Eleven Minutes: A Novel (P.S.)

• ISBN13: 9780060589288
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Eleven Minutes is the story of Maria, a young girl from a Brazilian village, whose first innocent brushes with love leave her heartbroken. At a tender age, she becomes convinced that she will never find true love, instead believing that "love is a terrible thing that will make you suffer. . . ." A chance meeting in Rio takes her to Geneva, where she dreams of finding fame and fortune. Maria's despairing view of love is put to the test when she meets a handsome young painter. In this odyssey of self-discovery, Maria has to choose between pursuing a path of darkness -- sexual pleasure for its own sake -- or risking everything to find her own "inner light" and the possibility of sacred sex, sex! in the context of love.

This P.S. edition features an extra 16 pages of insights into the book, including author interviews, recommended reading, and more.

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ScanGauge II Ultra Compact 3-in-1 Automotive Computer with Customizable Real-Time Fuel Economy Digital Gauges

• Programmable 3-in-1 automotive trip computer, diagnostic scan tool, and up to 37 digital gauges in one (vehicle dependent)
• Watch fuel consumption, cost-per-mile, coolant temperature, engine speed, horsepower, and much more in real time
• Works on all 1996 or newer OBDII cars, including gas, diesel, propane and hybrid vehicles
• Checks for Diagnostic Trouble Codes (DTCs), clears the codes, and can turn off the "Check Engine" light
• No tools required for installation, small size fits nearly anywhere in the vehicle

