Nora and Delia Ephron (adapting the latter's novel) and director Diane Keaton, who ! lack a coherent plan for illuminating their trio of female sib! lings. D espite a sharp focus on Meg Ryan as the middle sister Eve--a capable Los Angeles event planner--the movie never quite seems to know where it's going, and you feel like the best scenes are merely happy accidents. In exploring the foibles of family, Keaton fared better with her earlier film Unstrung Heroes.
In addition to directing, Keaton plays the eldest sister Georgia, a celebrity magazine editor, and Lisa Kudrow is kid sister Maddy, a soap-opera actress who's nearly as self-absorbed as Georgia. They leave it to Eve to care for their declining father (Walter Matthau), a retired screenwriter who slips in and out of lucidity and is, at best, a cantankerous curmudgeon whose estranged wife (Cloris Leachman) has long since severed all family ties. This is potent material--at least it could have been--and Ryan admirably struggles to hold the film together. But it's ultimately a losing battle as the movie, so full of cell phones and disconnected people (hence the title)! , becomes disconnected itself, offering hollow humor and a few memorable moments with characters whose problems are too minimal to worry about. --Jeff ShannonMothers, daughters, wives, friends: These are the women of The Women. Based on Clare Boothe Luce's Broadway success and the hit 1939 movie, this sparkling update (from Murphy Brown creator Diane English) set in Manhattan and featuring an all-star, all-female cast says a lot about what it means to be today's woman and all of it's funny! The story starts with beautiful, smart, accomplished Mary Haines (Meg Ryan) discovering her husband is cheating on her. It's a time when friends are needed, so Mary's gal pals (Annette Bening, Jada Pinkett Smith and Debra Messing) and mother (Candice Bergen) rally round with advice, cocktails and shopping. The Wife vs. the Other Woman (Eva Mendes): Sharpen your claws for a timeless and wonderfully witty battle.For fans of some of America's finest actresses, seeing a film with even! one of the cast members of The Women would be a treat.! But thi s remake of George Cukor's famed girl-trouble ensemble film features Meg Ryan, Annette Bening, Jada Pinkett Smith, Eva Mendes, Debra Messing, Cloris Leachman, Bette Midler, Carrie Fisher, Joanna Gleason, and Candice Bergen--whew!--making it a film that fans of these terrifically talented women can savor. The remake may not have the cat-itude or camp factor of the original, but so what? The cast's chemistry really shines; friendship is thicker than water, it turns out--even stronger than the ties that bind women to their men. Ryan is the good-girl Mary Haines, whose husband, she and her friends learn, is cheating on her with the stunning femme fatale Crystal (Mendes, in the Joan Crawford role)--"a spritzer" at the perfume counter. Quelle horreur! The other women rally around the hapless Mary, staging interventions, offering snappy advice, and plotting battles on behalf of their friend. But it turns out that Ryan's Mary isn't quite as fragile as she seems. Gimlets and g! irl talk--lots of both--go a long way toward getting our heroine through her crisis, and onto a new stage in her life that surprises her husband and more than one of her pals. And the laughs by the appearances of Midler and Bergen, especially, are worth watching the whole film for. --A.T. Hurley