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! Gerard Freeman, at age ten, sneaks into his mother's room ! and unlo cks a secret drawer, only to find a picture of a woman he has never seen before, but one that he will find again and again. His mother discovers him and gives him the beating of his life. Why this excessive reaction? She is a worried, paranoid, thin, and fretful type with an "anxious, haunted look." By tale's end, we know why.
Phyllis Freeman, Gerard's mother, was happiest when speaking fondly of Staplefield, her childhood home, where there were things they "didnât have in Mawson [Australia], chaffinches and mayflies and foxgloves and hawthorn, coopers and farriers and old Mr. Bartholomew who delivered fresh milk and eggs to their house with his horse and cart." It's the sort of childhood idyll that the timid and lonely Gerard believes in and longs for. He strikes up a correspondence with an English "penfriend," Alice Jessel, when he is 13 and a half, living in a desolate place with a frantic mother and a silent father. She is his age, her parents were killed in ! an accident and she has been crippled by it. She now lives in an institution, whose grounds she describes as much the way Staplefield looked. They go through young adulthood together, in letters only, thousands of miles apart, eventuallydeclaring their love for one another.
Interwoven with the narrative of Alice and Gerard's letters are real ghost stories, the creation of Gerard's great-grandmother, Viola. At first, they seem to be scary Victorian tales of the supernatural. Then, we see that they have a spooky way of mirroring, or preceding, events in real life, off the page. Gerard comes upon them, one by one, in mysterious ways, but clearly something, or someone, is leading him. The stories seem to implicate his mother in some nefarious goings-on, but the truth is far worse than Gerard imagines.
Any more would be telling too much. Turn on all the lights in the house when you settle down with this one, and plan to spend a long time reading because you will b! e lost in the story immediately. --Valerie Ryan
Jack Ryan always wanted to play pro ball. But he couldn't hit a curveball, so he turned his attention to less legal pursuits. A tough guy who likes walking the razor's edge, he's just met his match -- and more -- in Nancy. She's a rich man's plaything, seriously into thrills and risk, and together she and Jack are pure heat ready to explode. But when simple housebreaking and burglary give way to the deadly pursuit of a really big! score, the stakes suddenly skyrocket. Because violence and double-cross are the name of this game -- and it's going to take every ounce of cunning Jack and Nancy possess to survive . . . each other.
The Big Bounce is presented here in a high quality paperback edition. This popular classic work by Walter S. Tevis is in the English language, and may not include graphics or images from the original edition. If you enjoy the works of Walter S. Tevis then we highly recommend this publication for your book collection.The Big Bang model is now both theoretically and empirically well established, although it does not explain the mystery of the very beginning of our universe. Over recent years, however, new developments open up the exciting prospect of going "beyond" the Big Bang and even of finding a physical explanation for it. Surprisingly, the ancient idea of a past-eternal universe is being revived, but a variety of other fascinating new approaches -- from the Holographic ! Universe to Cosmic Natural Selection -- are also being pursued! . This b ook provides an up-to-date overview of each of these competing scenarios with original contributions from the world's leading researchers in cosmology, who describe their own work and results in a manner understandable even to non-specialists. "The stellar line-up of contributors to this volume are working at the cutting edge of cosmological research, and are poised to take our understanding of the universe beyond the big bang into an even stranger realm." - Paul Davies. "This book provides a wonderful overview of current ideas on these ultimate cosmic questions, written by scientists working at the forefront of cosmological research."-- Alex Vilenkin.Bounce has electronic voice commands to prompt you through 6 slammin' skill games. Max Bounce: You have only 30 seconds to bounce your fastest. Infinite Bounce: Keep the ball bouncing until you can bounce no more. Hang time: Catch as much air as you can in 5 bounces. Right height: The game calls the shots - hit it high or! hit it low. Little-Middle-Big:Hit it high...hit it low...then hit it in the middle. Free form: Bounce it freestyle - that's any way you like. Bop it. Bounce comes with an electronic game unit, a ball, and instructions. Requires 3 'AAA' batteries (not included).You've got to bounce your best to win in this awesome BOP IT Bounce game! This ball bounce game features an electronic voice command to cue you through six different challenging games: Max Bounce tests how fast you can bounce in 30 seconds, Infinite Bounce tests how long you can keep bouncing, Hang Time tests how high you can bounce, Right Height challenges you to match the shots called by the electronic voice, Little-Middle-Big challenges you to bounce at exactly the right height, and Free For All lets you bounce it out freestyle. Build your skills on your own or compete against your friends to find out who's the ultimate "Bounce Master"!
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Includes electronic voice command! and six different challenging games. View larger. |
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Filipino-American high school student Ben (Dante Mercado) works in a comic book shop to earn money to pay his way into Cal Arts. His father, a postman, is determined that his son--who has won a pre-med scholarship to UCLA--will become a doctor. The eighteenth birthday party of Ben's sister, Rose, sets off a comedic and touching series of events and family struggles that will in turn determine young Ben's future. This fresh independent production from Gene Cajayon ! presents a lighthearted and warm coming-of-age tale filtered through the eyes of an American subculture rarely seen on film.Puberty sucks, and nobody knows it better than 13-year-old Ernest Chin (Jeffrey Chyau). As he watches guests come and go, Ernest finds himself forever stuck at his family's hourly-rate motel, where he divides his time between taking orders from his overbearing mom, cleaning up after whatever miscreants the motel may attract and longing for the girl of his dreams, 15-year-old Christine (Samantha Futerman, MEMOIRS OF A GEISHA). When charismatic Sam Kim (Sung Kang, PEARL HARBOR, BETTER LUCK TOMORROW, THE FAST AND THE FURIOUS: TOKYO DRIFT) checks into the motel, fatherless Ernest is taken under his wing and hustled toward manhood, for better or worse. THE MOTEL is an honest portrait of adolescence as heartfelt and authentic as it is hilarious.Winner of the Humanitas Prize at Sundance 2005, The Motel is a charming feature debut by writer/director Mic! hael Kang. Between Kang and producer Gina Kwon (Me and You ! and Ever yone We Know), this chronicle of adolescent sexual exploration shares the clean, contemporary look of Miranda July's film, and also Dayton/Faris's recent release, Little Miss Sunshine. Interestingly, all three examinations of humanity's awkwardness star nerdy, charismatic children. Punctuated by spare dialogue, The Motel follows Ernest (Jeffrey Chyau), a thirteen year-old Chinese American boy whose family runs a roach motel primarily visited by prostitutes and druggies. Ernest's mother and grandfather strictly enforce their depressing traditional family work ethic, squashing Ernest's hopes of winning a writing contest that he has secretly entered, for example. As Ernest cleans scummy rooms, he discovers porno magazines and other evidence of raunchy sexual escapades. Intrigued but shy about his sexual prospects, Ernest casually enlists his semi-girlfriend, Christine (Samantha Futerman) to explore magazine images with him. Funny, touching scenes of Ernest wit! h his little sister's stuffed toy bunny, to name one, remind the viewer of that curious age when sex is mysterious but tangible. When renegade adult, Sam Kim (Sung Kang), moves into the motel to drink and cavort with women, Ernest befriends him and takes tips. Eventually Ernest realizes that he's a gentleman as he begins to understand the subtleties of love. In this film marked by sincerity, one can't help but think of the protagonist's name metaphorically. --Trinie Dalton