Erin (Drew Barrymore) and Garrett (Justin Long) strike sparks for a summer fling in New York City but neither expects it to last once Erin heads home to San Francisco and Garrett remains behind for his Big Apple job. But after six increasingly romantic weeks, neither is sure they want it to end. So despite the opposing coasts, naysaying friends and family an! d a few unexpected temptations, the couple just might have found something like love. And helped by a lot of texting and late-night phone calls, they might actually go the distance.Going the Distance sparkles with wit and true romance--something of a rarity among mass-market romantic comedies. Drew Barrymore and Justin Long, who have been a couple in real life, use their personal chemistry to effective ends in the film. They play Erin and Garrett, geography-crossed lovers who, after a whirlwind romance of six weeks in New York ("Keep it light! Keep it light" they both say, futilely), try to see if they can keep the love fires burning when Erin must move to the West Coast. There are predictable pitfalls and speed bumps that populate any romantic comedy, as well as a sublime supporting cast of friends and siblings. Especially notable is Christina Applegate as Erin's sister, Corinne, jaded and hilarious, and fiercely protective of her sister. But the charm of Going t! he Distance is in the winsomeness of its main stars. Barry! more and Long seem to be acting effortlessly, and their enjoyment of each other's company lets the audience feel a part of the romance. First-time screenwriter Geoff LaTulippe is less focused on zingers that are hard to believe as dialogue, and more on the subtle ways people get to know each other, and enjoy each other--especially with humor. Director Nanette Burstein (documentaries including American Teen and The Kid Stays in the Picture) keeps the action moving deftly and lets the two stars shine--even as they long for one another across the miles. Erin and Garrett's stab at phone sex is laugh-out-loud funny, yet their tender, tentative connection feels real and warm. Going the Distance lets its likable stars cross the finish line, and bring the audience along with them. --A.T. HurleyErin (Drew Barrymore) and Garrett (Justin Long) strike sparks for a summer fling in New York City but neither expects it to last once Erin heads home to San Francisco and G! arrett remains behind for his Big Apple job. But after six romantic weeks, neither is sure they want it to end. So despite opposing coasts, naysaying friends and family and unexpected temptations, the couple just might have found something like love. And helped by a lot of texting and late-night phone calls, they might actually go the distance. Going the Distance sparkles with wit and true romance--something of a rarity among mass-market romantic comedies. Drew Barrymore and Justin Long, who have been a couple in real life, use their personal chemistry to effective ends in the film. They play Erin and Garrett, geography-crossed lovers who, after a whirlwind romance of six weeks in New York ("Keep it light! Keep it light" they both say, futilely), try to see if they can keep the love fires burning when Erin must move to the West Coast. There are predictable pitfalls and speed bumps that populate any romantic comedy, as well as a sublime supporting cast of friends and ! siblings. Especially notable is Christina Applegate as Erin's ! sister, Corinne, jaded and hilarious, and fiercely protective of her sister. But the charm of Going the Distance is in the winsomeness of its main stars. Barrymore and Long seem to be acting effortlessly, and their enjoyment of each other's company lets the audience feel a part of the romance. First-time screenwriter Geoff LaTulippe is less focused on zingers that are hard to believe as dialogue, and more on the subtle ways people get to know each other, and enjoy each other--especially with humor. Director Nanette Burstein (documentaries including American Teen and The Kid Stays in the Picture) keeps the action moving deftly and lets the two stars shine--even as they long for one another across the miles. Erin and Garrett's stab at phone sex is laugh-out-loud funny, yet their tender, tentative connection feels real and warm. Going the Distance lets its likable stars cross the finish line, and bring the audience along with them. --A.T. HurleyOrigin! al soundtrack to the 2010 motion picture. Music plays a big part in the movie's storyline. Going The Distance introduces the UK band, The Boxer Rebellion, to US moviegoers with a live performance by the band at the end of the movie and the soundtrack brings The Boxer Rebellion to physical retail in the US for the first time. The Airborne Toxic Event recorded a special version of their new and unreleased song, 'Half Of Something Else', for the soundtrack.Going the Distance is the compelling saga of George Thomas' quest to prove himself physically and emotionally after a car accident left him with life-threatening epileptic seizures. The story is told vividly through Thomas' eyes as he pedals 2,911 miles in the bicycle Race Across America. As he battles stifling temperatures, grueling climbs, relentless headwinds, heavy rains, tedium and hallucinations from sleep deprivation, Thomas is repeatedly reminded of the even greater obstacles he once had to overcome simply to ride a ! bicycle again. Ultimately, Thomas discovers his journey is mor! e than a n individual accomplishment; it's a platform to inspire others. Going the Distance examines his extraordinary evolution from an ordinary man with an ordinary name to an accomplished ultra-athlete. George Thomas' story is both intriguing and inspiring -- a shining example of courage in the face of enormous odds.The ScanGaugeII is a compact vehicle computer that connects to the diagnostic connector in seconds and gives you an extensive trip computer, real time gauges and trouble code reader. It can read fuel economy as you drive, tell you how fast your friend drove your car last night, tell you when you are going to run out of fuel and dozens of other functions. Installation takes only seconds and requires no tools. It can be moved from car to car. Works on gas, diesel, propane, and hybrid vehicles. The ScanGaugeII works on all OBDII protocols including the new CAN protocol. The ScanGaugeII is a 3-in-1 automotive computer that combines a multifunction trip computer, diagnosti! c scan tool, and up to 37 digital gauges in one small package. It connects easily to your vehicle's On-Board Diagnostic (OBDII) port and communicates directly with the vehicle's computer. Not sure if your car uses OBDII or Controller Area Network (CAN)? The unit will automatically determine which system to use and switch to it. The ScanGaugeII works on all 1996 or newer OBDII cars, including gas, diesel, propane and hybrid vehicles, as well as vehicles with the latest CAN systems. A detachable cable allows for easy transfer between multiple vehicles. Its menu-driven operation means there's no need to memorize complex sequences, and no tools are required for installation.

Expandable Add-A-Gauge Technology
The ScanGaugeII has been redesigned with expandable Add-A-Gauge (aka XGauge) technology. Add to the original 12 gauges by customizing the ScanGaugeII to monitor up to 25 more--depending on your specific vehicle's sensor design. Four gauges can be ! displayed simultaneously and can help determine fuel consump! tion rat es, allowing you to adjust driving behavior and save gas. At the same time, keep an eye on coolant temperature, engine speed, and much more in real time. If there is a young driver in the house or friends borrow your car, the ScanGaugeII can record speeds of up to 158 mph and store the information for you to view later, so you will know just how fast your young driver or friend was going last night. If the unit was disconnected, you'll know: An indicator will be displayed in the trip data.

ScanGaugeII mounts easily to your dash.

Gauges include:

• Horsepower
• Fuel Consumption Rate to 1/100th per gallon/liter
• Vehicle speed (MPH)
• Fuel Economy
• Cost Per Mile/Cost Per Trip
• Manifold Pressu! re (not available on some vehicles)
• Battery Voltage
• Engine Load
• Coolant Temperature
• Throttle Position
• Intake Air Temperature
• Ignition Timing
• Engine Speed (RPM)
• O2 Sensor Data
• Fuel Trim
• Hybrid Battery Charge (for Toyota Prius and Ford Escape)
• And many more, depending on your vehicle's sensor design

ScanGaugeII makes diagnostics easy. View Larger

Scan Tool
The ScanGaugeII includes a diagnostic scan tool that can check for Diagnostic Trouble Codes (DTCs), clear the codes, and turn off the "Check Engine" light on 99% of 1996 and newer vehicles. (However, this feature may not work on some trouble codes in Dodge vehicles.) If any D! TCs are found, the ScanGauge will show how many there are as! well as the codes themselves. Then you can use the Internet or repair manual to find out which is the failed part is, so you can repair it yourself or know what needs to be fixed at the mechanic's shop.

