- HOLLY HUNTER - The Incredibles AUTOGRAPH Signed 8x10 Photo
- Authentic and Hand-Signed by Holly Hunter
- Certified Authentic with a Certificate of Authenticity
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- COA from TopPix Autographs - Member UACC & AFTAL Approved Dealer #103
It won’t be easy. Despite Earl’s good-natured appeals (along with an occasional spectacular display of God’s awesome powers), Grace is nigh on incorrigible. And while each episode features a crime of some ! sort, ranging from murder and child abduction to the theft of ! a millio n-dollar statue of a steer, creator-writer Nancy Miller (who was an executive producer for The Closer, another TNT series with a strong female lead) focuses much more on Grace’s ongoing struggle to accept Earl’s presence ("Why me?" she asks. "I don’t know," comes the reply) and do something to clean up her life. The show’s bluesy, authentic music (including Everlast’s title tune), dry sense of humor, and sexy tone (Hunter, looking very buff, is nearly nude on numerous occasions) are all positive elements; so’s the supporting cast, especially Rippy and Laura San Giacomo (as a police examiner who’s Grace’s best pal). But Saving Grace is all about Holly Hunter, and by and large that’s a very good thing. Bonus features include audio commentary by Miller and others on two episodes and several short featurettes. --Sam GrahamConsidered by many to represent a low point in Steven Spielberg's career, 1990's Always did suggest something o! f a temporary drift in the director's sensibility. A remake of the classic Spencer Tracy film A Guy Named Joe, Always stars Richard Dreyfuss as a Forest Service pilot who takes great risks with his own life to douse wildfires from a plane. After promising his frightened fiancée (Holly Hunter) to keep his feet on the ground and go into teaching, Dreyfuss's character is killed during one last flight. But his spirit wanders restlessly, hopelessly attached to and possessive of Hunter, who can't see or hear him. Then the real conflict begins: a trainee pilot (Brad Johnson), a likable doofus, begins wooing a not-unappreciative Hunter--and it becomes Dreyfuss's heavenly mandate to accept, and even assist in, their budding romance. The trouble with the film is a certain airlessness, a hyper-inventiveness in every scene and sequence that screams of Spielberg's self-education in Hollywood classicism. Unlike the masters he is constantly quoting and emulating! in Always, he forgets to back off and let the movie b! reathe o n its own sometimes, which would better serve his clockwork orchestration of suspense and comedy elsewhere. Still, there are lovely passages in this film, such as the unforgettable look on Dreyfuss's face a half-second before fate claims him. John Goodman contributes good supporting work, and Audrey Hepburn makes her final screen appearance as an angel. --Tom KeoghALWAYS - DVD MovieConsidered by many to represent a low point in Steven Spielberg's career, 1990's Always did suggest something of a temporary drift in the director's sensibility. A remake of the classic Spencer Tracy film A Guy Named Joe, Always stars Richard Dreyfuss as a Forest Service pilot who takes great risks with his own life to douse wildfires from a plane. After promising his frightened fiancée (Holly Hunter) to keep his feet on the ground and go into teaching, Dreyfuss's character is killed during one last flight. But his spirit wanders restlessly, hopelessly att! ached to and possessive of Hunter, who can't see or hear him. Then the real conflict begins: a trainee pilot (Brad Johnson), a likable doofus, begins wooing a not-unappreciative Hunter--and it becomes Dreyfuss's heavenly mandate to accept, and even assist in, their budding romance. The trouble with the film is a certain airlessness, a hyper-inventiveness in every scene and sequence that screams of Spielberg's self-education in Hollywood classicism. Unlike the masters he is constantly quoting and emulating in Always, he forgets to back off and let the movie breathe on its own sometimes, which would better serve his clockwork orchestration of suspense and comedy elsewhere. Still, there are lovely passages in this film, such as the unforgettable look on Dreyfuss's face a half-second before fate claims him. John Goodman contributes good supporting work, and Audrey Hepburn makes her final screen appearance as an angel. --Tom KeoghThis is a great HAND-SIGN! ED 8x10 photo! You could own this picture that has been authentically autographed by this incredible actress. We never sell copies or reproductions of any kind; this photo has been hand-signed by Holly Hunter. This photo was signed in-person at the premiere for Meek's Cutoff in New York City on March 28, 2011. Don't miss your chance to own this fantastic piece of memorabilia!
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