Multifunction Trip Computer
Four sets of data are automatically recorded on the trip computer: Current, Today, Previous Day, and Tank Trip. The "current" trip restarts after the engine has been off for more than 3 minutes. The "today" trip restarts after the vehicle has not moved for 9 hours, and the data from "today" is moved to "previous day" when you restart the car, so you don't have to reset the computer every time you begin a trip. "Tank trip" resets when you fill up the tank. It can provide you with "to empty" data and other useful information, which can be viewed any time during the trip. The trip computer also integrates information from the Cost Per Mile gauge. Simply enter how much you paid per gallon or liter of fuel, and the ScanGauge will aut! omatically calculate the cost of your trips as you drive. The ScanGaugeII features 12 individually stored parameters, including:

ScanGaugeII features 63 backlit colors. View Larger

• Maximum Speed
• Average Speed
• Maximum Coolant Temperature
• Maximum RPM
• Driving Time
• Driving Distance
• Fuel Used
• Fuel Cost
• Trip Fuel Economy
• Distance to Empty
• Time to Empty
• Fuel to Empty

Personalize It
A large, high-contrast LCD display makes viewing the information easy, and both the display and keys are backlit and can be set to off, low, or high. With 63 possible colors, user settings, tank trip data, and vehicle settings that are ! automatically saved, and up to 10 user commands that can be ! stored a nd recalled, the ScanGaugeII can be easily customized to suit your needs.

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Ghost Dog - Way of Samurai - Whitaker Jarmusch 11x17 Poster

• 11x17 INCHES

A black hitman goes by the name Ghost Dog and lives by the code of the samurai.
Genre: Feature Film Urban Action
Rating: R
Release Date: 21-OCT-2003
Media Type: DVDForest Whitaker makes an unlikely modern samurai with his laser-sighted pistols, shabby street clothes, and oddly graceful gait--but then Ghost Dog: The Way of the Samurai is an unusual film. Quirky, contemplative, and at times absurd, it's just the kind offbeat vision we've come to expect from the fiercely independent Jim Jarmusch (Stranger than Paradise, Dead Man). Whitaker is Ghost Dog, a mysterious New York hit man who lives simply on a tenement rooftop and follows a code of behavior outlined in Hagakure: The Book of the Samurai (passages of this book are interspersed throughout the film). When the local mob marks him for death in a complicated cod! e of Mafiosi-style honor, Ghost Dog sends a cryptic message to his foes. "That's poetry. The poetry of war," remarks mobster Henry Silva, with sudden respect upon reading the verse. He could be describing the ethereal beauty of Jarmusch's vision, full of wonderful imagery (a night drive across town seems to float in time) and off-center humor. Though it briefly stalls in a series of assassinations (Jarmusch is no action director), it settles back into character-driven drama in a quietly epic showdown, equal parts samurai adventure, spaghetti western, and existential crime movie. The film is likely too unconventional and offbeat for general audiences, but cult-movie buffs and Jarmusch fans will appreciate his idiosyncratic vision. He finds a strange sense of honor in the clash of Old World traditions, and salutes his heroes with a skewed but sincere respect. --Sean AxmakerForest Whitaker makes an unlikely modern samurai with his laser-sighted pistols, shabby street cl! othes, and oddly graceful gait--but then Ghost Dog: The Way! of the Samurai is an unusual film. Quirky, contemplative, and at times absurd, it's just the kind offbeat vision we've come to expect from the fiercely independent Jim Jarmusch (Stranger than Paradise, Dead Man). Whitaker is Ghost Dog, a mysterious New York hit man who lives simply on a tenement rooftop and follows a code of behavior outlined in Hagakure: The Book of the Samurai (passages of this book are interspersed throughout the film). When the local mob marks him for death in a complicated code of Mafiosi-style honor, Ghost Dog sends a cryptic message to his foes. "That's poetry. The poetry of war," remarks mobster Henry Silva, with sudden respect upon reading the verse. He could be describing the ethereal beauty of Jarmusch's vision, full of wonderful imagery (a night drive across town seems to float in time) and off-center humor. Though it briefly stalls in a series of assassinations (Jarmusch is no action director), it settles back into character-dr! iven drama in a quietly epic showdown, equal parts samurai adventure, spaghetti western, and existential crime movie. The film is likely too unconventional and offbeat for general audiences, but cult-movie buffs and Jarmusch fans will appreciate his idiosyncratic vision. He finds a strange sense of honor in the clash of Old World traditions, and salutes his heroes with a skewed but sincere respect. --Sean AxmakerIndie film director Jim Jarmusch always works an unexpected angle, whether it's offbeat humor, a nonlinear narrative, or specific and idiosyncratic characterization. For his latest film--the story of a ghetto hit man who lives by the codes of the Hagakure, an 18th-century Japanese warrior text--Jarmusch enlisted RZA, a founding member of the Wu-Tang Clan. Instead of imagistic tone poems that serve to reinforce a certain mood, à la Neil Young on Dead Man, RZA offers active gunplay that propels the film's narrative. The 11 tracks serve as an RZA-produce! r showcase, standing as independent pieces, regardless of the ! movie it self. Tracks vary from the subdued "4 Sho Sho," which interpolates Forest Whitaker's interior monologue with RZA's street visions, to the stuttering rhythms of Kool G. Rap's "Cakes." Tekitha's '70s disco groove for "Walkin' Through the Darkness" offers unexpected sensuality, while "The Man" by Masta Killah sets things back on the gangsta tip. --Rob O'Connor Forest Whitaker makes an unlikely modern samurai with his laser-sighted pistols, shabby street clothes, and oddly graceful gait--but then Ghost Dog: The Way of the Samurai is an unusual film. Quirky, contemplative, and at times absurd, it's just the kind offbeat vision we've come to expect from the fiercely independent Jim Jarmusch (Stranger than Paradise, Dead Man). Whitaker is Ghost Dog, a mysterious New York hit man who lives simply on a tenement rooftop and follows a code of behavior outlined in Hagakure: The Book of the Samurai (passages of this book are interspersed throughout the! film). When the local mob marks him for death in a complicated code of Mafiosi-style honor, Ghost Dog sends a cryptic message to his foes. "That's poetry. The poetry of war," remarks mobster Henry Silva, with sudden respect upon reading the verse. He could be describing the ethereal beauty of Jarmusch's vision, full of wonderful imagery (a night drive across town seems to float in time) and off-center humor. Though it briefly stalls in a series of assassinations (Jarmusch is no action director), it settles back into character-driven drama in a quietly epic showdown, equal parts samurai adventure, spaghetti western, and existential crime movie. The film is likely too unconventional and offbeat for general audiences, but cult-movie buffs and Jarmusch fans will appreciate his idiosyncratic vision. He finds a strange sense of honor in the clash of Old World traditions, and salutes his heroes with a skewed but sincere respect. --Sean AxmakerForest Whitaker makes an unlik! ely modern samurai with his laser-sighted pistols, shabby stre! et cloth es, and oddly graceful gait--but then Ghost Dog: The Way of the Samurai is an unusual film. Quirky, contemplative, and at times absurd, it's just the kind offbeat vision we've come to expect from the fiercely independent Jim Jarmusch (Stranger than Paradise, Dead Man). Whitaker is Ghost Dog, a mysterious New York hit man who lives simply on a tenement rooftop and follows a code of behavior outlined in Hagakure: The Book of the Samurai (passages of this book are interspersed throughout the film). When the local mob marks him for death in a complicated code of Mafiosi-style honor, Ghost Dog sends a cryptic message to his foes. "That's poetry. The poetry of war," remarks mobster Henry Silva, with sudden respect upon reading the verse. He could be describing the ethereal beauty of Jarmusch's vision, full of wonderful imagery (a night drive across town seems to float in time) and off-center humor. Though it briefly stalls in a series of assassinations ! (Jarmusch is no action director), it settles back into character-driven drama in a quietly epic showdown, equal parts samurai adventure, spaghetti western, and existential crime movie. The film is likely too unconventional and offbeat for general audiences, but cult-movie buffs and Jarmusch fans will appreciate his idiosyncratic vision. He finds a strange sense of honor in the clash of Old World traditions, and salutes his heroes with a skewed but sincere respect. --Sean Axmaker

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